I purchased the Duo 003 Bundle to save some money since I knew with certainty I wouldn’t be able to stick with just one quint. Eventually, I would buy at least one more. I nearly always enjoy my PML purchases, so as soon as I fall in love with the parts of collections I buy, I’m always tempted to get more. However, I’m upholding some restraint with this collection. Buying two quints was the correct decision for me, but this might be all I get this year.
Bijoux Brilliance Eyeshadow Palette in Bronze Ecstasy and Lunar Nightshade
The quality of these are just what I would expect from the brand. The satins are stunning, the shimmers are beautiful, these are pigmented yet easy to blend, and among the shimmers there are various textures. The shades in the middle of both palettes are the wettest to the touch. As for Enchanted Bronze and Noir Nebula, they both have this very strange texture that smooths onto the lids nicely, and the base color is opaque, but the sparkles within those two are larger in particle size and not all that tightly grouped together. It nearly gives a scattered effect on the eye. Those two are also easier to get sparkle fallout, so I apply them precisely and carefully as the last step of the eye looks. I also tend to wet my brush since it makes me feel like they stick better that way, though it might not be necessary. My technique with those less easy shimmers is to apply them with my finger first, dampen a brush to pack on another layer to get the amount of sparkles I want, and then add one more final layer with my finger.
Merlot Mystique is a gorgeous plum-brown that reminds me of the darkest shade in Tom Ford’s Honeymoon quad. When I apply that to my crease, it loses some of the purple tone, so I basically blend those edges to my satisfaction and then add a little more of that shade on top to get the true color to show. The same goes for Midnight Iris that can just look like a deep purple, but adding a little back on at the end will show the vibrancy of that particular color.
I don’t get any creasing using these with the Gerard Cosmetics Clean Canvas or MAC Paint Pot, but I have gotten a tiny bit with the Coloured Raine eyeshadow base. The longevity is good since I don’t see them fading or dimming in their shine on the eyes.
I feel satisfied that the two quints I added to my collection are different enough from the rest to have been worth it, but I don’t think I’d have been excited enough over the other two color stories in the Bijoux Brilliance Collection. They’re pretty, but wouldn’t stand out as unique. Plus, I haven’t gotten as much use out of these as I’d like to, so adding four at one time would have been overwhelming.
After someone pointed out the similarities of the color stories between Lunar Nightshade and Kaleidos’ Futurism III Astro Pink, it feels less unique than I thought. However, I don’t regret getting it. And even though I don’t see myself coming up with a variety of different looks using Bronze Ecstasy, I’m very pleased with those staple looks I do end up creating. That one is actually my favorite of the two!
The brand’s 5-pan palettes seem to be an easy way to add more varieties of colors to their offerings, so I look forward to seeing more of these in the future. This is especially the case because as much as I love PML mattes, I love the matte/satin-matte hybrid formula that has thus far been exclusive to the quints.
HOLIDAY COLLECTION DISCUSSION
The most tempting products for me were the two MTHRSHP Bijoux Brilliance face palettes consisting of two blushes and 9 eyeshadows in each. These are great for people who haven’t purchased much from the brand, especially prior releases, which is why it would ultimately be a bad buy for me. Starstruck Splendour has both blushes that are too light for me (plus one is a repeat anyway). Jeweled Temptation has a new shade that’s too light, plus the famous Paradise Venus which I owned as a single before gifting it to my sister, but got it again in the Divine Blush + Glow Cheek Palette from last year, and it’s the darker shade within the Paradise Glow duo blush that I still own. My excuse for keeping the duo is for travel, but by right, I should find a new home for it. Even if I chose to do that, I’d still end up with two Paradise Venus pans left if I bought Jeweled Temptation. I was watching a discussion video when someone mentioned Jeweled Tempation’s color story looks like the MTHRSHP Mega Celestial Divinity Palette and I couldn’t unsee it. They’re not exact dupes, but it’s too similar for me to justify getting it even at a discounted price considering the blush situation.
That same person also mentioned that Starstruck Splendour looks like Celestial Odyssey, which I did not purchase during the holiday season it was released. However, I own the six pan palette Velvet Liason (I left it in Germany), which comparing those promo pic colors to the Velvet Liason promo pic shades, the vibes are similar there too. So, I am ultimately skipping both products, even when they go on sale.
Next most interesting for me were the quints, but I bought the two that appealed to me most. I was actually set on also buying Bordeaux Bliss until I thought about all the pink and purple toned shades I have, and the fact that the nearly-cream-to-powder mattes were the stars of the show for me in the quints initially and Bordeaux Bliss only has shimmers. Sunset Romance is also pretty, but too pink and too neutral to avoid feeling repetitive for me.
The Divine Blush + Bronze + Glow Trio in Supernova Siren was nearly as tempting, specifically for the highlighter. I usually stick to golds, dark champagnes, and light bronzes, but a warm peachy-pink highlighter with golden shimmer can sometimes peak my interest. However, I already own the Burnished Honey bronzer (along with two other bronzer shades). I’d be willing to sell my individual one in order to not have two in my collection, but Burnished Honey isn’t even my favorite of the bronzer shades. I might have done that if it was Bronze Divinity instead. In photos, the new Midnight Orchid blush looks too vibrant of a fuchsia shade for my taste. It looks within the same color family of Lovestruck, plus deeper, and I specifically have avoided buying Lovestruck because it’s not the type of blush color I enjoy seeing on myself. So, unless this is one of those times when the website photos don’t accurately show how the shade will look in person, that makes two cons against getting the trio. While it’s true that I sometimes will buy a whole face palette just for one shade, a highlighter is rarely special enough to be worth that. And as intrigued as I am by Solar Fantasy, it’s in the Divine Glow formula whereas I prefer the brand’s Skin Fetish: Ultra Glow formula. A non-sparkly non-glittery baked gelee is my absolute favorite from the brand, and unfortunately that has only been for the Divine Rose one. They’ve yet to release that kind in another shade and I’d prefer to wait however long it takes because that one still trumps the rest of the highlighters I own from Pat Mcgrath, even though the Divine Glow formula is still nice. It’s just not as special on the market. So, this is ultimately the one product I’m still waiting to see photos and videos posted online to decide if the blush is more my style and if the highlighter is still something I want. If yes to both, I’d only get it on a deep discount considering the risks of me liking it are slimmer than the potential disappointment. It may very well be that these two quints I reviewed end up being the only Pat Mcgrath Holiday items I buy.
I nearly forgot that new shades of the colorful mascaras are part of this collection too! I commend the brand for taking a risk on those, since I don’t think there’s a big market for that kind of makeup product, but it’s an easy pass for me.
Also, I know it’s not just me thinking this collection and several past releases are all in the Bridgerton aesthetic. I can’t help but think that the collaboration didn’t sell as well as anticipated (which is backed up by the appearance of so many Bridgerton items at TJMaxx) and a lot of packaging and components intended to be extensions of the Bridgerton line have been passed off onto customers with different names pretending to be uniquely different collections. I like the bows and jewels patterns and designs, so I enjoy having these while the brand doesn’t have to take a loss by just excluding the Bridgerton label from the products. The only downside for me is the not-so-bold color stories, so I’m looking forward to when we’ll be able to move onto some fresh concepts and ideas.
Anyway, that’s everything for this week! Thank you for reading!
A few additional items discussed in this post are not pictured here.
Between Huda Beauty’s main brand and the side brands of Kayali and GloWish (I’m not fully sold on Wishful yet), I’m becoming more of a fan these past two years than ever before! Today, I will be discussing the remaining unreviewed products I own.
GloWish Micro Mini Natural Eyeshadow Palette in Moss
The Glowish quad is nice! It’s more pigmented than I expected, which is to say it’s the same Huda quality I’m used to. Unlike the 9-pans that are normally made in China, this quad was made in Italy like the bigger Huda palettes. So, that was interesting to see. A lot of people say the quality between the 9-pan and full size ones are different, but now that I have the Empowered and Naughty palettes to compare, I really don’t see a difference from the Obsessions palettes I own. Then again, I’ve only purchased the ones rated high in reviews.
The shimmer in the Glowish quad didn’t have the impact I usually prefer, but since it’s part of the Glowish line, I assume it’s not meant to be super attention-grabbing. That’s the only complaint I have. I don’t get creasing, I don’t have longevity issues, and the kickup isn’t that bad. I like this, but if I’m being perfectly honest with myself, Moss gives similar vibes to the Natasha Denona Mini Gold palette, but ND’s has way more interesting shimmers. To those that like muted earthy yet pigmented colors and like satins instead of shimmers, I recommend getting the GloWish quad. However, those that like a lot more sparkle with a quality that’s at least as good, plus even quicker to blend, I recommend spending the extra $6 to get the Natasha Denona Mini Gold, which has an fifth eyeshadow too.
Huda Beauty 1 Coat WOW! Extra Volumizing and Lifting Mascara
An example of this mascara being worn is in the section with Glowish quad eye looks and the first two eye looks for the Naughty palette. For those curious, I’m using the COL-LAB mascara (in the pink writing not purple) in the last two eye looks showing the Naughty palette.
My version of one mascara coat is to pull the applicator out of the tube and apply the mascara to my lashes in repeated swipes until I’m satisfied with the length and volume, and without dipping back into the tube a second time. I start with the side of the wand that forms an hourglass shape, as that feels like I can get closer to the root of my lashes that way. I keep building up that single layer before turning the wand to the side that looks fully curved without an inward dip from brush base to brush tip. That side of it helps to comb out the lashes so they don’t look clumpy and/or remove visible clumps gathered on the tips. I prefer to stick to the single coat. Waiting for the mascara to dry and then applying a second layer only adds slightly more volume, but no additional length. I’m satisfied with the volume I get from one coat, so I don’t get extra value trying to build my lashes beyond the first coat.
I don’t get any smudging throughout the day, but I do get some flaking. The amount is acceptable to me, so I don’t count it as much of a negative. However, I have mascaras that give me the same results with less effort and don’t flake at all such as the MAC Megastack, COL-LAB mascara, and Essence Volume Stylist 18hr Lash Extension Mascara. So, this isn’t something I plan to repurchase. Also, this takes normal effort to remove with my Bioderma Micellar Water.
I should also note that I’ve used this mascara at least five times in a little under two weeks and the mascara consistency has gotten thicker. I have a much easier time getting volume, but the amount of clumps I have to remove from the tips of my lashes before it has time to dry is another annoying attribute that guarantees I won’t repurchase it.
