Today’s review is about redemption! My first experiences with Milani and Clinique blushes were not very good, but I decided to give them another chance. With one brand it was worth the risk, but not so much with the other.
Milani Rose Powder Blush in Coral Cove
Coral Cove in varying amounts of sunlight.
This was the first Milani blush I purchased, and it was almost my last. This brand is so hyped up when it comes to blushes. I’ve never heard a single criticism about them, so while I was in the midst of making my original MAC blush post, I decided to give Coral Cove a try to compare. This blush is shockingly chalky and gives a low color payout. I can build it up on my cheeks, but it’s not just a matter of the shade not being pigmented enough. I really dislike this formula. The rose imprint and the color are nice, but I will never reach for this again.
Milani Sunrise Serenità
This shade and Cocoa Felicita are the newest additions to Milani’s line of baked blushes. They are the reason I decided to give the brand another try. I figured it was possible that when everyone raved about their blush formula, they might have been talking about the baked ones. I can say that I do enjoy these. They are much better than the rose powder blushes.
This particular shade works more as a highlighter or blush topper on me.
Milani Cocoa Felicità
In Yours Colourfully’s review video, she mentions that the blushes in the original packaging (with gold bottoms) were made in Italy. I expected to see the two new ones with this packaging (black bottoms) but the Sunset Passione shade that I’ll discuss after isn’t a new shade but was sent to me in the new packaging and was made in the US too. So, perhaps the original packaging is being phased out and all of the newly produced baked blushes are being made in the US now. I’m mentioning this because although I like these blushes, they have an insane amount of kickup! I don’t know if these are meant to be like this or if there was a formula change. On all three blushes, the powder you see around the edges were like that when I opened the package. The blushes weren’t even used yet when I took the pictures. And once I did start using them with my goat hair blush brush, a ton of powder came up with it. It has the most kickup I’ve seen from a blush or any other baked/pressed powder! When I switched to a synthetic brush, it lessened the amount of powder picked up, but there was still a moderate amount of kickup.
This shade works the best for me as a blush. I really like it! It’s not as dark as I expected from looking at it in the pan, but it’s the darkest shade in the line. I would like to see other deeper toned blushes from Milani in the future.
Milani Sunset Passione
This shade is very similar to Cocoa Felicita, but a little lighter and a little more rosy toned.
It’s a little harder to see on camera. In person, it still looks subtle on my cheeks with the exception of the obvious shimmer.
CliniqueWarm Up Cheek Pop Palette 2019
I bought this holiday palette last year and barely used it. The shades Blush and Sorbet were limited edition, but Cola Pop is a permanent single blush in Clinique’s Cheek Pop Blush line. The reason I wanted this item was to try out Cola Pop and for the ability to mix the shades for additional color combinations, but I just didn’t like how any of them looked on me.
All 3 shades mixed together.
They brought back this palette with the same name but the only shade from the original is Cola. The two lighter blushes are different.
Clinique Holiday Cheek Pop Palette 2020
I told myself not to buy this year’s palette but my curiosity got the better of me. I knew the Black Honey shade would show up on me, based on another video from Yours Colourfully, and I really wanted the highlighter. I purchased this during Sephora’s Friends and Family sale, so the price was a great value. I like that this formula is more matte. The blushes from last year were more satin than matte. The packaging also feels sturdier and better quality, as this includes a mirror in the lid, unlike the one from last year. I like the highlighter, but unfortunately, I still don’t like how these blush shades look on me either.
The Gold Celebration shade is used as highlighter over a different blush (I forgot which blush I used).
I think I can officially say the Clinique blush formula just isn’t for me. They aren’t bad blushes at all, and if you like them already, these palettes are a fantastic deal. It comes down to a matter of preference for me and how they look on my skin in person.
Clinique Comparisons
Overall, my second chance blush experiment was a success because it helped me fine tune what my preferences are. I’m glad I could finally try Milani’s blushes in a formula that I can recommend. Although Cocoa Felicita is the only shade that I will use as a true standalone blush, at $7.99 each (I used a first time customer discount code so it was even less) these didn’t break the bank. Do I still recommend waiting for MAC to have another 30-40% blush sale and purchase from them instead? Honestly, yes. But this is a decent alternative for those who don’t want to wait.
I’ve never been one to fawn over brands. There are some companies whose products I really like, and I speak about them highly, but when it comes to Clionadh Cosmetics I fully acknowledge I am a Stan.
I respect the company so much because of their amazing customer service, social media presence, and support of customers, creators, and even other indie brands. The biggest reason is of course their phenomenal eyeshadows. Their standard eyeshadow collections are fantastic (and underrated) but their Stained Glass Collection is several tiers above the rest. Other brands can make multichromes and do a decent job, but no one has been able to replicate Clionadh’s “mirror” finish in their Jewelled multichrome formula. Leigh and Maggie have created truly extraordinary eyeshadows.
THE ORDERING PROCESS / DELAYS
When I first heard about Clionadh, they were already popular. It was just a two-person team handmaking everything. The processing time was 20 business days and it was not uncommon having to wait 1-2 months for an order to arrive from Canada where they are based. However, they had a huge boom on January 21st, 2020 with their belated Black Friday sale. They had a new workspace and hired a few employees, but the demand was so massive that things were selling out within minutes. In order to give everyone a fair shot, they turned the Stained Glass collection into a pre-order collection and on February 4th they made preorders available and honored the sale price for the first two days. This is the reason why what once took a few months turned into a 2-5 month wait. In one of their updates they explained, “In total, we received more orders from this single restock than we did the entirety of 2019.”
This process became a lesson in patience for me. For the January 21st restock, I checked out 14 minutes after the launch and received my order on February 18th. For the February 4th Pre-Order launch (planned to ship in April), I was better prepared and checked out two minutes after the launch. However, I combined that order with my later February 25th order. So, my package arrived on July 8th. My March 4th order was also part of the April pre-orders and arrived on August 4th.
The COVID-19 pandemic with social distancing restrictions caused a far greater delay than anyone could have anticipated. This is the reason Clionadh didn’t catch up with everything until November 30th. That included closing their store for a month in order to complete the pending orders, build up inventory to reopen, move to an even larger space, hire additional help, order two custom pressing machines, and transfer their website to a different e-commerce platform. They have since reopened and from December 18th – December 31st, their biggest restock/sale yet has been underway. My intention was to post this before the sale, but my final order did not arrive in time for that to be possible.
Regarding the current sale, they plan to ship the standard orders after the holidays (January 2021) for the current inventory they have in stock. All orders containing a pre-order item will begin shipping in late February. This is a reasonable amount of time considering how long it takes to create new shadows, so it appears they won’t be as backed up in 2021 as they were this year.
This post has been many months in the making. I kept debating whether or not to post considering I still had so many pending orders. Ultimately, I decided to work on this a little at a time, as my orders came in, so I could finally make a giant 2020 Clionadh Collection post all in one!
PRICING
One of my initial deterrents from the brand was the cost of a single eyeshadow. Prior to watching Lauren Mae Beauty’s video, which is when I decided to finally try out the brand during their next sale, I only knew of Clionadh from photos on Instagram. I thought those pictures had been photoshopped or enhanced in some way because I didn’t think eyeshadows could ever look like that in real life. The irony is that they look even more stunning in person! At the time, I didn’t want to spend $25 on a shadow when I’d already been a little disappointed by the $15 multichromes I purchased from Sydney Grace. What I didn’t take into consideration is that the prices listed were in CAD, which is higher than USD. It’s only the most expensive shades, the Jewelled multichromes, which are 25 CAD at full price and $19 USD. Their website now has a conversion changer, which makes things easier to calculate.
Terra Moons Extreme Multichromes are $17, Sydney Grace Pressed Multichromes are $15, and JD Glow Multichromes are $16. Devinah Cosmetics shadows in the Butterfly Kaleidoscope Collection are $10, but the shifts are a lot weaker than the multichromes from the other brands. Devinah now has Aurorae Flares for $16 which are comparable to Clionadh’s Jewelled multichromes. They are the closest in quality that I have seen, though Clionadh’s are still just a touch better in my opinion due to that mirror shine. However, they are nearly identical enough that I would suggest if you live in the US and don’t already have the equivalent Clionadh shades to the Aurorae Flare shadows, you’d be saving $3 per shadow going with the Devinah options.
Clionadh’s prices for multichromes within the Stained Glass collection range from $8-19 USD. The duochromes from their other collections, which still have strong shifts depending on the shades, range from $5-6 USD. Devinah’s Duochromes are $8 with regular shadows as low as $5. Terra Moons’ are $6-13. Lethal Cosmetics Duochromes are $6.50-7. Give Me Glow’s regular shimmers are $7. JDGlow’s regular shimmers are $7.50. So, Clionadh’s eyeshadows are on par or better price-wise than other indie brands. Other brands have more sales though and some are at deeper discounts, so it just depends.
The cost of shipping to the US is around $11 (15 CAD) but it is tracked and insured. My last Terra Moons order cost me $7.29 insured shipping (free if you spend $65). Considering Clionadh is based in another country whereas Terra Moons is based in Tampa about one hour from where I live, I think it’s a pretty good deal. In addition, Clionadh knows that it would be so disappointing to wait months and have anything arrive broken, so they pack them the most securely of any brand. It takes me quite a while to unpack the shadows from all the bubble wrap!
THE STAINED GLASS COLLECTION
I will be categorizing by formula and showcasing eye swatches. Arm swatches and other comparisons will be towards the end of the post. For eye swatches, I used Nyx Glitter Primer on shimmers and MAC Paint Pot for mattes. For arm swatches, I used Nyx Glitter Primer on the Stained Glass Collection and Urban Decay Primer Potion on the standard collection.
Series 1 Iridescent Multichromes
These appear white in the pan but have color shifts and a transparent base. They are recommended to be used as lid topper shades and highlighters for the eyes and face.
Umbra has “colour shifting reflects that go from blue-indigo-violet-pink.” This is the only one I have in this formula because although this kind of eyeshadow still works for me and is beautiful, it takes a bit of rubbing to make the white part of the powder disappear. It gets messy when I have to rub the shade rather than gently patting it onto my glitter-glue-primed eyes which I use to avoid fallout.
Series 2 Iridescent Multichromes
With Series 2, Clionadh says, “We don’t recommend using these on their own as a shadow because their formula is so thin and slippery, thus it doesn’t have the same adhesion a regular shadow would need on its own. But they certainly are perfect for the inner corner or brow bone.”
Of course, I still put them all over the lid for demonstration purposes. You can see a few sparse areas despite me building up these shades because they aren’t meant to be opaque. I currently have two shades and I was able to buy one more during the sale, which I will review in a future post.
Lux has “colour shifting reflects that go from yellow-lime-turquoise-violet with a slightly more glittery finish.” This shade is so reflective and beautiful that I literally gasped when I first swatched it. My camera doesn’t come close to doing it justice!
UV has “colour shifting reflects that go from violet-peach.” I can’t really see the peach on my skin tone but the shade of purple is beautiful and I’m happy with how it looks. It practically glows!
Overall, Series 1 feels a little more powdery and Series 2 does appear to have a more invisible base. With Series 2, I don’t have the same issue of needing to rub it in for the color to show. The regular application process is enough.
Deep Iridescent Multichromes
The Deep Iridescent Multichromes have a tan base which makes them easier for customers with medium to deep skin tones to wear without a white cast. They still look gorgeous on every skin tone though. I have 2 of 5 shades but I ordered two more during the restock. Clionadh mentioned plans to add new shades to the Stained Glass collection. I’m hoping they will expand the shades in the Deep Iridescent multichrome range, especially if they create a purple to top the ones I have from the Iridescent Series 1 and 2. A girl can dream!
These shadows go on easily and definitely don’t leave a cast. They look glittery but are super smooth in texture. Of all the iridescent formulas, this is my favorite!
Verte is an “emerald-turquoise-purple-pink shifter with a medium, cool tan base.” This is another shade that made me audibly gasp. It’s one of my favorite shades from Clionadh’s entire collection and just my eyeshadows in general. It completely exceeded my expectations. I have quite a few green to purple shifting shades, but these tones are unlike anything else I’ve seen before!
Vermillion has a “light, warm tan base that shifts pink-orange-gold-lime.” It’s not easy for me to be impressed by pink shades but this one is very pretty. It’s a smoother and shiftier version of Devinah’s Tocana.
Iridescent Glitter Multichromes
The Glitter-Type Iridescent Multichromes aren’t pressed glitters. They have larger particles than most of the other shadows though, so I highly recommend using a glitter primer/glitter glue. Clionadh recommends this as well, along with, “applying them with your finger or a shader brush sprayed with a setting spray. Don’t swipe.”
Gilding “has a translucent base that reflects bright gold-silver-green-turquoise.” The eyeshadows in this line are so incredibly beautiful, but because I prefer smaller sized glitter specks, this is the only one I intend to have in this formula. Also, I love how intense this is, but I wish the silver wasn’t there. On my complexion, the silver looks like unblended white powder in comparison to all the gold.
Glitter Multichromes
The Glitter Multichromes are once again not pressed glitters or plastic-based glitters. Clionadh says, “These have varying levels of opacity in the base colour and varying sizes of glitter particles. They are safe to use on the eyes.”
I have 19 out of the 23 currently in the collection. The missing shades are Corrosion, Ornamental, Kaleidoscope, and Engrave. From pictures alone, those four don’t look the most unique or shifty to me, so I decided not to buy them just for the sake of wanting to complete the set.
Abrasion “has a semi-sheer burgundy base with large glitter particles that shift turquoise-indigo-violet.” The color it looks in the pan is so similar to a multitude of duochromes I’ve seen before, even from mainstream brands, but when it’s actually swatched and put on the eyes, you can see how multi-dimensional it is. It’s so much more special than I thought!
Grisaille “has a semi-pigmented terracotta base with medium glitter particles that shift turquoise-indigo-violet-pink.” This shade looked similar to Abrasion in the pan, but the base color changes the look on the eyes. Abrasion has a stronger turquoise shift whereas the sparkle in this appears more minty green, even though it isn’t described that way on the website. Pavonine from Devinah Cosmetics is a bit similar to this shade.
Opulent has “a warm purple-brown base (almost rose gold) with medium glitter particles that shift orange-gold-green-turquoise.” Certain shades don’t shift the way it is described, and I thought it might be due to my darkly pigmented eyelids, but I couldn’t see the other colors on my finger either. When I wear this one, it shifts from dark rose gold to a lighter and brighter gold, but that’s about all I can see. Perhaps the others show in different lighting. As it stands, the tone still makes it unique when seen in person.
Enamel “has a semi-sheer lavender base with small glitter particles that shift blue-violet-pink.” This shade is gorgeous! I absolutely love the color, but I’ve discovered that thinking a color is beautiful doesn’t mean I’ll love how it looks on me. For my comfort zone, this one is a little too pastel-bright to be used all over the lid. However, when this is patted on top of other eyeshadows in strategic places, I absolutely love how it looks! If Clionadh makes a shade in 2021 that has a deeper purple base (similar to Stencil) with a blue-violet-lavender shift I would be all over it!
Chandelier has “a sheer pale mustard yellow base with small glitter particles that shift turquoise-indigo-violet-pink.” This shade surprised me. I typically don’t like shadows this light, but the shifts make this so wearable and flattering. It’s such a unique take on what could have been a typical goldish green, especially with how it looks so intensely turquoise at night. This is one of my favorites to wear alone or combined with other eye looks to give it extra oomph.
Glazed “Has a sheer lilac base with large glitter particles that shift pink-orange-gold.” I’ve learned that lighter purples are not my favorite and this pulls very white-gold/baby pink on me, which I also don’t like. Combine this with the larger glitter particles, and therefore added mess risk factor, and it becomes clear that this shade isn’t for me. Objectively speaking, it’s a pretty color though. On my eyelid, in this photo, it looks more strongly pink. At night, when the lighting shifts, the lilac is a bit more apparent and looks like the color on my finger.
Sunbeam “has a sheer pink base with small/medium glitter particles that shift pale gold-lime-turquoise.” I have a few pink shadows with gold shimmer in my collection that I think are actually quite pretty: Pinkleberry from Coloured Raine, Meadowhawk and Golden Rose from Sydney Grace, and Empress from Devinah. This shade is more like Devinah’s Pixy Stix Xploder where it looks pink on my finger and in swatches, but on my dark eyelids, it looks incredibly light in a way I couldn’t have predicted. I have an easier time seeing the gold lime and turquoise at night when the lighting is different.
Ciel “has a semi-pigmented sky blue base with large glitter particles that shift gold-green-blue.” Ciel and Ripple aren’t typically the kind of blues that I like, but I thought if anyone could make me like this kind of color it would be Clionadh. Although it isn’t my favorite, I still use it from time to time. In the daytime, the lighter sky blue is more visible whereas, at night, it looks closer to the pan color.
Ripple has “a sheer aqua-green base with large glitter particles that shift turquoise-indigo-violet.” This shade looks similar to Ciel overall, but the shifts are different. It’s not easy for me to detect that shift in person or in photos though. I’ve noticed that quite a lot of the lighter shades look deeper at night, but with this one there wasn’t much of a difference. At sharp angles, I can see the violet, but it’s still just not easy for me to see.
Carving “has a sheer, grungy, light brown base with medium/large glitter particles that shift turquoise-indigo-violet-pink.” I still haven’t decided if I like this shade or not. I’ve only worn it twice, so perhaps I’ll have a stronger opinion once I’ve worn it more. The pinkish turquoise gives it an interesting twist and I don’t recall having anything quite like it in my collection, though it gives me similar vibes to Grisaille and Abrasion.
Stencil “has a semi-pigmented deep blue base with medium glitter particles that shift violet-pink-orange-gold.” I have purple-pink eyeshadows but nothing with this exact tone. Wow! It is so beautiful. If you’re a purple lover, this is an absolute must-have!
Tracery “has a semi-pigmented purple base with large glitter particles that shift indigo-pink-orange.” The purple and pink in this shade are close in tone, so the shift isn’t as apparent in person or on camera. I can see the variances between the indigo and pink, but I’ve yet to see orange.
Spotlight “has a semi-sheer hot pink base with medium/large glitter particles that shift blue-indigo-pink.” I didn’t buy this shade based on the color in the pan. It was entirely based on how it looked in swatches where the hot pink takes on more of a purple tone. It still isn’t as purple as I had expected it to turn but, it’s an interesting shade. It’s not my favorite but I don’t hate it.
Translucency “has a sheer baby pink base with small glitter particles that shift blue-indigo-violet-pink, and tiny gold sparkles.” The way it looks in the daytime isn’t my kind of color, but how it looks at night is beautiful to me. It’s the kind of shade I prefer to use as a topper and not as a one-and-done eyeshadow.
Emboss “has a semi-pigmented salmon base with small/medium glitter particles that shift lime-turquoise-blue.” On my eyelids, this looks a bit similar to how Carving and Sunbeam looked in regular daylight lighting. At night, I have an easier time seeing the lime and turquoise. I think I prefer Carving over Emboss, but I like Emboss more than Sunbeam.
Blaze has “a sheer orange base with medium glitter particles that shift peach-gold-lime.” Blaze reminds me of Vermillion but with a less noticeable shift due to the peach, gold, and lime being all light tones and therefore harder to see without as much contrast in color. This is close to Devinah’s Tocana shade.
Torch has “a pigmented copper base with medium glitter particles that shift red-orange-gold.” This is very pretty but very hard to see a shift with indoor lighting. While outdoors, it was very easy to see orange and gold. This shade is like a toned-down version of Kiln.
Glazier’s Mark “has a sheer orange base with medium glitter particles that shift indigo-violet-pink-orange.” My brain keeps saying I’ve seen shadows like this before, but everything I’ve tried to compare this to isn’t similar enough. On Temptalia’s blog, Enigma from Lethal Cosmetics and Magenta Dreams from Sydney Grace are some cited dupes that I also thought about based on the color in the pan. The way they look on my eyelids is where the biggest differences between them are seen and why I don’t think I have a close enough dupe. I think the choice to use an orange base, yet maintaining the magenta look, is what makes it a bit more unique.
Foiling “has a pigmented warm gold base with medium/large glitter particles that shift orange-gold-lime.” This doesn’t show a shift easily. While outdoors, I can see the orange and gold, but still not the lime. I’m happy to have this because the glitter intensity and level of warmth in this gold shadow still make it stand out in my collection.
Hybrid Multichromes
The Hybrid Multichromes are supposed to be the middle ground between the Jewelled and Glitter Multichromes as they “behave more like the small/medium particle glitters, but with the tones of the Jewelled Multichromes.” They can be applied sheer for a wash of color or packed on for full opacity.
Because these are intended to be similar to my two favorite formulas in the Stained Glass collection, I had high expectations. I thought the shifts would be even stronger than the Glitter formula or essentially Jewelled shades without the black base. Shard, Embroidery, and Rose Line have lived up to that assumption but Medieval and Tapestry need particular lighting and a wet base to stand out like the others. It’s confusing because sometimes I wear those two and I’m amazed by their beauty but other times (again, due to lighting) they look dull and not as shifty.
I like that this collection has smaller particles and the fact that they still have visible shifts. I have five of the eight shades in this formula and while I’m constantly tempted to complete the collection, I keep thinking about my mixed feelings over Medieval and Tapestry, so it holds me back.
Medieval “has a warm brown base with medium glitter particles that shift indigo-violet-red-orange.” While Glitter Glue isn’t a necessity, I feel that it takes a tacky wet base to have a better shot at seeing all the color-shifting nuances in this shade. I like Abrasion more than Medieval, and that one is less expensive. This is still pretty. I just expected more from it.
Embroidery “has a grey base with small/medium glitter particles that shift lime-blue-purple. The shift is very clear to see on my finger. On my eyes, it’s just a hint, but it’s such a beautiful color that I don’t mind. You can see just a tinge of blue on the outer corner of my eye in the lid picture.
Shard “has a brown base with small/medium glitter particles that shift turquoise-indigo-violet-red.” Look how gorgeous it is on my finger! In some lighting this reminds me of Abrasion and in some lighting, it reminds me of Grisaille. This makes it different and interesting enough that I would probably still buy it if I knew at the time of purchase what I know now.
Tapestry “has a grey base with small glitter particles that shift blue-indigo-violet.” Like Medieval, I only like how this looks when applied wet and on a sticky base. It’s a pretty shadow, especially if you like blues with a tinge of purple, as opposed to purples with a tinge of blue. I am admittedly the latter.
Rose Line “has a brown base with medium glitter particles that shift rose-orange-yellow.” The rose and orange tones are very easy to see. I haven’t been able to see the yellow on my finger, but it’s faintly visible in the outer corner of my eye. Even with just the rose and orange, I’m happy with how it looks.
Jewelled Multichromes
These are the crown jewels of Clionadh’s collections and of the Stained Glass formula. They state, “The Jewelled Multichromes are finely milled, ultra rich pigments. They have a black base and intense colour shifting reflects. They’re packed with a high pigment concentration, so the end result is a saturated, vibrantly shifting shadow.” This is the bar which all other multichromes are compared to for me. They have yet to be surpassed and I have nicknamed them the Rolls Royces of eyeshadows!
I have 9 out of 20. Aside from buying some for my sister, I may get 1 or 2 more in the future. The oranges and yellows are where I have gaps in my Clionadh collection.
Gothic “shifts violet-pink-red-orange-gold.” This shade reminds me of an oil slick. It’s a beautiful warm purple and the shifts are very apparent in person. This isn’t a unique shade among multichromes, but from my research, this seems to be the best version of this color combo that anyone can buy.
Smoulder “shifts magenta-orange-gold-lime.” The magenta dominates this shade. I found it interesting that I could see the lime and orange on my eye, but I couldn’t capture the lime shade on my finger. The magenta, orange, and gold are very easy to see. It reminds me of Pat Mcgrath’s Sextraterrestrial shade, but replacing the magenta with pink. I’ve heard Forge is a closer dupe to Sextraterrestrial, which is why I didn’t buy Forge. Devinah’s Australis shade is very close to this.
Kiln “shifts red-orange-gold.” Green and purple have always been my favorite eyeshadow colors, so you can imagine my surprise that this shade became my most used shadow from the Jewelled formula. It reminds me of sunsets; which yellow, orange, and red tend to be one of my go-to color combos. This also reminds me of Autumn and beautiful changing leaf colors. The leaves stay green in Florida, so I’ve always been a little fascinated by that process in other parts of the world.