Huda Beauty Empowered Eyeshadow Palette
As I said in my Swatchfest #6 post that included this palette, but not a full review, Manifest It is that strange gel formula that Huda included in the Naughty palette, but the pigment is in cream form instead of the circular balls. I took a cosmetic spatula and recombined the clear hard waxy gel and pigment together to get an even coating of color. Unlike Slippery, I find that there’s enough pigment in my mixture to actually use Manifest It as a visible opaque eyeshadow and not just as a primer base. It looks fine on my eyes if I keep it away from any folds and lines, but if I put it in the inner corner or some of it strays from the lid and into the crease, it can look a bit textured and take some extra smoothing over with a flat brush or my finger, in addition to creasing and moving, leaving me with a bald patch in those spots. It looks passable for a few hours, but by mid-day the combination of eye movement and spots on my lids that product oil majorly exacerbate the creasing. So, I try to keep this shadow for use in areas of low movement and away from areas that show signs of “maturity.”
After two hours wearing Manifest It on the inner half of the eye compared to the worst of it by the end of the day.
The standard powder mattes are all great. It’s the typical Huda Beauty type of mattes that are pigmented and easy to blend. My issue is just that these shades are too similar on my eyes, so I’m a bit limited in the variations of looks I can come up with. Big Dreams and Rebel end up looking the same. That’s also the case with Power and Best-Self. Get It is darker and brighter than those two, but if I use it in the same eye look it will overpower them and just look as though I applied Get It by itself. The three mattes that stand out the most are Winner, Confident, and Legacy. In the case of Winner, it has equal depth to Big Dream and Rebel, but the aspect that sets it apart from them is how cool toned it is.
We have two gel hybrid eyeliners that can be used as eyeliner, eyeshadow, and/or as an eye base. They aren’t waterproof or transfer-proof, since I can rub the spot where they are applied and get a faded imprint on my finger, but they at least don’t smear. They’re easy to pick up on a brush, but not as easy to get off the brush and smoothly onto the eyelids, especially with other shadows already built up on the lids. I don’t have much patience when it comes to passing over the lash line repeatedly, so it’s actually easier for me to use Confident as a liner instead of Worthy. Because Purpose is a richer color that takes less effort to build up, I don’t mind as much using that one as eyeliner. I like applying it to my eyes with my finger for a smokey look and to increase the intensity of a typical multichrome used on top of it. It does fade on me as the day goes on, as it’s not that rich of a black color, but it’s still visible enough for me to be satisfied with it being included in the palette.
Courageous is described as being “multichromatic” and has a slight shift that can be seen in the pan, but not as evident on my eyes. It also has its own black base, so using it with Purpose isn’t necessary. Even though it’s not very shifty, it’s still a pretty eyeshadow and great for smokey looks. It has a little too much slip to it, which is prone to creasing on my eyes, so I try to keep it out of lines and folds as well.
As for the golds, they’re both beautiful, reflective, and shimmery, but Limitless is extra flaky. So I prefer to use Charisma out of sheer ease of use, though they both have a scattered effect if not applied wet.
Visionary is similar to Provocative from the Naughty palette, but I prefer this color, tone, and fact that it feels smoother on the lids. I’ve had the Naughty palette a little longer, so perhaps I feel a slight difference because Visionary is newer. The mixture of swirled colors turns out to be very similar to how Do It looks, which is yet another reason I feel these shadows are repetitive. Besides the slight tone difference (bright copper versus brown-copper), Do It is shinier with visible shimmer whereas Visionary is smoother, so they have textural differences and one gets to choose which shimmer intensity one wants.
Bold Moves is an interesting mottled shadow combining “white gold and true gold metallic speckles.” Considering this is a mostly warm leaning neutral palette, but with some cool toned options, this kind of shimmer is a good bridge between them. It’s creamy and adheres to the lid nicely, but I apply it damp if I want to avoid a mess when applying it to the inner corners.
I bought this for $46 on Black Friday, so I’m glad I didn’t pay full price. It’s just a little too repetitive in color story and the shimmers are a little too creamy for my eyes, so I don’t think I’ll be using it very much. The quality is good, but there are so many factors that will determine whether these shades will work for someone or not.
Huda Beauty Naughty Nude Eyeshadow Palette
The last photo above has the swatch of Untamed because I accidentally skipped over it when I was doing swatches in order. I also re-swatched Passion and Hard because those shades needed to be mixed/rubbed together more thoroughly to show a solid color. It would have looked unflattering on the eyes to have random lighter and darker lines or patches on the eye if I just applied it like a duochrome.
I have to address the fact that Passion in this palette is like Astral Amethyst Moon in the Pat Mcgrath Huetopian Dream palette. It’s the surprise blue pop in a neutral palette. However, at least Passion is blue shimmer with a burgundy base, and that burgundy color works well with all the other pink and red-leaning shadows in this palette.
I had the Empowered palette first and dealt with Slippery the same way as Manifest It and the weird gel pigment bubble shadow in the Essence Coffee to Glow Palette; I used a cosmetic spatula to mix half of it together fully. It doesn’t turn into anything pigmented enough for me to wear on its own, but it does make a pretty good eyeshadow base for helping the shimmers stick to the eye.
Hard has a creamier feel to it than a standard matte, but it’s definitely still a powder that sets on the lid to a dry finish. The color it turns into basically just looks like my eyelid color. So, I haven’t found a use for it.
While I appreciate a pigmented and blendable product, the shade Untamed was so difficult to work with. It goes on the lid intensely immediately, even when I use a small amount. If I try to blend the edges, it fades to a dirty dark color that doesn’t show the burgundy tone anymore. It looks too harsh and unblended if I don’t at least try to smooth out the edge. Applying a lighter eyeshadow color on the edge tones it down far too much. Blending it out also wipes too much of it away. So, it’s extremely finicky trying to get the color to show true to how it looks in the pan, not be overblended (which takes 3-5 seconds to overblend) and lose color or look patchy, but also not look like a solid block of color. If I finally get it to look nice, adding a shade to my lid and it slightly traveling higher into the crease forces me to have to play the game all over again to try and fix it and avoid it looking patchy and messy. The time it usually takes me to finish an eye look is the amount of time I have to spend on just Untamed alone to make it look good. Thankfully, after dealing with Slippery and properly swirling together Passion, Hard, Flower Power, and Provocative, the only shadow left in this palette that gives me trouble is Untamed. Regarding the marble/swirl shades, the shimmers seemed the tiniest bit creamier than Hard which made them a little easier to mix evenly.
The five other shimmers are easy to apply, but Shameless, Flower Power, and Tantric are a bit flaky (though not to the extreme of the golds in the Empowered Palette) and I prefer to dampen my brush to apply them. I will get shimmer fallout if I don’t use something like a glitter primer or the Slippery shadow underneath to keep it in place. Dampening my brush works for getting it to adhere, but not for a full day. Another nice thing about these shimmers is that I don’t have to deal with creasing when I use them. As for the seven other mattes, they’re quite pigmented and blend nicely. It’s not as quick to use as Pat Mcgrath or Natasha Denona mattes, but these are still quite good.
*I accidentally wrote Slipper instead of Slippery. Also, I intended to use Irresistible on its own in the inner corner, but as I continued to dip my brush into the pan to build up the shade in the inner corner, I got confused and started dipping into Shameless as well. So, it’s a combination of the two.
When this first launched, I was instantly drawn to the palette (admittedly the swirl patterns were a big part in that). What stopped me from getting it was my concern with it having too many similar looking shades. On my skin tone, this proved to be true. My second and fourth eye looks above used entirely different shadows, yet they look quite similar. Hard doesn’t show as a color on me. Hypnotic barely shows. Rough shows slightly more. Slippery may as well be a primer. Please Me, Provocative, and Irresistible look similar even in swatches, let alone on my eyes. I was surprised to see the opposite being true for the dark shades Untamed (mahogany red-brown), Naughty (warm neutral leaning brown), and Spicy (dark cool brown) that remain distinctly different as long as they aren’t used in one eye look. In a way, having paid $34 for this palette via Sephora makes up for it.
The other benefit to Naughty Nude is that there are various textures and finishes to experiment with, something I always admired about Huda palettes. However, because these shadows are organized in a way that isn’t as easy to distinguish between these similar colors, it takes extra time to plan out a look. This makes sense for a super colorful palette, but it’s a bit strange when I consider one of the benefits of a neutral palette is normally its easy of use.
This is a nice quality palette, but I’m glad I didn’t pay full price for it. For my preferences, I honestly wish I played with the Nude Obsessions Rich palette below so that I could have realized it’s like a condensed version of Naughty Nude, or at least similar enough. I had that one a whole month before purchasing Naughty Nude, but hadn’t used it beforehand.
Huda Beauty Nude Obsessions Eyeshadow Palette in Rich
This is the oldest (in terms of release date) of the palettes I’m discussing today, but it’s my favorite of the bunch. The majority of the 9 colors are distinctly different from each other. The quality is just as good as the full size palettes, though perhaps slightly less pigmented. I don’t mind this though because there’s more control of the intensity of the eye look this way. Also, I think most of the shadows in the Rich palette are more shimmery and reflective, something I also like, and in shade tones I like even more than what’s offered in the Naughty palette.
Huda Beauty Lovefest Obsessions Eyeshadow Palette
This was an unexpected addition to the post. Sephora had this and many other Obsessions palettes for half off during their Labor Day sale. It’s always the same song; several of the colors appealed to me, but I didn’t want to get it for full price because the orange shades looked too similar and I figured the two lightest mattes could look identical on my eyes. Plus, by now I certainly had all the warm toned shades (especially oranges, pinks, and browns) I could possibly want from the brand. However, I couldn’t resist that price.
I was correct that I can’t tell Shades 2 and 6 apart when I use them in the same eye look. Thankfully Shades 4 and 9 are different enough. The mattes perform just like my other Obsessions palettes. Shade 3 is a low impact shimmer that is smooth to the touch and basically looks like a satin on the eyes. Shade 5 is a pretty duochrome that brings the sparkle and drama that I want. Shade 7 is a medium pink that works to brighten the inner corner of my eyes, but also makes for a pretty lid shade. I’ve had this for the shortest amount of time out of all of these reviewed today, but so far so good!
Just as I was finishing this post, I remembered there are in fact a few extra items from the brand(s) I haven’t reviewed. From Wishful I have the Honey Whip Peptide Moisturizer that I’m waiting to open once I finish up one of my current moisturizers, a mini of the Thirst Trap Juice HA3 Peptide Serum that I used a few times and didn’t notice it doing anything, and a ton of samples of the Eye Lift & Contour 1% Bakuchiol & Peptide Serum which I still haven’t tried. There’s the GloWish Luminous Pressed Powder I stopped using and didn’t finish testing. I also have a deluxe sample of the Easy Bake Loose Baking & Setting Powder, but it’s in a color that’s too light for me. I could try to use it despite that, but I feel that it would throw off my ability to see the results properly. So, I don’t see myself reviewing any of those anytime soon. However, there are two things I intentionally skipped reviewing that I decided I will include.