Weld “shifts grungy rose pink-antique gold-lime-teal-navy.” I bought this shadow specifically as a more neutral-leaning shade. I thought it would be cool to have that antique gold, which would look like a brown and blend in with my skin, which could also shift in different lighting to show an intense lime. When I wore this, I could see a little pink mixing in with the antique gold in the center of my lid, which again gave me Sextraterrestrial vibes, but it wasn’t strong enough for me to capture in the pictures.
Patina “shifts gold-lime-emerald-turquoise.” There is no doubt that this green is striking. In fact, it’s a little intimidating. I still have yet to use Patina to its full potential because I’ve been drawn to the other greens in this collection. I would say that simple eye looks are better with intensely shifting multichromes because nothing should detract from the beauty of each shade on its own. However, I want to reserve Patina as the surprise pop to a look; to elevate a look that might be otherwise boring.
Oculus “shifts turquoise-blue-violet-pink-red-orange-gold.” I can see why this is one of the most popular shades in the Stained Glass collection. It’s one of the most shifty shades of all of them and I could easily see all the colors described on the website!
Crown Glass “shifts teal-indigo-pink-red-orange-gold.” This shade and Oculus are very similar in their shifts, but I just could not decide between them. I chose Crown Glass first, but since I wasn’t totally satisfied and kept thinking about Oculus I decided to get that one as well. I thought this would be my favorite of the two because it leans more purple, however, with Oculus I still get purple and I think I favor the turquoise in that one over the teal in Crown Glass. I recommend getting at least one of the two because they are such standout shades in the collection.
Rosette “shifts indigo-violet-red-orange-gold.” I almost skipped out on getting this shade because I thought I had too many purples and didn’t want to get another one too similar to the others, but this is my favorite purple-dominating shade of them all! It’s what I wanted from the shade Spire, but with more shifts and leaning more purple than blue. I love it!
Spire “shifts royal blue-violet-red-orange.” This is actually the first Jewelled multichrome I purchased from Clionadh. Although the purple and blue are so close as to make the shift harder to see, I could still see the potential this collection had. I figured if I was pleased with this less obvious shifting shade, I would definitely love the others. This is great for dark dramatic looks, which I don’t do often, but it’s nice to have it available to me.
Pastel Multichromes
These “have a soft, sheer, grungy, grey base with bright, metallic coloured reflects.” They are a less intense version of the Jewelled multichromes. I like intense eyeshadows, so I honestly just bought one of the four in order to try out the formula in person to see what it was like for myself.
Turret has a “neutral grey base that shifts lilac-pink-orange-gold.” If I hadn’t read the description, I would have never known this was a multichrome. When I study the shade very hard, I can see a bit of a pink hue in the lilac, but the lilac color dominates. Despite this not being a favorite of mine, it still made me curious about the other pastel shades. However, I don’t see myself buying them when I know they aren’t intended to make a statement.
Vibrant Multichromes
Clionadh describes these best: “They behave more like the small/medium particle Glitter Multichromes. They have intense colour shifting reflects and colourful, saturated bases.“
These are extremely sparkly and glittery, even more than the glitter multichromes, despite these having just as small of glitter particles as them.
I have half of the collection, but I think that’s where I will stop. If I get another vibrant multichrome in the future, it would be Majesty.
Bloodline “has a burgundy-berry base that shifts gold-green-turquoise-blue-purple.” This is definitely my most used shade of the Vibrant multichromes, and among the top most used of the Stained Glass collection. In February’s preorder sale, this was the second shade to sell out. It’s definitely one of the favorites. The berry tones don’t show on me as much as I expected, but I still love this shade so much. When I’m looking to add a little more red/warmth, I pat a little bit of Kiln on top and it gives me exactly what I am looking for!
I have an example of this from a photo I uploaded to Instagram as seen above. Perhaps in the future I will make another blog post or a series of photos on Instagram showing new shades that can be created when combining two Stained Glass shadows together.
Royalty “has a grape purple base that shifts pink-gold-green-turquoise-blue-purple.” I wish the way it looked on my finger was how it looked on my eyelids. It’s more of a cool purple-blue than the vivid purple I had hoped for. However, this is a beloved shade and it was the first to sell out during the initial round of preorders. I may be able to create the shade I envisioned by patting one of the Stained Glass purples or blues on top, like Crown Glass. During the current sale that started December 18th, Clionadh released a very similar shade to this called Regal which has a blue base.
Crown Jewel “has a bright blue base that shifts gold-turquoise-blue.” It’s gorgeous and serves as another example of an eyeshadow shade I don’t wear but bought anyway purely because I couldn’t resist that stunning blue hue!
Heirloom “has a teal green base that shifts gold-green-turquoise.” Green and gold is a classic combo, but the base color is what gives this shade a unique twist. It’s such a fascinating shade that I don’t utilize enough.
CLIONADH’S OTHER EYESHADOW COLLECTIONS
Before we get into the shades from the different collections, I wanted to mention the Koala Charity eyeshadows that Clionadh said, “100% of the proceeds will be donated. This time to Wires Wildlife Rescue & Wildlife Victoria Emergency Funds, which benefit the wildlife affected by the Australian bushfires.” They kept their word, and although these shadows are no longer available, Clionadh plans to have another charity to support in 2021.
What I also needed to say about the standard eyeshadows is that the mattes are incredibly fragile! One arrived partially broken and one arrived with cracks, two broke when I accidentally dropped my palette (those are on me), but the last one literally shattered apart when I was placing the shadow into my magnetic palette. The draw of the magnet on the pan was so strong it slipped from my fingers a touch too high and that did it. So, please use the absolute most caution when handling the mattes. Clionadh mentioned at one point debating whether or not to continue imprinting their logo into some of the shadows for fear it would make some of them more fragile and they ultimately decided to just skip imprinting the delicate ones. The nice thing about the mattes is they do press back easily and perfectly using the dry pressing method. The quality of them is really nice. Just use care. If your shadows break in transit, they will replace them for you, but I haven’t gone through that process myself. Considering how busy they are and the shipping cost, I didn’t want to give them the trouble, especially now that I know how to fix them to look brand new.
Lastly, Clionadh updated their Witchcraft vs Alchemy Bundle (the duochrome collection) to include all the shades in the range. The largest one used to be missing a few shades and some shadows in the collection weren’t part of the main bundle or the “Additional Shadows Bundle.” Now you can get all 26 in one bundle. I also saw an option to create your own custom bundle of 6, but it was taken down before the sale.
Prophecy – from Team Witchcraft. This is the pinkish gold type of shade I always want, but when some brands make this kind of color, it looks more white than pink on my lids. This one is the same as the pan color, which makes me very happy.
Panacea – from Team Alchemy. It’s a vibrant beautiful “grape purple with pink reflect” that I recommend to any purple shadow lover.
Wildfire – from the Woodlands collection. This is a very sparkly shade that gets most of the intensity from the gold glitter, though I was hoping more of that deep fiery orange base would look stronger on my eyelid. When my next order arrives, I could try putting Burnt Sienna on top to see if it will give me the intensity level I envisioned.
Crystalline – from Team Witchcraft. I normally wouldn’t be interested in this light of a purple shade, but the duochrome aspect made it so much more intriguing of an eyeshadow. The reflect color is lime green but on my lids, I thought it looked aqua.
Beehive – from the Woodlands collection. This is one of the prettiest yellow-orange shades in my collection.
Poison Ivy – also from the Woodlands collection. This color reminds me of the mossy green shade called Habitat from Lethal Cosmetics.
Hex – from the Dreamweaver collection and Team Witchcraft. It’s a beautiful, “mid-toned purple base with a gold reflect.” Hex is lighter and cooler toned than I expected based on swatch photos I saw around social media. It’s not my favorite on me, but the color in the pan is true to what you get on the eyelid.
Calx – from Team Alchemy. Based on swatches, I thought the blue would be at least a deep mid-tone, but the description as a cornflower blue is accurate. Although the reflect is pink, the glitter color over the blue makes it look a little more on the purple side, which I like.
Rune – from the Harvest Moon Shadows and Team Alchemy. It is described as, “a grungy base with a gold-green reflect. This shade pulls more moss green on the eye.” It is so beautiful! I love green-gold, olive-gold, and antique gold type of shades, so this is perfect for me.
Bon-Bon – from the Dreamweaver Collection. This is a stunning color that’s as vibrant on the lids as it is in the pan! Clionadh describes this shade as, “a rich berry metallic with a cool purple reflect,” which surprised me because the base color is so intense that I didn’t notice the reflect on the eyes. The shimmer is so fine that the particles are undetectable, but it’s visible when the light hits it.
Charmed – also from the Dreamweaver Collection. I bought this shade during a time when I was really into using peachy pink and blushy medium pink shades in my crease for my pink and purple eye looks. Although my obsession with that combo has nearly passed, I still use this shade quite a bit.
Wildberry – from the Woodlands Collection. I tend to pair with this Charmed to slightly deepen up the outer corner when I don’t want to go for full smoky look. It looks like a mauve-purple in the pan but it shows up dark pink on the eye.
Sky Lights – from the 66.5° N Collection. This is “a shimmery shadow with a royal purple base and purple, blue and pink sparkle.” This was part of my first Clionadh order and it’s one of my favorites from the brand. The multicolored sparkle in person is even prettier than my picture shows.
Nocturnal – from Team Witchcraft. This “indigo base with a blue reflect” was also part of my first order. I love bluish-purple eyeshadows but the tones of this seem special. I love vibrant blues and there is nothing subtle about this one!
Forest Heart – from the Woodlands Collection. It’s described as a metallic teal-green and I always thought it had a bit of a blue tinge, but it just looks like a medium-deep green on my eyelids. Sky Lights, Nocturnal, and Forest Heart remain my top three favorites out of the standard eyeshadows. It’s very easy to overlook the “regular” shadows when you have the Stained Glass collection available, so if it wasn’t for these three shades blowing me away, I wouldn’t have continued purchasing from the standard eyeshadow collections.
Ursa – from the 66.5° N Collection. This is a “blackened-blue shadow with a blue reflect and gold sparkle.” It’s not as dark on my lids as it looks in the pan, which makes me happy. I like the tone of it on me. The sparkles get a bit lost though and although I can see that lighter blue reflect, it didn’t wow me like some of the other shades. However, Clionadh set a huge bar for themselves and though I wasn’t as impressed, it’s still a beautiful shade.
Bramble – from the Woodlands Collection. This is a light yellow-green shade. For some reason, on my camera it comes off looking way more yellow than green. I can confirm that in person it does look more green, but still with a strong yellow tone to it. This is one of the few shadows I wouldn’t miss if it was removed from my collection (based on the color, not performance).
Koala – from the Koala Trio. It’s a charcoal grayish black color, which is typically a shade I don’t like, but my goodness this is amazing! It would be great if Clionadh brought this shade back to be sold individually and not have to be tied to the charity aspect. This is such a perfect shade for creating a smoky eye that isn’t too intense and dramatic, though I’m into that kind of look as well. This pairs so nicely with all the other Clionadh shadows, and for a few weeks straight I used this shade exclusively to deepen up all my eyeshadow looks when using other brands’ eyeshadows too!
Gum Tree – from the Koala Trio. I definitely don’t have another eyeshadow like this in my collection. It’s like a gunmetal or antique pewter with a bronze-red reflect. It is so beautiful and such a shame it’s discontinued.
Eucalyptus – the last shade from the Koala Trio. It looks just white on my eyelid, but when applied sheer, like a topper, it’s an iridescent shade with red, gold, and a little bit of green reflect. It’s a fun and unique color that amps up any eye look when patted on top.
Fog – from Team Witchcraft. I’ve mentioned before that light colors aren’t my favorite, but this blue has enough warmth from the sparkle that I think it looks so pretty! It’s described as, “a dusty, teal base that shifts golden-peach.” It instantly reminded me of the shade Narrow Path from Sydney Grace. They have the same base color but that gold glitter makes me like Fog more than Narrow Path.
Crucible – from Team Alchemy. It’s a deep purple with a subtle “purple shift and gold sparkle.” Sky Lights is my perfect purple, so it’s harder for me to get excited about this shade by comparison. That being said, Crucible is so beautiful that it still deserves appreciation. It’s a great color to use for a purple smoky eye.
Honeycrisp – from the Harvest Moon Collection. Something about this shade was so alluring to me, particularly around the time I bought it. I was still going through my phase of searching for a golden pink. Honeycrisp is described as, “a coral pink satin with a pearly reflect.” Sydney Grace has a lot of shades along this same vein like Meadowhawk and Golden Strawberry. Even Salamander looks similar, like a slightly more orange toned version, especially in the photo above where I combined Salamander with Eucalyptus. This doesn’t take away from the fact that this is a gorgeous shade and despite having similar colors, I’m still glad I have it.
Salamander – from Team Witchcraft. This is described as, “a coral base with a gold reflect,” which accounts for the similarities between this shade and Honeycrisp. It’s like a fiery golden tangerine. I really like it.
Gecko’s Tail – from Team Alchemy. This shade has an “apple green base with gold reflect.” It’s a lighter tone than a typical Granny Smith Apple shade. I think I would have liked it more if it was a touch deeper, but it’s a fun color.
Clairvoyance – from Team Witchcraft. I didn’t expect to like this color, but I couldn’t resist buying it anyway. It’s “a turquoise base with a light green reflect.” It reminds me of Blitz Aquamarine from Pat Mcgrath, but the green reflect is a different twist.
Amulet – from Team Witchcraft. This is a “a bright fuchsia that shifts blue.” This is a very popular type of duochrome shade. The base color is similar to Bon-Bon but Bon Bon is much deeper.
Merlot – This is a metallic plum shade from the Ultra Metals Collection. It looked a little grey in some of the swatches I saw online, so I was much happier with the actual color. It looks very rich in person. It also looks like a regular shimmer or satin shade when applied dry. With a wet brush, this shade looks much more metallic and pretty. This is currently the only shade I have from the Ultra Metals because I was using this shade as a tester before I considered buying more.
Honeycomb – from the Woodlands Collection. As, “a warm beige metallic with gold sparkle,” I bought this shade to use specifically as an intense inner corner highlight.
Dahlia – from the Woodlands Collection. It’s “a light peach-gold duochrome” that I thought would look a little more different on me than Honeycomb. Between the two, I think I like this shade slightly better for all over the lid because of the pinkish shift. As an inner corner shade, I would prefer a more neutral color like Honeycomb.
Hunter – from the Woodlands Collection. Hunter is described as a metallic mulberry. The base color is a dark purple but the lighter shimmer prevents it from being a traditional dark purple. It’s like a silvery purple mauve.
Permafrost – from the 66.5° N Collection. It resembles Hunter on the eye, when looking straightforward, because of the grey tone. However, this shade has a noticeable pink shift in person that gives it a grey pinkish purple look.
Tree Line – from the 66.5° N Collection. This “sage green metallic” shade looks a bit more blue-tinged on my eyes, though I was expecting a brownish-green. I still like it.
Alpine – from the 66.5° N Collection. This is, “a rich, blue-toned metallic green,” as opposed to the teal-green shade in Forest Heart. This shade is a lot brighter. It’s like a deeper toned version of The Shallows from Sydney Grace.
Necromancer – from Team Alchemy. It has a “blackened-blue base with a teal reflect and silver sparkle” that looks similar to Ursa in the pan, but the teal reflect makes it look brighter and more vibrant than Ursa.
STAINED GLASS SWATCHES
On Instagram, I have videos of the Stained Glass swatches in this post. You just need to scroll sideways to see more.
STANDARD COLLECTION SWATCHES
EYESHADOW SHADE COMPARISONS
The hardest parts about comparing multichromes are that the shades in the pans don’t necessarily correlate to how they will look on the eyes, especially depending on the lighting. Sometimes they look similar based on one shift at one angle, or in the dark, or in bright light, or in the pan, or the types of colors that they shift to. Sometimes it’s only the base color that is similar.
I tested out many more comparisons that didn’t make it into this post for the reasons above. Some of the dissimilar ones I kept in order to demonstrate how similar pan shades can differ from the swatch.
The duochromes were easier to find comparisons with other brands, but the level of glitter/sparkle in Clionadh’s shadows tend to be so intense that they ended up not looking the same, despite having similar base colors.
TOP RECOMMENDED SHADES AND EXTRA EYE LOOKS
If I had to pick my personal favorite shades they would be Lux, Verte, Abrasion, Stencil, Enamel, Chandelier, Embroidery, Shard, Kiln, either Crown Glass or Oculus, Rosette, Bloodline, Sky Lights, Nocturnal, and Forest Heart.
When it comes to this brand, there really aren’t duds in terms of quality. It’s just a matter of personal preference like colors and particle sizes. I’ve been able to create some gorgeous looks even using shades that aren’t my favorites.
Just one shimmer shade or multichrome patted on top of an existing look can really change the outcome.
My camera always picks up the green hue in Weld even though, in person, the whole lid looks like the antique pink in the center. That’s what gave me the idea to use a different shadow to tone down the green in the photo below.
That’s everything! I know this was another incredibly long post, but I wanted to be thorough.
I’m a big fan of Lethal Cosmetics for their quality products, fantastic customer service, fast worldwide shipping, and the importance they place on diversity and inclusion. My initial interest in the brand was for their eyeshadows. At the time of writing this, I own 72 out of their 90 individual shades released so far, and I reviewed most of them earlier this year.
Even though I’m trying to limit the number of face products I buy, I couldn’t resist ordering from Lethal on launch day. I purchased the Solstice palette, another highlighter, blush, bronzer, and the Lethal Cosmetics x Jolina Mennen eyeshadow palette. The same morning I began working on this post, the brand announced their new Velvet Dusk Collection and details about a Black Friday sale, so I delayed posting until those items arrived as well.
Face Powders
The Solstice Palette
This is one of the four premade palettes on Lethal’s website. It was created for those with dark tan/olive to deep skin tones. Lethal Cosmetics has six individual highlighters that have been available long before the bronzers and blushes, but the highlighters in the premade palettes are exclusive to those palettes. The exclusive shade from Solstice is called Gravity and it has a strong yellow base. The blush included is called Echinopsis and the bronzer is Caldera.
Although Lethal doesn’t have designated contour powders, within the bronzer line are three shades with cool undertones that I consider contouring-bronzers. I picked up one of them called Zenith.
Until Zenith, I had no real contour powder that I liked enough to wear regularly. The best one I have is actually a Colourpop eyeshadow called Cloud Nine. Because Caldera is warmer and I prefer to use bronzer around my forehead, while Zenith is cool-toned and I prefer that for cheek and jaw contouring, I have found uses for both powders in my collection. I actually replaced the Gravity highlighter with Zenith in my trio palette when I was on a brief trip for my birthday. The palette is magnetic with holes in the back and the pans are not glued in, so that makes it easy to mix and match face products.
Terrestrial is the newest addition to my face powders that I purchased with the launch of the Velvet Dusk Collection. I wanted to see if I could get a cool-toned contouring bronzer that was closer to my skin tone for times I might be in a rush and don’t want to have to be careful about how much I apply. Between Terrestrial and Zenith, I think Terrestrial is better for me.
I’m experimenting with daylight bulbs so the newest photo additions look different in terms of my skin tone for this reason. I’m trying to find a balance between being bright enough versus washing colors out.
I like these powders, but I should note that these are not beginner-friendly in the sense that using the wrong brushes can make these harder and more time consuming to blend. I found this to be the case for the bronzers and blushes, but not the highlighters. Also, when it comes to bronzers, I still prefer the Kosas Sun Show Moisturizing Bronzer and the Charlotte Tilbury Airbrush matte bronzers because of how they look on the skin and how they blend regardless of the tool. It should be noted that those two bronzers are 2-4 times more expensive than the ones from Lethal.
The texture and consistency of Lethal’s powder products remind me of MAC’s Satin blush formula but they are definitely matte and they perform like MAC’s brighter blush shades, such as Loudspeaker and Frankly Scarlet. What I mean by this is that wherever you first apply with the most pressure is where the powder mostly sticks. They’re still blendable, but using too small of a brush can concentrate the product in too small of an area that is time-consuming to smooth out. If the initial placement covers the entire area you want, it makes the blending process easy. This is why I recommend using a fluffy brush with these powders in order to disperse the product lightly and evenly.
Calyx was more orange than I expected. Echinopsis is more of a berry color, and darker, but it can be worn in a sheer layer as demonstrated in the photo above (a heavier application is in the Terrestrial section). Between the two, I think Echinopsis looks better on me.
As I mentioned before, Gravity has a strong yellow base, so I prefer to wear it only on days when my blush is on the more neutral, natural, and sheer side. This way, the highlighter doesn’t have to compete for attention, so to speak. If I use less, Gravity doesn’t look as strikingly yellow, but it’s still very apparent in person.
Gamma is an “elegant bronze with warm gold highlights.” It is everything I want in a highlighter! It can be subtle and look more shiny than glittery, but it can also be built up more intensely. I think it’s a better shade match for me as well.
Both highlighters are over Echinopsis and Terrestrial.
Gamma, Echinopsis, and Terrestrial is my new favorite trio palette pairing! I have a magnetic palette with depotted face products that I’ve taken on trips before, but this is the first time I’ve ever had a highlighter, blush, and bronzer/contour from the same brand that actually works for me and is kept in an aesthetically pleasing palette that looks like it was premade! Although I could pack a trio of Nabla Skin Glazing Products, I find carrying one palette to be easier with less chance of an accident than a stack of 3 compacts.
Eye Palettes
Lethal Cosmetics x Jolina Palette
I love the fact that these shimmer shades make beautiful new colors when mixed together. For example, Fck Me Eyes and (A)mar create a pretty turquoise blue. Loyalty is a red-based purple but when combined with (A)mar is makes a nice deep cool purple. For a white shade, Scandal is not stark on my skin tone and I can actually use it in the crease. This is probably the only white shade in my entire eyeshadow collection that I like! The only color in the palette I dislike is Cold Brew, and that’s because it’s the same color as my hyperpigmentation. When I use it, it looks to me like I missed a spot or that the eyeshadow faded, but it’s just the color of the shadow.
Overall, I find the quality of this palette to be consistent with Lethal’s single eyeshadows. With the exception of a few shades, there are close enough similarities to other Lethal singles that I don’t think this palette is a necessity for anyone with a large enough collection of their shadows. If your collection is on the smaller side, this is a great way to get a variety of neutrals with vibrant pops of color at a more affordable price. The pans in this palette are smaller than the individual shades, but I have still yet to hit pan on any eyeshadow in my collection, even with mini palettes.
Velvet Dusk Eyeshadow Palette
These pans are also available for purchase individually, which is why I counted them as part of Lethal’s 90 current shadows. What made the Velvet Dusk collection especially exciting is that for the first time, Lethal introduced two “triochrome” eyeshadows.
Lethal has had duochromes for a while, such as Aerial, Stargaze, and Mainframe. Apart from certain shades like Enigma and Lucid, I don’t consider a lot of them to be true duochromes because they don’t make as much of an impact as the duochromes from other brands. I’m also more impressed when a duochrome is one base color that either shifts to another shade or the glitter color very different, as opposed to a base color with plain gold or silver shimmer particles.
Keeping this in mind prevented me from expecting much from the triochromes, so they weren’t the selling point for me for this palette. I just loved the overall color story. It’s rare that I like even half of the shades in a palette. With this one, I was drawn to 10 of the 12!
As for the triochromes Revolve and Covet, they do have a shift but they aren’t easy to see. With Clionadh, you can see a change on the fingertips, the pan, the eyelid, and/or arm swatch. Revolve is a shade I can slightly see on the finger in very specific angles but Covet is extremely difficult. I cannot see a change on either of them in arm swatches. I can faintly see a shift on the lid while wearing Revolve if I’m in the proper light. However, the only time I could capture anything from Covet was on my palm. I included a photo below, but to see a 3-second video clip you can click here. I was unable to figure out how to change the video dimensions to be smaller and embed it to a reasonable height and width on this page.
There’s something that seems a little different about the formula of the Velvet Dusk shades (and even the ones from the Afterdark palette), but I can’t put my finger on what it is or how to explain it. They’re still pigmented like the others and long-wearing. Corrosion and Deceit took a bit of work to blend. Deceit specifically is a bit patchy but the sparse areas can be patched up if extra shadow is added on top and not manipulated too much. All of the shadows in this palette stuck to my arm fine in swatches, but these absolutely need a primer in order to stick properly to my eyes. There isn’t anything wrong with needing a primer, but my other Lethal shadows from the older collections still look great without it.
I’ve found that the mattes work better over MAC Paint Pot and the shimmers work better on the Urban Decay primer potion or a non-dry base, even though Lethal recommends a dry base for all of them.