FauxFilter Luminous Matte Concealers in Crumble 7.1N and Butterscotch 7.5G and FauxFilter Color Corrector in Mango.
The reason I wasn’t intending to post about the concealers is because base products don’t excite me to review. It’s only when I find concealers comparable to my holy grail ones that I want to share my results with everyone. In addition, this is a bit of a regret purchase. I knew Crumble wasn’t full coverage enough to adequately conceal my extreme dark under eye circles and that it made my under eyes look about as dry as Tarte Shape Tape, but I purchased an additional shade anyway. I was more intent on trying to solve the mystery of how to make it work instead of asking myself if this was going to add something of value to my collection. Considering I can get more coverage from a single shade of the original Tarte Shape Tape (Deep) over buying Crumble and Butterscotch to mix with from Huda, it should have been obvious what I needed to do, but I somehow convinced myself finding the perfect color combination would make the Huda concealer magically suit me better.
Using the under-painting method, like with my Givenchy concealers, I’m able to get the coverage level I want, but at the expense of having a shade match that is darker than my cheek area. So, I don’t wear this combination on light makeup days that I plan to skip foundation. I typically match my foundation to my forehead which is darker than the lighter parts of my face, but lighter than my areas of hyperpigmentation. I either get this middle-ground depth that’s a combination of the various colors on my face, a slightly darker shade for summer, or a color that matches the lighter parts of my face that typically works after winter. So, I can use the combination of Crumble and Butterscotch with my middle-ground and summer foundations. The reason I took a break from using these concealers though is the fact that I can get similar coverage level to my combination of Givenchy concealers, with it looking and feeling less dry. The Huda concealers at least have the benefit of being long lasting, provided I pair it with the right powder and ensure that more is applied in the beginning if it starts fading within the first five minutes and any creases get smoothed out a second time before more powder is added. That process of keeping an eye on it in the beginning and making adjustments early on can get me a good ten hours of wear. If I don’t pay enough attention to my skin absorbing some of that product or not smoothing out those creases, it goes downhill quickly where I might only get six to seven hours where it’s significantly faded and looks awful. So, because of the dryness and mindfulness required, it’s taking a backseat until I finish up the ones from Givenchy.
As for the Huda Corrector, it made sense that if the concealers looked dry, the corrector should have the same finish, yet I bought it anyway. I was too intrigued by the Mango shade to skip it. Every brand of color corrector I’ve seen has a pink that’s too light for me to use and/or an orange that’s very deep and practically as dark as my under-painting shade. They’re also either so opaque that they don’t blend in with the rest of my skin or they’re so sheer that they don’t hide enough. This is the first corrector I’ve ever seen that’s deep peach/deep pink-orange with decent coverage and in liquid form. I’ve seen some cream ones that come close, but creams crease too much under my eyes. So, I’m able to use Crumble if I have this corrector under it. I even use Mango sometimes by itself and in other areas with discoloration. Of course, I still have the dry issue and needing to babysit it in the beginning, but because it camouflages well enough to my satisfaction, I continue to use this from time to time unlike the concealers.
Now, I consider us caught up on my Huda and sub-brands collection! If anyone wants a review of one of those specific items I mentioned that I own but don’t plan to post about, just let me know (via comments, email, or Instagram) and I’ll reconsider it.
That’s everything for today! Thank you for reading!
My previous Luxury Makeup postwas months in the making, and the next one was heading down that road as well. Rather than take a few weeks off of posting, which would have been necessary to complete it, I decided to split it into smaller parts. Today’s post will be dedicated to the high-end/luxury eyeshadows I have yet to review on this blog.
Pat Mcgrath Labs Mothership IX: Huetopian Dream
Astral Amethyst Moon is the real reason I wanted this palette, and perhaps 3-4 other colors. Because I felt like half of these shades were similar to what I already own from Pat Mcgrath, I told myself I wasn’t allowed to get it unless the price dropped to $80 at most. Well, at the end of June, Huetopian Dream was on sale for the lowest I’ve ever seen and it was under my maximum price, so I finally bought it!
The mattes are the high pigment, blendable, smooth, fantastic quality I’ve come to expect from Pat Mcgrath. Skinshow Nude Xtasy is the typical fine shimmer satin-feeling highlight shade. The three baked shadows are the flaky, slightly rough feeling (Bronze Solaris 005 is a bit smoother), dry, high impact shimmers that look fantastic, but are best applied on top of glitter glue or with a dampened brush to minimize fallout. I love the colors and intensity of the baked shades, though the tricky application process and fallout issue prevents me from using them as often as I should.
There are three shadows that surprised me though. Blitz Sextreme is less opaque than I expected based on my experience with the Divine Rose 2 palette’s Sextraterrestrial shade. Sextraterrestrial was so good that it kept me from buying the closest Clionadh equivalent for several years. I am dissatisfied with how Blitz Sextreme looks on my eyes unless I use glitter primer, which I had to apply in the second eye look below. It wasn’t until I compared the two “triochromes” side by side that I realized they’re different in texture as well. Sextraterrestial is a baked shadow whereas Blitz Sextreme feels close to gel-like. It feels like a Juvia’s Place multichrome. Perhaps it’s not a matter of skimping on the pigment as I originally suspected. Typically, when a brand uses this kind of formula, they have a black base to intensify it or at least some other base color that will enhance the multichrome, whereas in the baked form the pigments are practically concentrated. So, I wish that when they switched to making a triochrome in a non-baked form, they did something so that I wouldn’t have to help it along by packing it onto glitter glue myself. Perhaps the target PML customer would appreciate a more subtle multichrome, but that’s definitely not me. Clionadh proved with their Earth Vibrant line and more neutral colored Stained Glass shadows that it’s possible to make “wearable” duochromes and multichromes that are toned down based on color, while being fully opaque. When applied as is, Blitz Sextreme is an example of the kind of subtle I don’t like. To me, if a product like that is too weak to be able to see the color shift well enough, what’s the point? Without a shift, it may as well be a regular shimmer, which would be more affordable to make anyway.
The other two that were unexpected were Bronze Desire and Cosmic Bloom which also felt more like a gel rather than creamy feeling for PML’s “typical” shimmer formula. I had issues with them creasing in the beginning, but two months later, these feel a lot less wet. With it being less wet, the creasing isn’t as prominent either. I still try to keep these shades strictly on the lid though and avoid the crease, but I’m happier with their performance now. It was very strange that this happened at all though because I don’t recall anyone saying that in their Huetopian Dream reviews when they first launched. Perhaps it’s just my palette, but I’m glad it’s not an issue anymore.
Overall, I like this palette. I definitely would have been unhappy if I paid full price though. It’s not to say the quality is bad. I think it’s very good quality with a few little differences from past palettes. The thing that I have trouble understanding though is Astral Amethyst Moon’s presence here. It’s supposed to be the star of the palette considering it’s the most colorful shade with the brightest pop, even surpassing the triochrome. However, the other shades in this palette don’t fit with it. They don’t play off or enhance that color in any way. Astral Amethyst Moon is like a powerhouse of vibrancy, whereas everything else is too soft to support it. I thought Shockwave would be the color to do it, but it’s so much more muted on my eyes, and really not that much deeper than Secret Eden. Xtreme Plum Noir at least gives it some drama because of its depth, but when I build it up, it looks more brown than plum which isn’t as exciting. In my final eye look above, I used last year’s holiday palette to give an example of the type of colors I expect to help support this shadow. I wish this shade wasn’t tied to this largely pink-neutral color story. If I’m in the mood for those tones, I’m going to completely ignore Astral Amethyst Moon when I open the palette. If I’m doing an eye look and want a colorful vibrant lid shade, it’s unlikely I’m going to whip this one out just for that one shadow. It would have been better off in a quad, but whoever decided to put it in this palette got me to spend far more just to get it. Congratulations to them. I couldn’t let that shadow go, and honestly, I still don’t regret getting it at the reduced price.
Surratt Beauty Artistique Eyeshadow in Dore and Noir Le Plus Noir
These are normally $22 each, but for some reason these particular shades were on sale on Surratt’s website for $8.80 each instead. I was willing to pay the extra $5 shipping in order to try and see why these eyeshadows are raved about so intensely among the luxury beauty community.
Now that I’ve used them, I understand the hype. These remind me of Suqqu shadows in texture, and I believe Surratt eyeshadows are made in Japan as well. Both brands’ eyeshadows are thin, but after the initial layer with Suqqu, it doesn’t really build up beyond that. These Surratt shadows build up to a stronger intensity if I want them to, while still being just as blendable. However, as great as the formula is, it’s not so much better than the rest as to be worth it to me to spend $22 per eyeshadow if it’s not a multichrome. If I see more of these available online at a reduced price, then I might be interested in getting a few more.
Lisa Eldridge Liquid Lurex Eyeshadow in Titania, Zora, and Liza
Considering what I just mentioned above, it’s a bit funny how I don’t look at single eyeshadows the same way when it’s in liquid form. I guess it’s because I am rarely tempted by them, so if a brand can get me interested enough in theirs to buy it, they deserve the money they’re charging for them.
Other than these from Lisa Eldridge, and Sydney Grace, I think I hadn’t purchased liquid eyeshadows since the Stila Suede ones launched (not to be confused with the 2023 relaunch) in 2019. Technically, I do have Danessa Myricks ColorFixes (from a TrendMood box), but they’re still unopened. What made me interested in these is that they looked stunning on the models on the website, and reviewers said these don’t crack or flake, they last all day, and despite looking packed with shimmer they don’t have fallout which makes them great to incorporate in eye looks or for one-and-done looks. I happened to be caught right at the perfect time of wanting a satisfactory single-shadow look, which I normally am not interested in doing.
Essentially, what everyone said about them was true. This is a fantastic formula. They blend in with each other very well and on top of other brands’ shadows. If I use one even layer of product, I don’t get sparkles under my eyes as the day goes on. If I pack it on a bit too thick, then I do notice significantly more glitter particles under my eyes at the end of the day. Also, these shadows set and don’t budge if left alone, but if I touch my eyes I will still get sparkles on my finger though the base color doesn’t come off until I’m ready to remove it. Melt’s Gel Liners can be used as eyeshadows and eyeshadow bases, but the Lurex has the benefit of feeling like nothing on my lids. I don’t get any tightness. Melt’s aren’t stiff either, but there is more of an awareness of it on my eyes, unlike Lisa Eldridge’s that I forget I’m wearing.