This palette is another great mix of pops of color with neutrals, just with a grungy twist. It isn’t perfect, but I would still recommend this to anyone who likes the color story. I don’t recommend this to someone specifically wanting it for the duochromes and multichromes. For those kind of shadows with more impact, I suggest Clionadh, Devinah, and Terra Moons. Even JD Glow’s Galaxy Shadows have more sparkle and shine.
Additional Single Shadows
Besides the new Velvet Dusk Palette eyeshadows, I added Synth, Ephemeral, and Frequency to my collection. I kept updating my previous Lethal Cosmetics post with either arm swatches or eye swatches each time I got a new order. It looked a bit messy, so for the sake of consistency, I redid all 72 eye swatches here! I felt it was important to show how they look on my eyelids because what I expect from the pans isn’t always what I get on my lids.
I also redid all the arm swatches because I wanted to have similar shades from lightest to darkest next to each other for comparison purposes.
The only shadows I don’t have yet, plus the remaining face powders I’m curious about are in the photo below.
Light colors of eyeshadow are my least favorite, and I don’t need so many medium-toned browns, so that is why these haven’t made it to my collection. Due to the cost of shipping, I don’t intend on making another purchase just for two more face powders, so those won’t be reviewed unless another new release catches my eye from them in 2021. I’m also planning a low-buy for 2021, so perhaps I will skip them entirely.
That’s everything! Thank you for reading! If there are any swatch comparisons you’d like to see from Lethal or any of the products in my posts, just let me know!
I’ve been a Juvia’s Place customer for three years now, but it wasn’t until 2019-2020 that I actually started using what I purchased. Most of my experience with the brand is through their eyeshadow palettes. The quality is great but the color stories always threw me for a loop. I never knew how to pair colors together in a way that I felt was cohesive and made sense. Depotting the shadows helped because it was easier to have access to other complementary shades. Now, I’m actually getting use out of them!
Lip Products
I’ve heard amazing things about Juvia’s lipsticks and lip liners that were released this year. I’m not very adventurous when it comes to lip products, so I had no intention of possessing any, but due to an error on Ulta’s part, I wound up with a mini Lip Duo.
Wahala Mini Lip Duo
A strange but unimportant thing I noticed is that the lip gloss in the set came with a plastic shrink band but the liquid lipstick did not. I don’t know if it’s just mine that was like that or if all of them are supposed to be that way.
Shakara is a gorgeous color, but right on the cusp of being too pale for my preference. Using a lip liner is enough to make Shakara wearable for me, but my favorite combination is pairing it with a lipliner and gloss. Petty Betty isn’t the kind of pink I normally gravitate towards, but it pairs well with Shakara and is still nice on its own.
Juvia’s Place Eyeshadows
I used to have the Saharan palette, but I gave it to my sister. I even gave my unused/unswatched Tribe palette to her because I was uninspired by the color story after seeing it in person. It wasn’t until I watched LonDen Makeup Artistry’s video that I suddenly felt the urge to give it a chance and repurchased it. I’m so glad I did!
The only eyeshadow palette I haven’t depotted yet is The Chocolates, but I intend to soon.
Juvia’s Place currently has 11 mini six pan palettes. Other than the Mariposa collab, the minis don’t have shade names. Whenever I’m referencing them, I refer to them from left to right by row. I’m missing shade number 6 from the Violets palette. It broke when I was depotting it and I wasn’t interested in that color enough to try and salvage it.
The shade names in green are from the Tribe palette, which has been discontinued. Blue is for the Magic palette, Purple for Masquerade, and lilac purple for the Violets.
What I like most about Juvia’s Place eyeshadows is the level of pigmentation. I never have to worry about shades not showing up on me. They also last a long time without fading. The mattes and shimmers are equally easy to work with. There are frequent 30-40% off sales on their website, and even periodically at Ulta, so you can always snag their products at a discount. So far, Wahala and Wahala 2 are the exceptions to the discounts. They’re already a great price. The only reason I haven’t purchased them is, once again, due to the color stories. Another deterrent is that Juvia’s Place has been putting a lot of pressed glitters in their palettes this year, which I try to avoid.
Blushes
When I said Vivid Azalea from Wayne Goss was the most pigmented blush I’ve ever come across, I completely forgot about my Juvia’s Place Blush palettes. When I saw these in person, I realized right away that they were not going to work for me. Both palettes have the most unique blush shades I’ve seen, which is a great thing in terms of bringing something different to the makeup world. However, this does make them less wearable to the average consumer, as only a few of these will look natural and on someone and not everyone is into wearing avant-garde blush looks for the remaining shades that are too bright, light, dark, or too different of a tone to give a natural flush.
The Saharan Blush Palette Volume 1
When I realized these blushes were a bit too out there for me, I utilized the palette by scraping some of the powder out and combining them with other brands’ blushes to create custom blush shades for myself. I intended to get more use out of these by using them as eyeshadows and depotting them into my magnetic palette with Juvia’s Place shadows, but I typically break every pressed matte shade from Juvia. That’s the only reason I haven’t done so already. I can always press them back, but I’ve contemplated whether it’s worth the hassle.
Abywas clearly far too dark for me, so the best use I’ve found for that shade was as a contouring-blush. I used a fluffy blending eyeshadow brush to slowly and lightly build the color into the hollows of my cheeks.
Neo is the most “natural” shade for me in this palette, though I’ve struggled to use a light enough hand to apply that shade in a way that I would feel comfortable wearing it. In the second photo above, I applied with a light hand but it was still incredibly pigmented. In the third photo, I used a Makeup Eraser cloth to remove some of the color in order to tone it down a bit.
Lila and Zara look very similar in the pan, but Lila has much smaller shimmer particles, so it looks less glowy and a little more subtle.
Zane was the most difficult to apply to the cheek without looking patchy. I kept over applying in the process of trying to get it to look smooth.
Toby was the easiest to apply evenly. However, I’m not a fan of this color blush on me.
The Saharan Blush Palette Volume 2
I bought the Saharan 1 on August 2019, and even though those shades were not what I expected, I still bought the Saharan 2 in December 2019 because I was hopeful that this palette would suit me better. In some ways it does, because I prefer a blush that’s too light over a blush that’s too dark on me. However, these are cooler-toned blushes. Warmer tones look better on me. There’s also the issue of Yara being invisible on my skin.
Tau is the most natural-looking blush of the bunch on me. I tried to apply a subtle amount like I did with all the other blushes, but I could have built up this shade more heavily. It’s very unique for orange, as orange is typically warm, but this one is muted as though it has a cool pinkish undertone to it.
I was happiest with the way Bee and Sola looked on me, as I prefer to wear standard blush colors on my cheeks. I expect a shade like Bee to be too light for me, but because it is so pigmented, it definitely shows on my skin tone and without a grey cast! Unlike Zara and Lila from the previous palette, which I would never use as blush or blush toppers (just highlighter), Sola works as a highlighter, blush, and blush topper. The only potential issue is that it takes some blending when using Sola as a blush because the shimmer doesn’t spread evenly. It’s as if the shimmer is still moveable on the skin but the base pigment stays in place.
I’ve used these blushes as eyeshadows. The mattes are heavily pigmented for blushes, but they need a little building up on the eyes for full pigmentation. This does make for easy blending though. The shimmers in this formula are a slightly thinner version of the regular eyeshadow shimmer formula. They don’t require glitter glue or wetting them, but those methods can be used to intensify them. In the eye looks below, I only used MAC Paint Pot.
Juvia’s Place consistently has great quality products at affordable prices. I do recommend giving them a try!
The Space Age line of highlighters from Kaleidos is known for having non-traditional shifty duo-chromatic shades like blue, bright red, green, etc. They even recently released a multichrome highlighter. As much fun as it would be to have colors like that in my collection, I’m not bold enough to rock shades like those regularly enough to get my money’s worth out of them. Instead, I chose to buy the two most traditional types of highlight colors: Solar Sailor, “a sleek and radiant satin gold,” and Ray Rider, “a velvety champagne sheen with a trace of peach.” Ray Rider was repromoted/reformulated during the launch of the Make Your Escape Collection. Although I don’t have the original shade to compare, according to Angelica Nyqvist, the new one is slightly lighter and smoother with a more translucent base. This change happened in June. As of November 2020, Ray Rider’s packaging was updated. However, it is not listed on the website as being a different from the original, unlike the shade Mars Melter which was reformulated with new packaging and is being sold as “Mars Melter” and “Mars Melter Original.”
The swatches are on bare skin. In the Solar Sailor photo I applied it under the brow arch and on the center of the lid. In both photos I have the highlighters on the cheekbones applied on top of a mixture of Love and Joy blushes from Rare Beauty.
These highlighters look glittery, which I usually despise, but because they blend a bit into the skin, they become a little more wearable. I used the tiniest amount of highlighter in these pictures, so a regular application would look much more intense! Ray Rider’s particles are a bit smaller, which I like more, but I prefer the actual shade of Solar Sailor on me. Because they are right on that line of glitter level that I like, I doubt I will wear them regularly, but they won’t be completely neglected in my collection.
The Futurism Eyeshadow Palettes
Futurism I: Sci-Fi Green
This was my first Kaleidos palette, but I purchased it from a third-party. I know I’m fortunate to have such low shipping fees as a US consumer, but having to pay for shipping still bugs me. I only wanted to try one palette to see if the eyeshadow formula was worth the hype and didn’t want to spend $8 in shipping to find out. The other three palettes, however, were purchased directly from Kaleidos.
Swatches over a light layer of MAC Paint Pot.
I do think these palettes are worth the hype. That black shade is incredibly rich and dark. Sometimes yellow shadows don’t stay true to color on my eyes, but I don’t have that issue with Radioactive. The shimmers have a wonderful slip to them and the mattes are pigmented and blendable. My only complaint is that although you can see the shade differences in the swatch, my forearm is lighter than my eyelids. On my dark lids, the two matte greens look almost the same. Glamora appears more yellow than green on my eyes, which makes it harder to distinguish from Nuclear.
Futurism II: Cyber Bronze
Swatches over a light layer of MAC Paint Pot.
I’d have to double-check my single shadows collection, but I do believe plasma is the best silver eyeshadow I own (though I don’t have that many silvers in my collection). It is shockingly brilliant and intense without even being applied wet or on glitter glue. Droid is my favorite shade out of all the palettes to use from the brow to the crease. Y2K and Carbon look a bit more subtle on my eyes because they’re closer to my natural crease and lid shades. I can still see them in person, but they aren’t as distinct on my camera. Quantum is an uncommon shade among my collection and I was pleasantly surprised how much I liked it. Infared looks intense in swatches but for some reason, that shade of red doesn’t have the same vibrancy on my eyes. If you like shades like Infared, I highly recommend Salvatore, Blazed, or Homicide from Devinah Cosmetics. In my opinion, theirs are the best.
Futurism III: Astro-Pink
Swatches over a light layer of MAC Paint Pot.
This is my favorite of the four palettes I purchased! That blue-to-purple duochrome shade, Neptune, is gorgeous! The fuchsia shade, Nebula, isn’t a unique color but it is so incredibly smooth, pigmented, and easy to blend. It’s possibly the best-formulated version of that shade I have. Lightyear is just as brilliant as plasma, but with a light pinkish purple tone to it. It just looks silver on my eyes though. Cosmos is one of those sequin shades that usually drive me nuts (matte with a dash of glitter…just pick one shadow type!) but the glitter is so sparce that it’s mostly matte and I can use it as though it’s a plain matte, which is why I like it. And that shade is so pigmented and buttery smooth that I can easily use it as a powder liner. I’m not as impressed with Stardust and Lunar, purely because they don’t show up enough on my eyes, but they do give a rose-toned tinge under the brow and crease that pleases me to see in person, even if I know no one else will notice.
One interesting thing I noticed with the shimmers is that Nyx Glitter Primer, my tried and true product to enhance the impact of shadows on my eyes, doesn’t make much of a difference in terms of bringing out the pigments and sparkle. I still use it on the duochrome shades, but on the regular shimmers, in order to intensify the look, I dampen the brush with some MAC Fix+ spray. And even after that, I pack more shadow on top with my finger.
Futurism VI: Lunar Lavender
Swatches over a light layer of MAC Paint Pot.
I don’t enjoy being critical. I love gushing about good makeup, but I have to talk about issues that arise while using them. This palette gave me flashbacks to the Nomad Cosmetics Harajuku Tokyo palette that was a nightmare to use.
The top photo shows the patchy issues with MAC Paint Pot when trying to blend. The bottom two photos show how they look better on top of the Nars eye primer but despite that one being a wetter base, it still didn’t stick properly to the eyes and were blending away.
Unlike that formula, which worked better with a wet white base, I find these mattes work better on a dry white base. Because these shadows have more pigment than the Nomad Tokyo mattes, they are still usable and visible on the lids. This formula isn’t as bad as that one, but I don’t have the patience to try and make them work with continued use in the future. Even the two duochromes, though they work the same as the other Kaleidos duochromes, reminded me of the Nomad duochromes in terms of how they feel to the touch. But there’s no comparison in terms of performance and overall look. Kaleidos still wins on that front.
My improved eye looks using this palette when combined with a little of the Anastasia Beverly Hills eye primer.
Here are additional eye looks using shades from any of the 4 palettes.
Futurism V and VI are part of the new Fresh Fantasy collection, so I don’t know if there has been a tweak in the formula. As beautiful as the duochromes are, I cannot recommend anyone spend $24 to get just those two shades. $6-$8 CAD duochromes from Clionadh Cosmetics are still more intense, sparkly, and shifty than these.
I have since decided to depot these and put them all together (excluding the Lunar Lavender mattes) in one large custom magnetic palette. I know I wouldn’t get as much use out of them if I kept them all in their separate smaller palettes.
For anyone interested in ordering from Kaleidos, I recommend checking out the bundle section on their website. That’s how I was able to get any three palettes I wanted (excluding the limited edition Futurism IV) for $59 instead of $72. There is free shipping at $70, so I only needed to add one more item to my cart. There are also affiliate codes that can be found from different YouTubers, but the codes don’t work on the bundle.
Also, you can expect a long wait once your order is placed. I completed my order on September 9th and it arrived October 13th. 24 of those days were in transit as it was shipped directly from their factory/manufacturer in China. It roughly took a week to travel from Shanghai to LA, a week to clear customs, and another week from Compton to my address.
I believe I covered everything. If you have any questions, feel free to leave a comment. Thank you for reading!
This is a continuation of my initial post where I reviewed 19 MAC blushes. Since that time, I have bought several more (because I am insane) and wanted to share them here. In my previous MAC post, I purchased the shades I thought would suit me best, but this post has the blush colors I knew in advance I’d be taking a risk on.
Powder Blushes
Mocha is a “Soft Plum-Pink” matte. It’s not far off in color from Melba, but I have an easier time getting this to show on my skin tone. Although I can wear it, I think this shade was intended for those with light to medium-tan complexions. I was a bit surprised, considering products named Mocha tend to be very dark-skin friendly, but I’m glad I can still wear it and I like how it looks.
Mocha built up heavily on my cheek.
Peachykeen is a “very baby peach” sheertone shimmer blush. This is the kind of shade for someone who likes Peachtwist but wishes it had more of a pink tone. Although it looks very pigmented in the swatch, building up this shade leaves me with a lot of shimmer and a little bit of a pink tint that is easier to see in person than on camera. The base color would likely appear more strongly on someone with a lighter skin tone.
Peachykeen applied heavily on my cheek.
Breath of Plum is a “light plum” sheertone blush. Though it’s a sheertone matte, it can be applied heavier for more color payoff.
The left photo shows Breath of Plum applied with the normal amount I would use. The right photo shows what it looks like with a heavier application.
Plum Foolery is a “faintly plum” sheertone shimmer formula blush only available in the Pro Refill pans. Just as it was with Peachykeen, when I apply this shade heavily, the shimmer is what shows up more than the base color. Though it doesn’t come across as well on camera, in person, a heavy application looks very intense.
Heavy Applications of MAC’s Plum Foolery
Sweet As Cocoa is a “chocolate brown with gold pearl,” sheertone shimmer blush only available in the Pro Refill pans. It closely resembles the frost shade called Format, but Sweet as Cocoa has a little more red to it.
The normal amount of blush I would use of Sweet as Cocoa on my cheek.
Frankly Scarlet is a “vivid rose-red” matte shade and was a last minute addition to this post.
On the left is one single blush application of Frankly Scarlet. In the photo on the right I used a second dip into the pan. This was still done with a light hand and using the soft, non-densely packed Chikuhodo FO-4.
This truly is a rosy color. I wanted to show how sheer an intense shade like this could be applied onto the cheeks. The texture of this blush is unlike most of the others within the matte powder formula. It wants to stay on the cheek in the spot wherever you first apply it, so I recommend using a large fluffy brush in order to disperse the product in a wider, more evenly blended way. As I’ve gotten older, I’ve started to prefer smaller and more precise blush brushes, but a smaller brush takes a lot more time and effort to get the same amount of color across the entire cheek. Plus, a larger brush requires less dips into the pan (1-2) whereas my smaller brushes take 3-4; and with each dip into the pan it risks applying too much in a single area.
Extra Dimension Blushes
Sweets For My Sweet is a “mid tone yellow pink.” When I first bought Cheeky Bits, which is described as a “mid tone pinky coral,” I thought it would be the perfect kind of shade I love. When it didn’t look the way I hoped, I decided to give Sweets For My Sweet a try considering the similarities in color. I do like this one more.
A slightly heavier than normal application of Sweets For My Sweet.
Faux Sure is described as a “warm pinky mauve,” but I consider it to be a dark copper shade. It’s very similar to Hushed Tone, which was previously my #1 favorite blush shade from MAC, but I believe this one suits me even better. Within the Extra Dimension Blush line is a brown blush shade that I believe goes even deeper than this (you never know for sure with MAC’s product photos) called Hard to Get.
A heavy application of Faux Sure on the cheek.
Mineralize Blushes
Gentle is a “raspberry with gold pearl.” MAC’s Powder formula blushes appear darker on the cheeks than it looks in the pan, but I find that the Mineralize formula blushes do the opposite. There are light and plum toned blushes from MAC that I believe work for me, but something about this particular shade seems too cool and almost ashy on my skin.
Happy-Go-Rosy is a “midtone rosy pink,” that looks incredibly vibrant in the pan, but doesn’t appear that way on my cheek. It still brightens my face a little bit, but I’m not happy with how it looks on me. I think it could be stunning on someone else.
Like Me, Love Me is a “bright orange coral,” that I wanted desperately to like. However, it comes off a little ashy on me as well. Mineral powder products tend to look this way on me, but I had hoped things would be different among MAC’s line.
Love Thing is a “dirty burgundy with gold pearl.” This is definitely suitable for darker skin tones, so it looks the nicest on me among the four shades in this formula that I tried. I still wasn’t sure how I felt about it at first, but the more I use it the more it has been growing on me. However, I’m still not a fan of how any of the mineralize blushes sit on my skin.
Comparisons
Even when I find similar shades, if I love the colors, I want to keep them all! This is how I’ve ended up with 31 MAC Blushes before I had the strength to give my sister a few of them. I even have another blush on the way (the shade Peaches) as my free birthday gift from MAC! I was going to postpone this post until I received it, but I’m pretty sure that shade will be too light for me, so I will either give it to a friend or sell it. As of November 21st, everything except pro palettes and inserts are 30% off on MAC’s site for customers at a certain tier level within their reward program. Now would be a great time to get something if you’re interested!
Final Thoughts
Although part of me still wants to try MAC’s Glowplay blushes, I know that I have far more than I need already. I also purchased a lot of cream blushes this year, which don’t have a long shelf life, so I should put getting anything else on hold.
The Powder blushes and Extra Dimension Blushes are still my favorites. I have normal to dry skin (mostly leaning on the dry side), which may play a part in why I don’t care for the formula of the Mineralize blushes. Even the one flattering shade, Love Thing, looks a little more textured and dry on my cheeks in person.
Out of the 12 shades discussed today, Faux Sure and Frankly Scarlet are my favorites, followed closely by Peachykeen. As much as I like the majority of this round of blushes, Faux Sure and Frankly Scarlet are the only ones I’d repurchase immediately if they were gone from my collection.
I hope that these MAC posts have been helpful. The way that MAC shows their blushes is very confusing for determining which colors would work for me. There are so many shades I thought would be too dark or too light based on the pictures and descriptions, but they looked so different in person.
MAC’s color chart on their website.
My hope, for those who don’t have easy access to a MAC store, is that you won’t have to purchase a ton of shades to find the right color for you!
Thank you for reading! Since this is my last post before the Thanksgiving and Black Friday sales hit, I’d like to wish everyone a Happy Holiday!
It’s my birthday! Because this has been the year of blush for me, I thought a high-end blush post would be fitting for today.
Wayne Goss Weightless Veil Blush Palette in Vivid Azalea
Wayne Goss released four blush duos, but this one was the most unique to my collection, so I chose this over Bright Poppy. The magenta shade is called “Shocking” and the white gold highlighter is called “Pearl.” In Wayne’s announcement video, he mentions that customers can utilize these duos in the traditional way, or even apply the highlighter directly onto the cheeks and blend the blush over it to create a unique shimmery blush shade.
I loved the way the highlighter-under-blush technique looked on other people in videos I’ve seen, but I think I prefer to just use them the traditional way. The highlighter formula is fantastic. The blush is pigmented. I cannot emphasize this enough. It is the most pigmented blush I have ever come across. I can use my softest squirrel brush to do one gentle tap into the blush and the minor amount of powder on my brush is still enough to be overkill. Just one dab! In order to get the pigmentation level you see in this photo, I had to do one single dip into the pan and then dab it once on the back of my hand before applying what was left on the brush to my face. Then I spent a fair amount of time blending. I can’t believe I’m saying this, but apparently there is such a thing as too much pigmentation, and my goodness this the prime example of that! Here is a photo from Instagram of what a single tap in the pan produces, even after plenty of blending.
This shade of blush can be splotchy if the brush isn’t coated evenly in that first dip, so even though you don’t want much on the brush, I advise still trying to pick up enough to cover all the bristles and then do a few extra dabs onto the back of your hand or a napkin to take some of the excess product off.
The blush duo costs $45. You’re getting a monster 19 grams of product, but I could use this blush regularly for the next five years and not even put a dent in it considering I use a maximum of one dab per use. Looking at this per gram, the duo is a decent price, but considering the cost only, this is more expensive than the $38 Natasha Denona Blush Duos, $38 CoverFx Monochromatic Duos, $30 ABH Blush Trio, etc. I personally would have been happy to see this priced around $35 for even half the amount of product. I can’t say it’s worth $45, or at least not this particular blush in the line. I bought this during the Beautylish Gift Card event, which is the main reason I’ve decided to keep it anyway. It’s still an interesting product and I especially like the highlighter.
I have one other item from Wayne’s line, but this is a blush post so I won’t go too much in-depth about it. It is a lip pencil in the shade Mauve. The price was $14, which I think is fair for what you get.
Patrick Ta Monochrome Moment Velvet Blush in She’s Seductive (mauve plum)
I saw plenty of reviews before buying this blush, so I knew ahead of time that this range was on the softer side and not super pigmented. This is the darkest blush in the line and as you can see in the swatch, it’s lighter than my skin tone, but I still like the way it looks. Something about the tone of it is very flattering to me. For the price though, I don’t know that I’d necessarily recommend it considering how many other nice buildable blushes there are of equal or better quality, yet for better prices.
Patrick Ta Major Beauty Headlines – Double-Take Crème & Powder Blush in Oh She’s Different (rich plum)
Similarly to the Wayne Goss Blush, I’ve heard that Patrick Ta says this blush can be worn the traditional way with the cream below and the powder on top, or his advised way of having the powder underneath and the cream on top to maintain the natural skin-like dewiness.
Perhaps I’m not using these in the correct proportions, but I don’t see much of a difference between using the powder on top or the cream on top. If anything, I still prefer having the powder on top because I feel I get more coverage that way. I feel comfortable using the powder alone, but the cream portion is even less pigmented than the Fenty cream blushes, so it takes a bit of building up. However, both are decent products. I like them, but if I ranked all my blushes, this would probably fall somewhere in the middle.
Charlotte Tilbury Cheek to Chic Blush in Walk of No Shame
I’ve heard of these swish-and-pop blushes before, but what enticed me to try one now, and in this particular shade, was the number of Youtubers saying how much more inclusive this shade was in the line. I was initially excited when I had it in person but was surprised when I swatched it and did not get the level of pigmentation I was expecting.
The outer “berry” ring is quite light on me, which I don’t mind, but mixing it with the inner “champagne” ring on my cheek lightens it up even more to the point of being a whisper of color with a whole lot of shine.