I purchased Titania at the end of last year, then Liza when Lisa Eldridge products began being sold at Selfridges, and then recently Zora finally restocked on the official website. So, I now have all the colors I wanted.
Also, Titania and Liza are sentimental names for me! Honestly, that did partly influence my purchases. Plus, Zora is close enough to Zoro, who is one of my favorite characters from One Piece.
As a bonus, I wanted to show some eye looks combining everything in today’s post.
I hope this has been helpful.
Thank you for reading!
As a last minute note, I wanted to say that I have next week’s post auto-scheduled and ready to go. However, the forecast for Idalia hitting Florida and the level it’s projected to strengthen to, if I’m out of electricity and internet for a significant time or my area sustains damage near to what Hurricane Ian did last year, I might not be able to post for a while.
Update: Thankfully the Hurricane missed where I live and we just experienced the outer bands, which did not knock out our power or internet!
I’m posting at a slightly earlier time than usual because in one hour, Sydney Grace’s annual week-long Christmas in July event will begin! Everything in this haul was purchased last Black Friday, but that was because I skipped last year’s Christmas in July sale. The discounts look even better this year, so I wanted to show some of the unreviewed products from the brand that I haven’t featured yet in case anyone is interested in seeing them. My initial Sydney Grace review with a ton of eyeshadows can be found here, as well as the Temptalia collab here.
This event is typically the one time of year I make a purchase. I checked that everything in this post is still available, with the exception of the Sweet Indulgence Palette that launched during the previous sale and was on clearance by the time Black Friday rolled around. This year’s launches will be the Love’s Journey palette, Heaven on Earth palette, and Raspberry Kiss palette. If I decide to shop the sale, it will most likely be Day 2 where all palettes (including Love’s Journey, but I don’t think Heaven on Earth or Raspberry Kiss), cream shadows, and more are 40% off.
Tropicolor by The Fancy Face Eye Shadow Palette
Tina is one of my favorite YouTubers, so I wanted to support her collab like I did when she worked with Oden’s Eye, but this palette is very blue heavy and I’m still in a weird like/dislike relationship with blue eyeshadow. For this reason, even though I’ve had the palette since November 2022, I didn’t start using it until June 2023. Whenever I opened it up, my eyes were instantly directed to those blues and I’d get the urge to use a different palette instead. Since I knew the Christmas in July sale was coming up though, I decided to just push through and start playing. I initially felt like I had no idea how to use these colors together, besides monochrome color schemes, but every time after that was easy! My favorite shades in this palette are surprisingly the warm neutrals and unsurprisingly Doctor Bird and Lignum Vitae.
This palette has all the features I love about Sydney Grace eyeshadows. The mattes are pigmented and apply opaquely while still being very blendable. The satins are smooth and opaque as well. The binding in the shimmers are such that they adhere to the lid without getting a bunch of fallout specks everywhere. They don’t require me to wet my brush. They are pigmented with medium shimmer reflectivity, and opaque. They apply smoothly to the lid without leaning on a bunch of slip ingredients (the “cones”) to make it easy to spread. I love the tactile feeling of dimethicone in products, but the higher the percentage of it and the other -cones, the easier they are to crease on me. These eyeshadows work well on me with all my typical primers: Gerard Cosmetics Clean Canvas, Coloured Raine Paint Base, MAC Paint Pot, and Urban Decay Primer Potion. However, I have to be careful not to have an excess of the Paint Pot on my lids or else the shadows will move out of the crease. Too much wetness from an eye base will mess with the longevity.
Some other things to know is that Doctor Bird is a bit flaky, but not enough to cause shimmer fallout on the eyes once it’s finished being smoothed onto the lid. I still don’t need to apply this shade damp. The reason the texture is like this is because it’s a chromatic shadow and Sydney Grace’s pressed multichrome formula is the flakiest of the brands I’ve tried. So, it makes sense that this shade would have a bit of that texture. Waterfalls is chunkier than the others, but again, it’s just a tactile thing and doesn’t effect performance.
Cocoa Beans is a deep rich brown that is more on the buildable side than the other mattes, specifically for being able to control the depth it provides. I’m actually quite impressed!
In my swatches, it’s admittedly hard to see the tone difference between Waterfalls and Rainforest, so I included the photo below.
Besides the blues, the only other aspect of the palette that isn’t my preference is Cane Fields being such a blue leaning green. I love yellow leaning, straightforward greens, and even bluish greens if they’re deep enough. However, I understand that because of all the blues in the palette it makes sense to want to have greens that’ll merge the cool shades with the warmer ones.
If you’re like me and love most of the color story, but are a little put off by the arrangement, remember that these pans are removable. I rearranged mine by booting the blues to the bottom row and now I feel a lot more excited when I open the palette! I could also just put these in my giant palette with my other depotted Sydney Grace eyeshadow singles or switch out some of the shades for other Sydney Grace singles, but rearranging them was enough of a change for me. Now, I’m able to see the beauty of it. I put the shade names on label stickers on the bottom of the pans, so I can always put them back in their proper places.
Sweet Indulgence 9 Pan Palette
This palette released around the same time as Colourpop’s Ticket to Dreamland. I decided that between the two, I’d rather have Sydney Grace’s formula, so I was glad I eventually got my hands on this since that palette was discontinued by Colourpop as well.
I have to be in a very particular mood to want to wear pinks, and these in here are pretty! Gumdrop is quite the attention grabber, but definitely not a unique shade, and Sherbet is objectively a beautiful tone, but I don’t want to use it with any of the shades in this palette. I like Sweet Cakes, but I don’t need a second deepening shade with Sweet Tooth in there, so I replaced those shades with Deliverer (purple), Lost Princess (red-orange), and Turtledoves (champagne). Now, it has a candy and creamsicle vibe going on!
Even though this palette is discontinued, there are tons of single shadows still available from Sydney Grace that are similar enough to create a dupe version.
Individual Eyeshadows in Be the Sunshine, Herky Bird, and Rustic
The label on my eyeshadow pan says, “Be My Sunshine,” but the website name is “Be the Sunshine.” In my order confirmation email, the item has both names.
I didn’t intend to purchase coordinating eyeshadow singles. At the time, I just wanted eyeshadows that weren’t repeats in my collection and could feed more of my green obsession. It was a happy accident! I love these shadows together and they perform exactly as I’d expect from this brand. There’s nothing else really to say other than Rustic is a satin/shimmer and the other two are pressed pigment shimmers. So, I’m able to use Rustic almost like a matte and it doesn’t crease on me.
Cream Shadows in Sunset Glow and Deep Love
I previously only used Sydney Grace’s multichrome cream shadow. Once the texture got worse, over time, I really didn’t like it. So, I didn’t dive further into the line. However, for the multichromes specifically, they changed the tube size a few years ago and increased the shelf life. Since I’ve heard nothing but great things about the cream shadows overall, I decided to give them another try.
How I use them is to pour some out onto the back of my hand and take a flat concealer brush to spread them onto my lids with more precision than, say, my fingers. If I’m using both colors, I try to let the first dry before adding the second. I also try not to blink too much if using one as an all-over-lid shade so that it doesn’t get bald spots or patches while drying. If it does lose opacity in a spot, the brand recommends rubbing them. I have found it easy to just add a little back on to the spot in question. These layer nicely and I don’t get any cracking of the eyeshadow and mine don’t add extra texture. They blend well into each other and still look great on top of powder eyeshadow. I can even add powder shadows back on top without it looking strange.
In addition to lid shades, these work nicely as liners. These are fairly lightweight, even more than the Melt Gel Liners. They’re not waterproof, but they hold on very well and don’t fade on me. The shine dulls down a little towards the end of the day, but they have quite a long wear time. If I didn’t love the ease of using powder shadows so much, I would absolutely purchase additional colors from Sydney Grace. So, I recommend them to cream eyeshadow lovers.
That’s everything for today! I hope it has been helpful!
Summer is nearly over, at least in the beauty world. I believe Suqqu’s Fall Collection (or Pre-Fall) is coming to Selfridges on July 27th. So, I wanted to hurry and finish this post in case anyone is interested in getting the limited edition items while they still can!
Suqqu Pre-Summer 2023 Pure Color Blush in 138 HYUUGAAOI and 139 KAFUU
I watched several videos to help me decide which of the two Pre-Summer options I should get. Of course, I ended up with both, but my initial hunch was correct. 138 Hyuugaaoi is a copper-orangish red which appears as more of a blush tone on me than 139 Kafuu’s bronze-brownish pink. I do like them both though.
I was reluctant to purchase Hyuugaaoi out of fear it would be too similar to 132 Momijigari from last year’s fall collection, but they are definitely not the same. In fact, it’s a bit in reverse that Hyuugaaoi has a shimmery blush with a matte yellow strip, whereas Momijigari has a deeper, more vibrant and matte red blush with a shimmery yellow strip.
In the photo demonstrations that will come later, I used a mixture of the first and second strips as highlighters to show the way it looks on the face as intended. However, I normally ignore the highlighter parts of all the Pure Color Blushes because they’re too light for me unless I mix some of the blush shade in with it to add depth.
Above are the blush portions alone to show how similar they look. Below are two different attempts to take pictures of these blushes, but they’re a lot harder to see on my camera due to how reflective they are. I like them both, but Hyuugaaoi is more of my style.
Also, I couldn’t help but think about the Rms blushes when taking photos of these. The ones from Suqqu are surprisingly more shimmery and have nearly as much reflection strength as my more subtle highlighters. They’re not too shimmery for my taste, but I also try not to build up the color to the maximum level, which would increase the amount of reflective particles that come along with it.
These have more in common with the BareMinerals Blonzers, which are holy grail blushes in my collection. The shade Hyuugaaoi is like if Kiss of Copper and Kiss of Rose were mixed together. The BareMinerals Blonzers are actually more reflective, but have a more pigmented base and the original three are smoother as well. So, not only do I like them even more on my skin than the ones from Suqqu, they also show up easier on camera no matter the lighting situation.
As is the case with all my Suqqu blushes, I don’t have any longevity issues. I recommend these, though I still prefer the Melting Powder Blush formula and the matte Pure Color blushes over them. The upcoming fall release has shades more along the lines of Kafuu coming up, so I don’t plan on getting any of them. I have enough brown blushes now. I don’t plan on buying anything from the Anniversary Collection coming in September either.
Suqqu Summer 2023 Pure Color Blush in 140 IROMADOI
I knew this would never work for me as a blush, but I was so excited at the prospect of this potentially being like the limited edition Melting Powder Highlighter that was released without having another shade option available. It looked peachy in the photos and videos I saw a day or two before purchasing, by people who had it in PR or took photos of them in-store in Japan, but it looks chalky beige on my finger, let alone my skin tone. It didn’t matter if I rubbed the entire surface or just into just the darkest parts of the swirls. It always came out the exact same pale color.