Both rings have shimmer, so that is unavoidable, but the champagne one is intentionally more shimmery. I’m glad I have it because it works as a subtle highlighter similar to the subtlety of Hourglass Ambient Powders and Guerlain Meteorites. As a blush product though, I only like using the outer ring, which presents a challenge as only my smallest blush brushes can pick up the color without touching much of the middle. This blush is also harder pressed which adds to the difficulty. I’ve come to the conclusion that I like this blush, but I would have loved it if it was more pigmented. A few times I’ve actually used a mixture of both colors with the At Night blush from Hourglass on top to add more color without as much extra shimmer.
That’s all for today! Thank you so much for reading, liking, and/or commenting. It helps to keep me motivated to post consistently. I do this because I enjoy it, but it feels especially good to see the stats and know that my words are being seen.
I already posted about the Fenty Sun Stalk’r Bronzer here and the Cream Blushes here, but these are additional photos of those products. Mocha Mami is in the first picture alone and in the second photo is a lightly applied mixture of Strawberry Drip and Rose Latte along with Mocha Mami. I’m a fan of all three products.
Today, I will be focusing on the other Fenty Products in my collection!
Fenty Glow – (shimmering rose nude) I have this shade in the full size. During the initial launch, the gloss bombs were, and I believe still are, very hyped up. Fenty Glow is specifically marketed as a universally flattering shade. I do love the way it looks on me! The gloss bombs are thick without being goopy. It’s the kind of formula that clings to the lips and will last longer than thinner gloss formulas. If your hair gets in your face, it will stick to the gloss, but when I open and close my mouth, I don’t get that sensation of my lips getting stuck the way some sticky glosses can. The sparkles in this are nice and fine. All three of my gloss bombs have a sweet fruity scent.
Cheeky – (shimmering bright red-orange) I have this in the mini size from the mini gloss bomb set that was released for Holiday 2019. I wanted Cheeky and Hot Chocolit the most, so I gifted the other three shades. Cheeky is available in the full size exclusively on the Fenty website.
Hot Chocolit – (shimmering rich brown) I expected to love this shade the most, but it’s my least favorite of the three. I tend to only wear it on top of another lip product that is too light of a shade in order to deepen it up. Hot Chocolit has bright red glitter, which is pretty in the tube, but I don’t like it on my lips. Also, the glitter particles in Cheeky and Hot Chocolit are larger and more noticeable on the lips, which is not my preference.
I wish there was a bit more color pigment to Cheeky and Hot Chocolit. I was tempted to get this year’s mini set, but because the shade differences are so subtle on my lips, I don’t think it’s worth getting more when the current ones I have will suffice. Tower 28 glosses have now reached the hype of the gloss bombs, so I’m more likely to try those in the future than get the new gloss bomb mini set. The gloss bombs are still my favorite glosses in my collection and my overall favorite Fenty Beauty product.
Griselda – (bold burgundy) I have this Mattemoiselle Plush Matte Lipstick in a trial size. It had the Fenty logo on the bullet, but I cut off part of it to be used in some DIY lip projects of mine. It’s such a beautiful color, and although mine is getting old and the consistency isn’t quite the same, I remember enjoying how smooth it was and thinking that if I wore lipsticks more often, this is one of the shades I would get for some gorgeous vampy looks. I tend to prefer this kind of purple with a red tone over more blue toned purple shades.
Match Stix Matte Contour and Shimmer Skinsticks
Espresso – (contour for medium deep skin tones, cool undertone) This was my favorite contour product in 2019. It’s creamy and blends out nicely. Even though it’s described as cool, it pulls a little warm on my nose which is why I only used this for contouring other areas of my face.
Caviar – (contour for deep skin tones, cool undertone) this is one of the two deeper shades that were introduced to the line in 2020. I bought this because I wanted something cooler-toned, but I underestimated how rich of a color it is. Contour products are ideally only a few shades darker, so this one is too intense on my complexion. It’s not that I can’t wear it at all, but it takes a lot of extra time to sheer and blend it out so it won’t look too harsh on me.
In the photo on the left, I’m wearing Espresso. I’m wearing Caviar in the middle picture and in the last one I have the two shades blended together. I still like this product, but love the Uoma Beauty Double Take Sculpt + Strobe Duo Stick even more. #3 Bronze Venus is a better shade match for me and the formula is creamier, which makes it easier to blend. Bronze Venus is neutral-warm for a contour but it’s deep enough to still have a chiseling effect, even without having enough grey to create an actual shadow effect.
With the contour sticks, I typically draw a line and blend it out with a dense synthetic brush or the mini Tati Blendiful. Occasionally, I blend with a damp sponge, which leads to gorgeous results but I’ve never gotten into the habit of using a sponge consistently.
Blonde – (glimmering gold) I’ve only used this twice and never in public. I like some strong yellow-based highlighters, like Becca’s Champagne Gold, but this one I feel stands out in an unflattering way on my skin tone. It also has very noticeable glitter up close.
Rum – (gilded bronze) This is my favorite of the three because it blends in well with my skin tone and is a traditional highlighter shade. Because it matches so well, the glitter is less noticeable. It just has the appearance of a shimmery sheen. Unlike the contour sticks, I prefer to apply the shimmer sticks to my face by rubbing some of the product onto my fingers and dabbing it onto my skin. I think it looks more seamless when I use a sponge, but I dab the product onto my cheeks first with my finger, just to place it, and then blend with the sponge. When I rubbed the sticks directly onto the sponge and then blended it onto my face, I felt that I ended up with a thicker area of highlighter than I normally would have. I was also unsuccessful in being able to completely remove the stain from Chili Mango off my sponge.
Chili Mango – (sun-kissed orange sheen) I bought this during my search for the best traditional orange shade of blush. I don’t really like how it looks as a blush on me (more sheen than base color), but I do like it as a highlighter.
I have to admit that although these are three very distinct shades, the differences aren’t as pronounced on the cheeks. I always knew this was the case logically, but as I’ve taken a closer look at all the highlighters in my collection (especially Becca Shimmering Skin Perfectors which I have plans to blog about in December), it has finally begun to sink in that most highlighters will look the same. Variety is extremely limited in terms of color and being able to identify what brand or shade a highlighter is by the way it looks on the face.
Killawatt Freestyle Highlighters
Trophy Wife – (3D hyper-metallic gold) Sometimes I want things because they are pretty, even though I know full well the product isn’t something I would actually like to use. This highlighter is the perfect example of that because it is the epitome of glittery. It’s an intensely more sparkly version of the Blonde Match Stix.
I wouldn’t wear this as a highlighter, but it makes for a beautiful eyeshadow.
I wear it dry over Nyx Glitter primer and the glitter remains textured but highly reflective. If I use a damp brush, Trophy Wife turns a lighter and brighter yellow but smooths out and looks more metallic. I wore it dry on one eye and wet on the other, and was surprised to discover the difference was immediately recognizable in a video chat. It looked like I used two different yellow eyeshadows. Even my boyfriend (who I was in the chat with) noticed!
Mimosa Sunrise (metallic tangerine) / Sangria Sunset (metallic magenta) – This is from the Foil version of the Killawatt Freestyle Highlighters. It’s not glittery the way Trophy Wife is; it has more of a satin texture. I bought this for the orange shade when I was looking for that perfect orange blush.
I think they’re pretty, but I don’t like them on my cheeks. They’re too dark for highlighters but I can use them as eyeshadows and they are stunning together! They’re actually not the most opaque. They give a wash of color but I can see my skin underneath unless I build up a few layers. To use them as eyeshadow, I recommend dampening the brush. Since this is specifically in the Foil line, the name suggests that using the wet brush to foil it is expected of the product.
Snap Shadows Mix & Match Eyeshadow Palettes
6 Smoky – I love the concept of these palettes with their convenient packaging, but the eyeshadows are lacking for me. The pigmentation level is okay, but the tones are so soft and subdued, which is just not my preference. The difference between Tan Lines and Chestnutz is so minimal on the eye that I don’t recommend bothering to use both at the same time. Also, despite these having warm sounding names, those two shades are way cooler toned grey instead of brown. Patti Cakez was less purple than I wanted and had more of a brown maroon tone. The mattes overall are okay and blend fine, but if I use glitter glue to get the shimmer shades to show up a little better on the lid or try to foil it, it changes the ability for That Deep to build on top of the shadows. To avoid this, I apply That Deep first but if I accidentally cover too much with the lid shade, it’s very difficult to build That Deep back up. The other mattes have the same issue, but since I only use them in the crease, I’m less likely to get my lid shade on them. Second Date is the only shadow that exceeded my expectations. It’s like a sequin shade done right. It feels dry like a matte but there’s so much glitter in it that it looks like an actual shimmer shade on the lid without any sparse areas. The downside to this shadow, at least for some people, is that it’s made with the plastic-type of glitter (Polyethylene terephthalate) and not synthetic fluorphlogopite or other plastic alternative glitters.
Swatches were applied over Nyx Glitter Primer.
8 Pastel Frost – In bare skin swatches, the shimmers are lackluster, and using MAC Paint Pot does nothing to improve the way they look. I used glitter primer to get them to show their maximum potential in these swatches.
Swatches were applied over Nyx Glitter Primer.
Using the two blues next to each other looks like the same shade, except that Durty Denim is more reflective/sparkly. I have some eyeshadow looks coming up which demonstrates this issue. Lei’d Up and Mula-La also look too similar on the eyes, as well as Ice Cream Kisses and Lady Pimp. If these colors weren’t so soft, perhaps this wouldn’t be as much of a problem. Another thing that bothers me about the shimmers is that although I enjoy eyeshadows with dimethicone or other silicone derived ingredients which give it some slip, since I have to use glitter glue, the two products combined actually become too slippery. If I manipulate the shadow too much, it moves and I end up having to apply layer upon layer of eyeshadow to make it opaque. I even tried this over the Anastasia Beverly Hills primer, which typically works very well to make pastel shades show up better. This works with a very thin layer and just patting it on instead of blending (plus you have to apply it wet). However, I learned that applying too much ABH primer just makes these Fenty shadows turn even lighter and harder to see.
Being softer colors isn’t inherently bad, but it drives me nuts that unlike other brands of eyeshadows, trying to intensify them via glitter primer and wetting my brush only has a minor impact. It’s only slightly more improved. I also don’t like the fact that trying to make the shimmers pop prevents me from being able to easily go over those shades again with mattes.
I’ve heard that the new palette additions 9 and 10 are a bit better quality, though they still have shades too close to each other. When you only have 6 eyeshadows in your palette, you don’t want interchangeable shades. It’s not just me that doesn’t like the Fenty Snap Shadows. I tried selling both these palettes at a combined $25 price with free shipping included. I had this deal for 4-6 months and no one wanted it, even at 50% off. It’s one of the only makeup products I’ve been unable to sell on Mercari, even in used condition and even during the pandemic. Softer colors are not my preference, but even that aside, I don’t believe these palettes are worth $25 each. I recommend the $3 ELF quads over Fenty Snap Shadows.
Additional Notes
Fenty launched with foundations, but I don’t own any. According to Sephora’s shade matching Color IQ system, 420 is my shade. However, it was slightly too dark and too orange on me when I tried it in-store. 400 and 410 were still too orange or red, despite them being listed as my undertone. 390 was my closest match, but the matte formula was too drying on my skin. I was very excited when Fenty released their hydrating formula, but when I tried the shades in store again, I ran into a similar shade matching issue and for some reason 390 was more on the pink side than the matte formula. The hydrating foundation still wasn’t hydrating enough and emphasized texture on my face, so I gave up trying.
Although I didn’t have success with the foundation, the product this brand has been highly praised for and made a huge impact on the cosmetics industry, I’m glad I’ve been able to find other products from Fenty that I love. Even when certain products aren’t made for me, I’m always excited to hear about the new launches from this brand.
Since my previous Pat Mcgrath post, I’ve purchased 3 additional palettes. Sephora’s Holiday sale event is going on, so I thought it would be the perfect time to talk about these in case anyone is considering purchasing either of the palettes for 10-20% off.
Pat Mcgrath Mega MTHRSHP Celestial Divinity Palette
The two left columns are shades from the Star Wars Dark Galaxy MTHRSHP palette. Because I knew I wasn’t getting use out of that palette, I decided to sell it while the going rate was still high (and before it could come back). Had I known that for once limited edition packaging would actually stay limited edition, I might have kept it.
The last two columns are shades from the Star Wars Galactic Gold palette, which I love. I ultimately decided to buy the Celestial Divinity palette because I wanted the 6 new shades in the center columns, I loved the design of the outer packaging, and I wanted an option in case I decide to sell Galactic Gold and still be able to have the eyeshadows I loved from that palette.
Finger swatches on bare skin with no primer.
The quality of the shimmers is the same as one can expect from all of Pat Mcgrath’s palettes. They are beautiful and pigmented, though I find their full potential is revealed when used on top of glitter glue. The three mattes swatched beautifully, but the natural oil from my fingers (despite being clean and dry) created a film over them which impacted my ability to use the shadows properly after. They applied perfectly smooth in one dip of the brush then patchy the next.
The mattes worked better after I lightly removed the top layer. I know that this can happen with matte products, but I hadn’t experienced this before with other Pat Mcgrath mattes. Now that I’m aware of the issue, I will avoid swatching those shades with my finger again. And because I have naturally oily lids, I will set my eyeshadow base with powder before I use these mattes. Venusian Orchid still doesn’t show very well on my eyes. When I pack it on to the pigmentation level I want, it darkens and blends into my skintone anyway.
One of the other popular topics of discussion about this palette is the price and how it is surprisingly low for Pat Mcgrath. This is true based on price per gram. While investigating this point further, I actually realized that among the 3 Pat Mcgrath pan sizes, there are varying weights from palette to palette.
The smallest pans are available in the Mini Eye Ecstasy palettes. They are listed as 1 gram each. The medium pan size is in the Celestial Divinity palette. It’s much larger than the Mini Eye Ecstasy pans yet the amount inside is nearly the same at 1.1 grams each. The largest pans vary greatly in the amount of product. For example, Divine Rose 1 has 1.32 grams each, the initial three Blitz Astral quads have 1.5 grams each, The Celestial Divinity quads are 1.88 grams (Risque Rose) and 1.98 grams (Interstellar Icon), and the Rose Decadence palette has 2 grams each. So, even though the larger pan sizes all look the same, the weights are different.
I’ve seen a lot of concerns as to whether the lower price is indicative of the shadow quality being lower, as is often the case with holiday releases. From my experience with this palette, I don’t believe the quality has suffered. When I compared the ingredient list between Celestial Divinity and the 6 Galactic Gold eyeshadows, Bronze was the only shade with a slight difference in ingredients. There’s no PTFE (polytetrafluoroethylene) but there’s more Boron Nitride.
Where I think the quality is lower is how the palettes were assembled. The shade name sticker on the back of my palette is slightly off-center and one corner of the sticker was already scrunched/lifted up when I received it. I’ve seen a few other pictures across social media with minor flaws as well. While this may sound like a trivial complaint, if you think about how this is a $78 luxury brand palette with cosmetic flaws when there are $5 Profusion palettes and $20 Colourpop palettes that never have packaging issues, it makes you wonder what the quality control is like at Pat Mcgrath Labs. Flaws like crooked stickers can be used to spot a fake product in the beauty and fashion world, so to receive an item that’s already messed up can make you feel like you’ve been ripped off. Luxury products are exorbitantly marked up because you’re paying for a high-quality product with luxe packaging to create the ultimate customer experience. Even if the eyeshadows are fantastic, if the experience is ruined then you’re already not getting your money’s worth. Also, my order on the PMG website was finalized and completed 2 minutes after the launch. The palette, the only new item released that day, still hasn’t sold out and yet it took 10 days to receive my shipping confirmation. If they were flooded with orders I could understand the delay but this doesn’t seem to be the case. It appears that the efficiency issues the brand had a year ago are still ongoing.
That being said, the actual product quality is there. I recommend Celestial Divinity to anyone who doesn’t already have both Star Wars palettes, especially at a discount. I did some eye looks using 12 out of 18 shades in my previous Pat Mcgrath post, but I created some new ones which you can find at the end of this review.
Pat Mcgrath MTHRSHP Rose Decadence Palette
Fingerswatches from Top to Bottom: Pink Champagne, Peach Dusk, Fuchsia Flame, Hedonistic Rose, Scandalous, and Golden Honey.The primer used is MAC paint pot in Groundwork.
This is another palette that lured me in by the idea of using it for eyeshadow, blush, and to highlight.
I used Pink Champagne, Peach Dusk, Fuchsia Flame, and Hedonistic Roseon the eyes. I also used Peach Dusk as blush. For my highlighter, I used Nabla’s Amnesia with a little bit of Golden Honey.
I couldn’t resist the outer packaging and although the shades are pretty, by this point the gold, pink, and orange shades from Pat Mcgrath feel redundant. The color story is pretty enough, but this palette lacks that wow factor. If you already have Divine Rose 2, I don’t believe you will be missing out on these shades. However, if you skipped getting Divine Rose 2 and are looking for a more curated version and lower-priced alternative, this could be a decent option. I personally would still choose the Celestial Divinity palette over this one because of the greater variety. Here are some shade comparisons between Rose Decadence, Divine Rose 2, and Celestial Divinity.
Finger swatches of the shimmer shades on bare skin. Brush swatches of the matte shades on bare skin.
Pat Mcgrath Blitz Astral Quad in Nocturnal Nirvana
This quad was released last year during the holidays, but I didn’t purchase it until the end of August when it was $25 off. The purple shade felt dried out to the touch and is hard to pick up product with my finger and brushes. I’m not sure if it was meant to be like that or if mine has an issue. It’s so pretty but a pain to use. The others aren’t like that and feel the way I’m used to with Pat’s “special” shades, the last 4 shades in her 10 pan palettes. Despite the discount, this quad wasn’t worth the price for me. VR Emerald is an absolutely stunning shade though and I’m glad to at least have it in my collection. It reminds me of Verte from Clionadh Cosmetics, but without as strong of a shift. If I use this quad again, it will be purely for VR Emerald.
Eye Look Examples
As a makeup collector, I see all these shades so similar they may as well be repeats (plus all the actual repeat shadows), and I can’t help but be disappointed. However, I’ve come to realize that perhaps Pat Mcgrath shouldn’t be one of those brands people try to collect every eyeshadow palette from in their line. Maybe I should look at them like Clionadh shadows. Clionadh has similar looking multichromes with blue, purple, and green together in one pan, but one may have a stronger teal shift, green shift, or purple shift. It’s intended for people to possess the perfect shade they’ve always dreamed of, not to feel compelled to own them all when you’ll probably only use a few. I already had my ideal pink palette in Divine Rose 2, but I didn’t stop there. I should have skipped Rose Decadence, but I learned a valuable lesson and will remember this when future palettes launch.
When Rare Beauty first launched, I couldn’t decide between Joy and Love blush shades and I didn’t want to have so many cream and liquid products all being opened at once. So, I held off buying them and I’m glad I did because this 4 piece set is perfect for me! At these sizes, I don’t feel as guilty about how often I’d get the chance to use them. Plus they’re in the shades I wanted, so I didn’t have to choose one over the other!
When the holiday sets launched, I noticed a discrepancy in the descriptions on Sephora’s website.
In the “What Else You Need to Know” section, one blush is listed as Bliss, but in the “This Set Contains” portion, the blush is listed as Love. Those are two very different shades and was the determining factor for whether I was going to make my purchase or not. When I checked the official Rare Beauty website, that particular set only had Bliss and Joy listed, yet it was clear to see in the product photos that neither blush was light enough to be the Bliss shade. I figured since Rare Beauty was most likely to have the answer, I contacted their customer service phone number and the person I spoke with was very surprised by this. She thanked me profusely for letting them know, took my information, and said she would get back to me with the correct shades as soon as possible. True to her word, I did get an email a few hours later letting me know the blush shades were indeed Joy and Love. She gave me a free shipping code as a thank you, but I purchased the set via Sephora since I already get free shipping and had a Friends and Family sale code to use.
During that sale, I also purchased the Liquid Touch Concealer Brush, which I will talk about now before we move to the set.
The bristles are soft and densely packed. The unique shape and design of the brush allow me to really get into the contours of my face. Although synthetic bristles aren’t supposed to absorb product, I still find myself using more concealer than usual, but the trade-off is worth it considering how quickly I finish applying and blending. When the brush is freshly washed, it glides effortlessly under my eyes and in the corners between my eyes and nose.
After a few uses when there is a little more product buildup on the brush, it doesn’t glide as smoothly, so I switch to a tapping motion to apply my concealer, which works just as well! I thought that because the head size is very large for a concealer brush that it would be too big to apply product precisely, but the head and ferrule shape causes it to squish into the contours of my face. The large surface area also ensures the application process goes quickly. At the $12 discounted sale price, I am quite happy with this purchase! I’ve only washed the brush twice so far, so I don’t have any news to report on the longevity of the brush. Perhaps in a year I will update this post if there is anything to report about how it has held up so far, considering this is now my new favorite concealer brush and I foresee myself using it at least 4 times a week.
Joy on the cheeks and Support on the lips.
Joy is one of the four dewy blushes currently in the line. In the swatch photo, I had Joy on my arm for about five minutes and it remained wet looking. Essentially, the more product that’s packed on, the dewier it will look. Realistically, you wouldn’t apply that much product in one spot onto the cheeks. So, it ends up more matte than one would expect.
Something about this shade appeals to me so much! Despite being such a bright coral shade, I was surprised to see how wearable it is when used sparingly. These liquid blushes are extremely pigmented. A single drop could be the difference between looking flushed and looking clownish.
Both blushes are long-wearing (I stopped testing after 8 hours). Neither moved my foundation underneath. I could still blend them out after leaving them untouched on my cheek for a minute, though I would recommend working one cheek at a time. They do set to the point of being dry to the touch and no product transferred onto my finger or when I pressed a napkin to my face. Using my finger is my preferred application method, but using a brush or sponge works just as well to create a non-streaky perfectly blended look. A brush will give the most color payoff though, not that it’s necessary considering the amount of pigment these already have.
Love on the cheeks and Support on the lips.
The shade Love is also very beautiful and is one of the four blushes in the matte formula. You can tell Love and Joy are completely different shades in swatches, but once blended on the cheeks, Joy just looks like a lighter and slightly brighter version of Love. This is the case in both photos and in person and it might have to do with being warm-toned shades on my warm tone complexion.
In the left photo, I was slightly closer to my light source than the photo on the right, which accounts for the skin tone differences. Thankfully, the photo on the right is still consistent with the other two blush photos above.
I thought it would be fun to see how Joy and Love look together. In an effort to apply the same amount of product, I used 4 dots instead of my usual 3, which was blush overkill. So, I used what was left of my foundation on my Blendiful and patted that on top of the blushes to tone it down a little. I really liked the end result! It created a nice in-between shade that looked fully matte.
Support is surprisingly pigmented for a “balm.” It’s almost enough to fully cover the dark pigmented patches on my lower lip! It’s more like a sheer lipstick, as the first thought that came to my mind was how similar it felt to Urban Decay’s Vice sheer lipsticks. It’s comfortable on the lips, and although super creamy, it’s not emollient enough to give me that true balm feeling. Regardless of what it is by definition, I love it and will continue to use it! It’s so natural looking on me, which is definitely my preference with lip colors! There is only about half an inch of product in this mini, so when I run out, I might actually buy the full size. It has been a long time since I’ve been excited by a lip product, but this one managed to impress me!
Edit: I forgot to mention this has a scent, but I can’t pinpoint what it smells like. It’s not the same as the lip cream. It’s a mix of sweet and floral. I don’t smell it once the product is on my lips but I don’t know if the fragrance is stronger in the full size.
The lip cream is indeed creamy and comfortable to wear. Although Transform is supposed to be a matte shade, it stays dewy looking if too much product is applied. And if you want it to be more opaque, multiple layers are required. After removing the excess product, it still doesn’t dry down to the point of being transfer-proof. It will remain creamy and transferable on the lips. The flat paddle applicator was also too difficult for me to get to the inner corners of my mouth precisely, so I had to switch to a lip pencil brush. If you like lip creams, you will probably like this product. However, I’m extremely picky about red lippies and although it’s a pretty color, I don’t like it on myself. So, I will not get use out of this product. Even if this was a more natural shade, the balm texture is more of my preference than the lip cream. This has a scent that reminds me of cocoa butter.
Overall, I’m very happy with this purchase! It’s exciting to find a set where all 4 shades are wearable on me and to love 3 of the 4 products. This brand has exceeded my expectations, and I’m looking forward to seeing what else they have in store for us!
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