The texture was also nowhere near like the highlighter. It was far too light for me to use as a highlighter, so this is actually already out of my collection. However, I wanted the gorgeous iridescent packaging, so I popped the pan out and swapped it for the standard packaging instead. That’s why blush 138 and 140 are not in their correct compacts in the first photo at the top of this review. I was able to at least keep the packaging and still have the makeup inside be usable. That’s one of the things I love about Suqqu. The glue remained tacky enough to be able to do this.
Suqqu Signature Colour Eyes Eyeshadow in 125 Hikarimai
The duochrome in the bottom left of the compact is the main reason I wanted this palette. It looked different from duochromes in my collection, I also wanted the packaging, and I didn’t mind having that dark shade as well. The eye looks on everyone I saw long after the launch is what made me decide to pick it up weeks later. Unfortunately the top left topper shade does hardly anything for me. It took ages to build up that shade in the inner corner of my eye, even after wetting the brush. It’s meant more for scattered effect looks. I depotted that and swapped it for a different Suqqu shadow (as seen once again in the group product photo in the beginning). The tan brown is pretty much my eyelid color. I can use it to blend out the darker shades and set my eye primer, but that’s about it. The dark color doesn’t stick well to my eyes. When I used it solo on my lids, I kept getting a bald spot where it just refused to stay looking opaque. It’s just a bit too sheer. It’s hard to use it in the outer corner as well because it fades away when I blend too much. The green duochrome is more subtle than I’d like, but it’s pretty. It’s still the star of the show. Overall though, this color story just isn’t meant for someone of my skin tone. In at least swapping out the pale shimmer pink, I’m able to create looks I like more. And I know not to use the dark shade except in the outer corner and when I don’t mind it fading. Which means I’m likely only going to use it to take quick photos or solely reach for this quad for the green shade.
Bonus: Suqqu Treatment Wrapping Lip Gloss in 02 Caramel Beige and 05 Candy Pink
The Summer 2023 Collection has two different shades of lip wrapping glosses that were released: a pearlescent pink and pearlescent blue that were intended to mimic the look of white and black pearls. I believe those might have been too cool toned to look good on me considering the warmth of my skin’s undertone, so I skipped getting them. However, I can still give my thoughts on the formula because I have two of them from the permanent range.
I first purchased 05, and loved it! My lips feel moisturized when I use it and I love the color when it’s built up. I have the issue that if I wear this for too many days in a row, my lips will start to dry out. This is still better than some products that cause my lips to peel before the day is even over. It’s just a problem I have with the majority of lip products containing color, but this speaks to the nourishing aspect of this product that it takes a few days before I need to switch to a Sara Happ balm, Avene Lip Cream, even just basic Vaseline, etc.
I wanted shade 02, and had to wait for it to be restocked, so that I could have a neutral shade that I wouldn’t feel was necessary to build up. And, in fact, it looks a little too light and milky on my pigmented lips to wear this particular shade alone if I’m trying to build up to a visible color. It looks nearly clear if I wear it in a normal layer, which means I can wear it that way with any makeup look without it clashing. It also looks good when paired with a lip liner.
I’m a big fan of this formula now and I was really loving the Lisa Eldridge Gloss Embrace Lip Glosses until this one quickly dethroned it as a treatment, though not necessarily as a gloss. Suqqu’s shine level with these glosses isn’t Fenty or Pat Mcgrath level or anywhere as much as a lip oil, but it’s a decent amount, even if a little understated.
This, in my opinion, is somewhere right in the middle between not being thin and watery, but also not being too thick or gloopy. It has just enough sticking power necessary to grip onto the lips and form a layer that lasts fairly well and there are sometimes even remnants of it after eating. I still reapply, but I can still feel the moisture even after the glossy layer comes off.
This is a bit pricey, but I would consider repurchasing it if it came in a clear version in the future. Then again, the Ami Colé Lip Treatment Oils agree even more with my lips (I can use it repeatedly without the chapping issue), so I may just stick with that instead.
I intend to make this a quick review of the two latest additions to my Viseart collection. I bought the blush duo during last year’s After-Christmas sale via Beautylish, but I’ve only had the mini Coy palette for two weeks.
Viseart Petites Shimmers Palette in Coy
I’ve wanted the full-size Coy since 2019, but because it consists of all shimmers and in pastel and light duochromatic shades that I wouldn’t wear often, I knew this would be a purely supplemental palette for me. Two years ago, I purchased my favorite individual eye shadows from Coy, Murasaki and Kamakura, as a compromise for being unable to justify spending $80 for a palette I would always feel like I had to pair with another palette in order to use it. So, I was thrilled when the brand finally released it in the Petites form!
I’ve reviewed Viseart’s shimmers in the past, and the list of their links can be found here, but these are a bit different because of how they’re thinner and more sheer. They have more pigment than toppers, but they seem to have been created for adding a veil of color over other shades. They can be built up to appear more opaque by spraying them and packing them on, which I tend to do since I’m not as into the watercolor eyeshadow look.
Viseart’s shimmers are famously intended for soft looks with their satin textures, muted colors, and low-sparkle level. So, whenever they deviate from that, my interest is piqued. These are still quite soft, with some shades tamer than others, but there’s extra glimmer to Pond (like an aqua blue mixed with seafoam green), Gin (duochrome cool silver-purple), Taiko (iridescent purple), Lotus (lavender with slight blue-purple shimmer), and Yamabuki (duochrome coral base with gold-green shimmer).
As I mentioned before, I already owned Murasaki (medium-dark purple with lighter purple shimmer) and Kamakura (medium green base with yellow/gold shimmer) as singles, but the other favorites I always wanted were Yamabuki, Midori (light yellow-green), and Lotus. Unfortunately for me, the base color on my eyes hardly shows in Yamabuki and all that can really be seen is the shimmery goldish green tinge. I wish it looked more like the color in the pan on my lids, so that was a disappointment. It’s essentially yet another highlighting type of shadow for me, as if Gin, Tokyo (light tan-beige), Taiko, and technically Midori and Lotus, weren’t enough. Midori has a stronger yellow tinge to it than green, which I wish was the reverse, but it’s still pretty. Lotus is the one that was exactly as I expected, which made me happy. However, it’s a shade I own plenty of in my collection, so I’m glad I didn’t buy it as a single. In fact, it was a good thing I didn’t buy any of the rest as singles because I think I’ll be reaching for these even less than I thought. I’m thrilled to finally have them all in a more affordable form, but if I’m being honest with myself, they don’t suit my particular eyeshadow style. That being said, I have no intentions of decluttering this palette anytime soon.
Regarding longevity, I’ve had no issues with these lasting other than the tiniest bit of creasing over MAC Paint Pot, but no issues over the Gerard Cosmetics Clean Canvas or Coloured Raine Paint Base primers.
The quality of this palette is good, so I do recommend it, but only for those that like toned down textures of eyeshadows and lightly colored shimmers that are bright in tone but don’t really “pop.” Those that like thin watercolor effect shimmers and like that they’re on the sheer side.
I did all these eye looks very quickly and wasn’t going for precision. Also, since the Isamaya Industrial 2.0 Collection just released, it’s only natural for it to be on my mind. The palette in that collection has some shades that remind me of these. This might be a tamer and easier to use alternative for those that don’t want to spend so much on that one. They are definitely not dupes, but I get spring vibes from both of them, which is ironic since they have seemingly opposite themes. One is a mix of mythology and nature, especially water themed, with “crystalline” finishes, while the other revolves around manufacturing and is a, “softer, subtler take on heavy metal.” To be fair, metals are a natural element too.
Viseart Blush Duo in Coquelicot
I like duos because of the ability to have essentially three shades in one: the first color, second color, and the third shade that results in combining them both. I’ve used this product less times than one would expect, considering I’ve owned it for over half a year. This is because of my preferences in blush finishes, shades, and texture. Plain matte blushes, the ones with no sheen whatsoever, have been the least favored type for me for at least a year now. I like soft matte, demi or semi mattes, and satins, but purely matte is a harder sell. However, it’s certainly not impossible for me to like them. Tarte and MAC are brands that come to mind that make mattes that aren’t flat. Thankfully, this one from Viseart doesn’t look flat, but also doesn’t look flattering either until it settles and combines with the oils in my skin. Knowing this, I try to help it along by prepping my dry skin with hydrating skincare before putting on my makeup, or at least applying a facial oil to my cheek area prior to adding foundation and then blush. This was the case in the demonstration photos with me wearing the blushes.
The texture of the powder is dry to the touch, but it at least doesn’t make my skin look drier, even without the extra skin prep. This makes it more successful than the reformulated Sephora Colorful Blushes I reviewed a few weeks ago. Since we’re on the topic of duos, if you’re looking for a fantastic quality blush duo in a soft matte finish, I highly recommend the Sephora ones discussed in that post too!
The blush shades from Viseart are colorful ones with no natural skin-flush colors in the line. Coquelicot has pretty colors. I don’t think I could have chosen a duo that suited my preference better than this one out of the six choices available, but I always end up mixing both shades together. When I wear the lightest one alone, I can built it up, but it’s a little more faint than I like. I instantly pine for something with more of a pop. Ironically, when I wear the darker one alone, it’s so pigmented, vibrant, and intense that I always feel like it’s too much and that I have to mix it with something else to tone it down. I used a light hand with it in my photo example below, though. In order to pick up less product, it makes sense to switch to my squirrel hair brushes, but most of those that I own are fully round and/or much bigger than those rectangular pans. It’s a little annoying searching through my limited options fitting that criteria for a brush shape that fits nicely and coats the bristles evenly without needing to dip into the blush multiple times or getting some of the lighter shade mixed in too.
While the perfect pairing is having these two together, I lose some of the benefits of having a blush duo when a single medium toned peachy-coral shade would suffice too. This is of course a “me” problem since plenty of other people can get enjoyment out of wearing each one by itself. I am happy though that Viseart’s blushes don’t contain the white base that can make a shade like the lighter one appear ashy on those with melanin-rich skin. It’s pigmented enough that I can still use it, though I have to spend a little time building it up. The second color takes time blending and applying slowly, as to not overdo it, which I easily can.
These blend decently and last all day without fading. I’ve grown to like them a little more than when I first got them, and part of that had to do with using the skin hydration trick and always wearing them mixed. At the non-sale $30 price for two blushes, I think it’s fair. I’ve paid that price for single blushes. It’s not my favorite formula, but I like it enough that it made me interested in the concept of Viseart’s new Fleurette Face Palettes. The option of combining a quad and blush duo in one magnetic/customizable package for $40 is a pretty great deal. The one I have my eye on for the blushes though, Bisous, looks quite similar to Coquelicot. When I contacted Beautylish customer service to ask if they are the same, the rep couldn’t confirm, but acknowledged they look similar enough that they might look the same on the skin even if they were technically different shades. Perhaps I should have contacted Viseart instead, but I need all the help I can get to remember I’m supposed to be on a low-buy and this answer gives me enough reason to pass on getting it.
So that’s everything for today! Thank you for reading!
Tarte is one of those brands that I’m interested in purchasing from, but I’m almost never willing to buy their products at full-price. And, frankly, one doesn’t need to because they have quite a few sales at 30% off or more throughout the year. Between my Black Friday purchases from last year, and the “Choose 4 for 50% off” deal from April, I have enough products to do part 2 of my original dedicated Tarte post.
Sweet Tarte Cravings Eyeshadow Palette
Considering how pretty the outer packaging is and how adorable the chocolate shaped eyeshadows are on the inside, it’s amazing that I was able to hold off on getting this palette until it was discounted. It’s so cute and has some fun textures and finishes.
These perform as well as any other Tarte palette, but it’s quite interesting how foiled and wet all five shimmers are. Tarte shimmers tend to be creamy, but these are much wetter to the touch than I expected, while still clearly being a powder product and not an actual cream. As for the mattes, or at least Truffle and Drizzle, they’re the standard buttery feeling mattes I’ve come to expect from the brand. Semi-Sweet and Ganache are semi-matte considering they have dark colored micro shimmer in there that I didn’t notice until about the fifth time I used the palette. They just look matte on my eyes. The texture of those is also a little drier than I’m used to.
Raspberry Swirl and other medium toned magenta shades tend to look red on my eyes instead of purple, and Semi-Sweet just looked brown instead of plum. So, I was a bit disappointed that I’m not getting the purple shades I wanted. It’s basically entirely a warm neutral palette for me. However, it’s pretty and good quality, so I’m happy with the palette. I get a little creasing from the shimmers, particularly in the inner portion of my eyes, but it’s acceptable for all-day wear.
Maneater Catitude Eyeshadow Palette
I was interested in the Maneater After Dark palette, but it’s quite large, and I tend to pass on those nowadays. This Maneater Catitude palette has the green and some neutrals I was interested in, so I bought it hoping it could be a more curated version of Maneater After Dark.
The mattes don’t feel like the others I’ve had from Tarte. Rather than creamy, they instead have a silky-slip feel to them. They are still pigmented and buildable, but not quite as easy to blend as the Amazonian Clay matte formula. Attraction, Smitten, and Infatuation are adequate quality. Instincts has the tendency to be patchy and is more time consuming to blend than the other mattes. The shimmers Sizzle and Spicy are foiled type of eyeshadows too, and smooth, though not wet like the ones in the Sweet Tarte Cravings palette.
I’ve liked the looks I have made with this palette, and I like the sparkle level in the shimmers, but because of the nearly flaky texture, I still spray my brush when I apply them because I feel they need a little help with adhesion. Doing that does lead to noticeable, but not terrible, creasing.
This palette is pretty good for the price, and even better at a discount, but it was most useful just to satisfy my curiosity. The quality wasn’t special enough to really be worth buying when I get more enjoyment out of my Dior Backstage Khaki Neutrals palette and Bobbi Brown Jadestone palette, even though those are twice the price.
Tartelette Juicy Amazonian Clay Palette
This was one of my Black Friday purchases, and getting the deal is the only way I’d have bought this palette because I have random moods when I want to rock pink eyeshadows, but they are few and far between. I really like the Amazonian Clay eyeshadow formula, as I discovered after getting the Tartiest Pro 2 Palette, so the quality didn’t disappoint. The mattes are creamy and blendable. The shimmers are shiny and smooth, though I like to help them along by applying them damp. I sometimes get issues with the shadows disappearing from the inner corner of my eyes from rubbing that spot, but otherwise, they usually have good longevity.
These are great for soft, girly, romantic looks and for neutral lovers. I knew this prior to purchasing. I just wanted more depth from Dream Chaser and Dusk. It’s the same issue as the Sweet Tarte palette’s magenta color pulling red instead. Dusk, on my eyes, isn’t the rich brown I expected. It’s more of a medium golden-bronze color. Euphoric is the only option for me to deepen up a look to the level I like. So, this isn’t perfect, but I like it. I might have regretted buying it at full price, but the 50% off made it palatable.
Maracuja Juicy Lip Balm (Travel Size) in Strawberry, Hibiscus, and Coconut
This balm comes in a plumping version as well, but I tend to avoid those types unless they’re very hyped up and described as a minty plumping product, since I like having a cooling sensation on my lips on occasion.
I think these give a decent amount of color payoff, but they do need to be applied thickly for it to show. The issue is that the formula feels almost too soft for the tube packaging. I think a doe foot applicator or some other type that could smooth out the color would have been better. The balm, when glided across the lips, comes off in thicker chunks of color. It looks terrible unless one rubs the lips together, which spreads the color evenly at the expensive of that action sheering it out.
To get the color to show in photos, I end up using my finger to spread it, add a second layer, then spread it with my finger again. Strawberry has more pigment than Coconut and Hibiscus, or at least Strawberry shows up more strongly over my natural lip color. The amount required to see my lips visibly tinted is a lot, so I started to just use them for nourishing lip purposes instead of a color product.
While it feels moisturizing and soft in the beginning of the day, eventually by the end (with retouches throughout the day since it doesn’t last after food), my lips dry out slightly. This happens to me with nearly every balm with color added to it. I just have excessively dry lips and so many things can exacerbate it. The upside and why I still use this from time to time is because a lot of other lip products dry my lips much earlier in the day. With this one from Tarte, if I just remove it by the evening time and switch to something more nourishing early in the night, I won’t have any of the negative consequences. I get to keep enjoying the slightly tinted and beautifully glossy look it gives.
To clarify, when I use the term “tinted” in this context, I mean visibly seeing a different hue on my lips instead of my natural lip color. I don’t mean tinted from a lip stain.
As I mentioned before, the texture is a bit strange to put in stick packaging since it’s such a soft melty consistency. It instantly made me think of the Makeup by Mario Plumping Lip Serums and MAC Glow Play Lip Balms. The difference is that the Tarte balm is thick, glossy, and creamy, whereas Makeup by Mario’s is thin, shiny, and oily. MAC’s is also wet and “oily” for lack of a better term. One more thing about the Tarte balm that others might not like is that it has some stickiness to it, but not enough to bother me.
Shape Tape Glow Bronzer in Deep Bronze
I bought this expecting to use it as a highlighter because Deep Bronze looks lighter and more golden in the product photos than it is in reality. I did not expect it to be so dark!
This means that I can use it as intended. Good job, Tarte! I’ve noticed the brand’s efforts to have more shade options for their products. There’s still some room to grow, after all, only two shades is still going to exclude a lot of people from being able to use them. Plus the brand still doesn’t have a traditional bronzer in a wearable shade for those with deep skin. However, I acknowledge the increased efforts as of late. That being said, I wish they’d be more transparent about what this product actually is and does, because it’s pretty much a contour.
The name Shape Tape implies that it’s a sculpting product, but the line started with concealers. Sure, technically it can lift the face if a brighter shade is used, but I believe most people are like me in viewing Shape Tape as a product to conceal unwanted things on the face, not as a highlighting and contouring product. There was a Shape Tape foundation, after all, which doesn’t fit the sculpting idea either. Although these “Glow Bronzers” are part of the Shape Tape line, they’re described on the website as, “radiant baked bronzing powders for a luminous glow.” So, I didn’t question it being anything more than a glowy bronzer. I was pleased when it turned out to be darker than I thought, but confused by how grey toned it looked in the compact. I own some products that look warmer in the light, but even in the light this has to be at a very specific angle to see a warmer tinge.
It’s only the box packaging that has writing on it stating that this product is a, “natural matte” and “cool toned powder.” Radiant and luminous, as described on the website, is definitely not the same thing as natural matte! In addition, the fact that it’s cool toned means it is very likely to have a contouring effect if it’s too many shades darker than someone’s natural skin tone, as is the case for me. There are people who specifically prefer cool toned bronzers, but the advertising gives no indication that this is what we’d be getting. Plus, most of the images of the product itself looks super shimmery, meanwhile only some of the model photos have it looking semi-matte. So, buyers please be aware that Deep Bronze is a sculpting bronzer or contour with a slight sheen. It’s not shimmery or glittery whatsoever. Below is an example of the shimmer level of the BareMinerals Blonzer (Kiss of Spice) and Kosas Sun Show Bronzer (Paradise) look like compared to the one from Tarte.
If I apply this lightly, I can see some of the red tones come through, but it always appears patchy. No matter what brush I use, or whether my base has been powder set or not, I end up needing to go back over the area with foundation, concealer, or to cover up the uneven spots with blush. If I use a normal amount of product, it looks more even, but it also creates a stronger contoured effect. So, what I tend to do more often is apply it like a contour and add a bronzer from another brand over the top of it. I’ve found a way to make it work and look pretty in my own eyes, but I don’t see myself reaching for this again. It’s just too much effort when I have a contour from Kaleidos that I like or the custom powder combination I can make from Hindash’s Beautopsy palette.
In the demonstration photos below, the sheer application looks quite grey, but grey/brown/red in the thicker layer. I didn’t realize until afterwards that my attempts to apply it, see it’s too patchy, remove it, try it again, and repeat the cycle with different brushes led to the final result looking darker/cooler. I believe it’s due to there not being enough time between my fourth or so re-application of foundation not being 100% dry before adding the sheer layer for the final time. I must have been feeling a little impatient by the fourth time since I wanted to demonstrate this product in the best possible light, knowing my words about it would be negative.
Another thing I can’t ignore is the closure of the packaging. Some genius thought it was a good idea to make the space to lift the lid practically flush with the bottom of the compact. A compact that already has holes on the bottom, making it awkward to place the fingers to grip. I have to literally stick my nail in the tiny space and hold my other nail in the side gap to pull it open. I rarely have trouble with packaging enough to need to mention it in a review, but this one is quite annoying.
These are examples of the space usually between the lid opening and bottom of the compacts. One of the easier ways to open the one from Tarte, if you have long nails, is gripping both sides of the gold portion and lifting both sides of the plastic lid with the other hand.
Expectations for a luminous bronzer aside, I recommend the evenly priced Huda Beauty GloWish Soft Radiance Bronzing Powder instead. It has a prettier sheen and blends right into the skin. Longevity isn’t an issue for either of these two produdcts. The GloWish comes in more shades, plus some of the colors are available in mini sizes too.
Blur Brush
I selected the Blur Brush because I’ve always wondered how it compares to The Buffer brush, a long time holy grail synthetic fiber foundation brush. They both have a ton of bristles packed together. I always thought The Buffer was dense, but the Blur Brush is on another level! It feels especially tighter packed because it has much shorter bristles. The Buffer brush has longer fibers, so there’s a little more room to bend and splay, so there’s more flexibility while buffing it. The Blur Brush is so dense that it takes more force to move the product across the face. The wide surface area keeps it moving quite evenly though, and the foundation remains mostly on the tips and doesn’t go far down the bristles, which means less product gets lost during the application. Because of that tightness, it’s also more intuitive to swipe the foundation as opposed to trying to buff it in.
I should also note that I’ve only used these brushes with liquid foundations. I haven’t used them with creams or powders. In theory, I think the blur brush might pick up and disperse too much powder if it’s a setting or finishing one. However, one might like it for maximizing the coverage of a powder foundation. Also, I can imagine a stiff cream product with this stiff brush might be uncomfortable. However, I don’t know for sure since I only ever intend to use this with liquids.
Because the excess foundation remains on the skin and doesn’t go further into the brush, it can look like product is sitting on top of the face if too much is accidentally pumped out. For that reason, the Buffer Brush is more helpful for me to use because it takes the excess off the face and also helps push the remaining product further into the skin for a more natural look. The Blur Brush is still quite useful, but it takes second place to The Buffer for me and my foundation needs.
Two other things I noticed is that wherever the brush touches the foundation first will leave the biggest pool of product on the brush. I can blend some of it out of the pool and onto the face, but that initial part is the only place foundation gathers, besides the tips. The other thing is that this feature of how tightly packed the fibers are makes it both harder and easier to clean. At least I don’t need to worry about opening the brush and soaping up what’s deeper, but it’s hard to get the product out of the places it did stick.
So far, I’m still pleased with my decision to give this brush a try.
That is everything for this post! Thank you for reading!
Once again, this post is a year late! It’s no longer relevant in terms of keeping up with last year’s low-buy, but I still intend to review the products that haven’t been discussed on this blog. I’m also including updates and links to the products I already reviewed.
Makeup by Mario Soft Sculpt Perfector in Dark
In May 2022, Mario released an Enhancer and Perfector. The Enhancer is essentially a tinted bronzer balm, and since I have several bronzers that are very subtle on me, I don’t feel I need something like that. Plus, I tend to dislike true balmy face products. The Perfector was marketed as a glowy setting powder, highlighter, and bronzer in one. Because of the multipurpose nature, I could only resist it for a few weeks before I caved and ordered it.
I find that the setting powder portion is too light and powdery looking to use alone on my skin. It’s also inconvenient having to use a small brush to try and pick up what’s supposed to be an all-over-the-face setting powder without getting some of the highlighter on the brush too. That accidental shimmer is why I wouldn’t want to set my under-eye concealer with it either, though it has a sheen to it anyway, even without the highlighter particles mixed in.
I’m also not the biggest fan of the way the highlighter looks by itself, as there isn’t much of a base color, but it’s borderline glittery. I discovered that mixing the setting powder and highlighter together balances those two issues out to create a pretty highlighting shade. Sometimes I even mix all three strips to form my cheekbone highlighter that has a sheen, less sparkles, and some color to it. This combination looks decent, but “decent” would put it at nearly the bottom of a highlighter collection ranking list if I made one. I just prefer much finer shimmer particles in my face products.
The best aspect of this Perfector is the matte bronzer. I tend to use that portion in the pan by itself, or to mix it with the setting powder (avoiding the shimmer highlight center strip) so I can give my face a more natural looking bronze glow. Over the past year, I’ve probably gotten less than 15 uses out of this product. The majority of those uses were for the bronzer alone. The quality of it is honestly the equivalent of the best of drugstore. By this I mean that it works well and looks great on camera, but there aren’t any extra bells and whistles. It’s not as airbrushed as the Charlotte Tilbury bronzer, as blendable as the Hermes, as soft to the touch as Huda’s Glowish bronzer, or have a pretty sheen on its own like the original Kosas ones. Still, it’s good enough that it’s not at the back of the drawer and still gets the occasional use.
I may not be using this Perfector as fully intended, but I can use it as a tailored highlighter, bronzer with a sheen, or plain matte bronzer. That’s a unique combination for me to have in one single compact. I could have done without purchasing it, and it’s not going to survive a declutter if I need to condense my collection for moving purposes. However, I don’t regret buying it. I’ve been able to make this work, but I don’t know if I necessarily recommend it unless someone really loves a glittery highlighter. One that will look much more textured and sparkly than the last face photo in this section where I demonstrated how it looks mixed/toned down.
Photos taken one year apart.
Rose Inc Cream Bronzer in Seychelles (Returned) and Capri
I ordered Seychelles during one of my bronzer purchasing sprees, but since that shade did not work out for me and it didn’t arrive until the first week of June (which is when I ordered Capri) I thought it would be better for me to list this as a June purchase. I had already been working on a Celebrity Makeup Brand post for months prior to the purchase, so my review for these bronzers and shade comparisons ended up there. Considering how long I’ve had it, I can update by saying it dried out way quicker than the expected period after opening. I would estimate it took somewhere between 6-8 months to happen. This had the makings of being in my top ten bronzers for the fantastic blendability, skin-like finish, it wearing well all day, and being pretty much sweat-proof and non-transferring. It’s still technically usable, but such a struggle to pick up that I don’t bother with it anymore. Considering the price, I can’t recommend it anymore if it requires needing to be replaced twice a year.
Rose Inc Skin Enhance Luminous Skin Tint Serum Foundation in 110
Of course, I also added this product to the review linked above dealing with Celebrity Makeup Brands. For those who like low coverage, lightweight formulas, and products that look dewy but dries down, I highly recommend checking out this one if you can get a close enough shade match. I ended up purchasing shade 100 instead (and selling 110) when I realized the depth was nearly the same, but 100’s undertone was better for me, even though a model with far lighter skin than mine is wearing it on the Rose Inc website.
Hakuhodo S110 Brush This brush is reviewed in my Fude 5 post.
Haus Labs By Lady Gaga Bio-Radiant Gel-Powder Highlighter in Fire Opal
This review wound up in that same Celebrity Brands post. I returned the product to Sephora. The only other Haus Labs product I’ve purchased from Sephora was the blush in Pomelo Peach. It didn’t look that pretty on me, so I gave it to a friend. I just don’t think this brand is meant for me.
Pat Mcgrath Duo Blushes and Divine Glow Highlighter in Divine Rose II, Cosmic Coral, Paradise Glow, and Bronze Mirage
My review for these can be found HERE. Of the three split pan blush duos, the one I use the most is Cosmic Coral, but I use a mix of Paradise Venus and Desert Orchid from the holiday Divine Blush and Glow Cheek Palette way more frequently than Cosmic Coral (and instead of the Paradise Glow Duo). As for the highlighter, I also eventually added Venus Nectar to my collection, but I barely use that shade or even Bronze Mirage. The Ultra Glow highlighter (Divine Rose) still reigns supreme.
MOB BEAUTYCustom 4-Pan Palette: highlighter, bronzer, blush, two eyeshadows
I did not have the happiest outcome with my attempts to make custom palettes out of products from the brand, but the review can be found HERE.
Chantecaille Perfect Blur Finishing Powder in Medium/Dark
In my powder declutter post from March 2021, I mentioned that I would sell my Chantecaille powder in order to help pay for a darker version if one came out. I did sell mine, but it took until June 2022 for me to get my hands on it for two reasons.
I hated the Flower Power packaging that the Med/Dark shade initially launched in and the standard silver packaging version wasn’t released until three to six months later.
I wanted to purchase this for a deeper discount than Chantecaille’s annual 30% off sale because my Dior Powder No-Powder was already doing more than my version of the Chantecaille powder (Light/Med) ever did. I did not want to spend above Dior Backstage prices for something that might not work as well, just to satisfy my curiosity.
Thanks to a sale at SpaceNK, and a promo code on top of that, I was able to purchase this darker shade for $33! Unfortunately, the darker color didn’t improve things enough to make this a powder I use very often. I can see the blurring effect, but it’s still not as good as the Dior Powder-No Powder (at least prior to Dior’s reformulation). The one benefit is that this doesn’t deposit a lot of color, so I can wear it anywhere on my face at any time. The Dior Powder-No-Powder has enough pigment that I have to switch between 4N and 5N at different times of the year, and there are even points when I’m too light for 5N and it deepens up on my face too much, versus when I’m too dark and get a slightly ashy sheen from 4N. There are pros and cons to the levels of translucency of powders.
I went on a little rant and also divulged history between myself and Chantecaille at the end of this New Makeup Releases post, for those interested.
Chanel Blush Lumière in Brun Roussi
I purchased this blush in swatched-only condition from Mercari. As much as I love it, I still never would have paid full price for it, so I’m glad I was able to get a deal. The color is beautiful! It’s a rich reddish-brown with slight golden shimmer. It’s a baked product (I think baked gelee), so I use my goat brushes and dense natural hair shapes to pick up the product. It blends seamlessly into the skin. I really enjoy the “standard” Chanel baked blush I have, but I love this formula even more because of how smooth it looks on the cheeks. I have zero complaints about the longevity, pigmentation, etc. My only issue is the retail price difference for the same type of packaging, but it’s technically a better deal at $47 for 4g versus $70 for 14g. At least, it was $70 when it launched, which was prior to the recent price hikes and this would likely be priced at $90 today. It’s still double the price for three times the product, but I still think it’s only worth that to the luxury lovers/collectors and not for the formula. However, it was so worth it to me for the discounted price!
Photos taken January 2023 vs June 2023 with different foundations worn (I believe the Rituel d Fille thorn oil made the difference in dewy skin levels as well).
I don’t use this blush as often as I wish, purely because I have such a large collection with many other blushes I love. In fact, I’ve been wearing the BareMinerals Blonzer in Kiss of Rose the most out of my glowy blushes for several months now, and it’s quite similar to Brun Roussi. The difference is Brun Roussi is darker and a satin-shimmer versus a shimmer-metallic.
The second closest dupe I have is the shade Piazza from Vieve, but Piazza has a matte (but not flat matte) finish. I hope these swatches have been helpful since Brun Roussi was limited edition and not available anymore, including unfortunately, some of those MAC comparisons.
LH Cosmetics Spectral Palette
I think the shipping cost will always play a factor in whether or not I make a purchase. I’ve wanted to try LH Cosmetics products when they were still going by Linda Halberg Cosmetics, but their prices as a new-to-me brand combined with their high shipping fees always kept me from making purchases, even during their sales. So, the only products I own from them thus far are from Mercari. That includes this palette, plus two quads someone depotted and left behind the colors I still wanted. Because of the states of those quads, I didn’t review them on this blog, and I’ve only used them less than a handful of times in the three years I’ve owned them.
Now that I know what to expect, it’s still the shipping cost that keeps me from exploring more. I can get cheaper shipping if I buy the brand’s products via Beauty Bay, but I’ve had one horrible delivery and customer service experience with Beauty Bay out of two orders, so I’m still wary about having things shipped over to the US by them.
Regarding the Spectral palette, the “shimmer” formula feels thin, soft, and smooth like satins, and reminds me a bit of the shimmer-satin formula of some of the shades from the Melt She’s in Parties palette. Without any help, they build up to a super thin yet opaque layer. However, they easily wipe away and don’t stay on my eyes unless I dampen my brush to apply them or use a glitter glue. This seems to be intentional based on the description of this palette being meant to, “give you a soft touch of color to a natural makeup look or create vibrant eye-catching looks.” By being so thin, it allows people who don’t want a lot of pigment to create soft eye looks despite how colorful they are. These shimmers have trouble sticking to my eyes with eye primers I tried them with a year ago, but because these shadows can be used wet or dry, it’s a bit expected that those like me who want full opacity can just spray the shimmers and they work exactly how I want. The glitters stick better to the eyes, but need help to avoid fallout. Abstract is a duochrome, which helps to compliment all the shades in this palette, and I have very little trouble using it. Illusion is not my type of shade as I prefer warmer shimmers for highlighting specific sections around the eyes, and it just doesn’t look right in the inner corner of my eyes, so I use it as a topper shadow for extra sparkle. Preferences aside, this shade gave me major fallout and it’s very gritty to the touch, unlike all the other shadows in the palette. So, those are additional reasons I try to avoid using this shade and really don’t like it.
I’m a big fan of the “muted” nature of Eerie, Phantom, and Unknown because they give me a pastel affect without the ashy white cast that makes the majority of true pastel shadows look awful on my eyes. Occult, Phantom, and Unknown are easy to build up and blend easily with each other. Eerie takes more packing on than the others, but using the right primer can help. All the shadows performed well with the MAC Paint Pot, excluding Eerie (which took more effort and the final result was just okay), but I had an easier time using that shadow over my Coloured Raine Eye Base. These all perform well (minus the fallout issue with Illusion and to some degree Abstract) on my Gerard Clean Canvas eye base.
My eye looks using this palette tend to be similar even though there is a variety of colors within it, so I view this as a supplemental palette. This is the kind of whimsical color story I want to reach for during Spring, so I expect I won’t get much use out of it again until next year.
Anastasia Beverly Hills Cream Bronzer in Terracotta
My original review for this is here, though I mentioned that I thought all my blending issues might be solved if I had a better shade for me. Eventually, ABH added three more to the line: Warm Tan, Terracotta, and Deep Tan. Terracotta and Deep Tan are similar depths and listed as being suited for tan to deep skin tones with the former having “warm red undertones” and the latter with “neutral” undertones. At the time, I owned a lot of deep bronzers that leaned neutral or cool and were so deep that they looked like contours on me. So, I chose Terracotta to guarantee I’d have something warm, even though red leaning bronzers aren’t my preference as much currently.
I find it quite interesting that it pulls a little olive on my skin, but the moment I pair it with blush, I think the tone looks perfect for me. I like the color and because the depth is right, I barely have to do any blending. This eliminates the issue I had with the other color in trying to build up the product slowly but it getting patchy as parts of it were setting at different times. Most of the time I use the Patrick Ta Contour Brush with it, which makes things all the faster. It even made it into my top 10 out of around 35 ranked.
Colourpop Pressed Powder Blush in Toffee Cake
I love this tone of blush, but it’s highly pigmented and I have to use the lightest hand to get a restrained flush of color to my cheeks. There’s a little bit of gold shimmer in it that I didn’t appreciate as much when I initially bought it, but I like it a bit more now.
This was a limited edition blush, but Colourpop’s new permanent range of blushes includes the color “Icing on Top,” which appears in website photos to look similar.
Longevity is rarely an issue with Colourpop. This lasts all day. It’s not the smoothest or most effortless to apply blush in my collection, but Colourpop blushes are quite good for the price. I still don’t know that I would have purchased it again if I could rewind time, but I still use it on occasion.
Pixi x Hello Kitty Glow Tonic
This is is such a classic product. I tried a sample of it once a long time ago and didn’t notice it having any effect on my skin other than making it have a slight tingle. When I saw this adorable packaging for the product, I thought it would be a good opportunity to test it for an extended period of time to see if the brightening results would be apparent this time. Worst case scenario, I could reuse this bottle. It has a stopper inside, but it’s removable.
I still haven’t seen any benefits. The hero ingredient is the glycolic acid. My skin responds quite well to AHA’s, but my favorite products pair glycolic acid with lactic acid at the very least, plus at a minimum of 7% concentration. While I admittedly haven’t used it consistently or very much over the past year, it might just be the case that it’s too weak for me at this point in my skincare journey. There’s also the issue of it smelling nice, but in addition to some natural sources like hexylene glycol, it also contains fragrance and dyes which I prefer to be absent in my skincare. There’s no alcohol in the Glow Tonic, and it doesn’t feel drying like some toners of the past that used primarily witch hazel instead of just a splash of it, in addition to Pixi adding skin conditioning ingredients (aloe leaf juice, glycerin, urea, etc.). So, I can’t attest to this product’s effectiveness, but it might be a decent starter for someone not used to AHAs who wants to get into it. Of course, one would have to be okay with having fragrance in their skincare. It’s a light herbal scent that isn’t offensive to the nose at least. If fragrance isn’t okay, I recommend for someone to consider from The Ordinary their Glycolic Acid 7% Exfoliating Toning Solution. It has no dyes, alcohol, or fragrance and contains similar beneficial ingredients I liked in the Glow Tonic, though it’s 7% instead of 5%, so proceed with caution.
CDJapan Haul – All of these have finally been reviewed in my Fude Collection 5 update post.
That’s everything! Of course, all the previous monthly check-ins can be found HERE. Thank you for reading!
-Lili ❤
*DISCLOSURE: To those who chose to use my affiliate link to shop from CDJapan, thank you so much! The commission from that was used to pay for a portion of one of the brushes in the Fude 5 post. Otherwise, all other products discussed today were purchased by me with my own money. Links appearing like this (Example) are standard links. Links appearing like this (Example) are affiliate links. There are no affiliate links in the body of this post.
It’s officially one year since this monthly haul/low-buy series post should have been published. There are products I bought that should have been reviewed by now and are still relevant in my makeup collection. So, continuing with the series on and off as much as I can is something I wish to do. That brings us to our discussion for today! The photo above shows the products I bought this time last year that I will dive into, and add links to the reviews I did manage to post already.
Tom Ford Eyeshadow Quad in African Violet
I bought this from the Cosmetic Company Store website (Estee Lauder Brand Outlet), and the other Tom Ford quads I own were purchased from people who said they also bought it from a CCO. Of course, I have no way of verifying the validity of that, but I think they are legitimate based on how they look compared to the one I purchased last May.
I was planning to do a dedicated Tom Ford post, but scrapped the idea because I’m no longer enamored by the brand. The eyeshadow quality is nice, and in some cases extremely nice, but I would never say they’re worth full price. I remember a time when they used to be $80, but now they’re up to at least $90. I can’t even bring myself to pay the lower Selfridges price despite their quality being admittedly better than Guerlain’s and I’ve spent more on a Guerlain quad than these at under $40 each. But, it’s actually not the price that is the problem as much as the lack of shades. At least with a Pat Mcgrath product, which has formulas I like, I can pay a similar price and have many more color options with it.
The African Violet palette specifically appealed to me because it’s one of the most colorful available from Tom Ford. However, it’s not as smooth, shiny, or blendable as the Wet/Dry formula everyone raves about. The eyeshadows are long lasting, have decent color payoff, and don’t give me trouble with fallout or kickup, but there’s absolutely nothing special about them beyond their performance being good. I can name a ton of brands with well performing eyeshadows in palettes that cost less than half the price with at least double the shade options.
The other quads I own are Photosynthesex and Honeymoon (one shade in Honeymoon fell out and off the plastic grid, so I pressed it back into a spare eyeshadow pan and turned that empty well into a custom magnetic one so that I could continuously swap out any other brand’s eyeshadow that fits).
The quality of Photosynthesex is about the same as African Violet, but it contains a beautiful duochrome and I like the color story way more, so I get more use out of it. Honeymoon is the famed Wet/Dry formula which surpasses the others. It’s more special because of the shiny finish, the minimal effort needed to blend, the refined shimmer that don’t cause issues of creasing, and being flattering on textured eye areas. However, I still feel it’s worth half the retail price at the most. I understand the brand name and luxury packaging bumps up the price, but the sturdy yet basic plastic packaging doesn’t feel as special anymore considering the fun limited edition compact colors they release every so often. I believe the eyeshadows are a pricier formula than some others out there (even within the Estee Lauder owned brands), but I feel the markup is still too high. This is why I don’t foresee myself purchasing any additional Tom Ford quads unless I get it for a price that reflects what I think it’s worth and is in the preferred wet/dry finish. I’ve heard rave reviews about the newer cream formula, but I have not tried those. It’s typically the older quads that end up at the CCS/CCOs.
In addition, Tom Ford quads are incredibly repetitive in color stories and often contain similar shades that don’t look distinctly different enough on dark skin within the same quartet, let alone among the whole line. They’re also extremely neutral leaning. Give me some Wet/Dry greens and skip the brow bone shades, and they might just get another eyeshadow purchase out of me!
So, essentially what it comes down to is me thinking the eyeshadow quality from Tom Ford is good at the lowest and wonderful at best. I have no judgements to those who are fans of the quads. I get the appeal, even though I’m not their target customer. When it comes to luxury, everyone has their own ideas of what makes a product worth it to them versus something else. For me, having some Tom Ford highlighters was worth the splurge instead. I’ll have to review those at some point!
Haus Labs Casa Gaga Blush in Amarone – This was the first of the many blushes I ended up buying from the original Haus Labs collection before they rebranded away from Amazon. A review for it can be found HERE.
Charlotte Tilbury Pillow Talk Highlighter in Dream Light, Push Up Lashes mini mascara, and Beautiful Skin Sun-Kissed Glow Bronzer in 3 Tan – These items, plus newer releases from Charlotte Tilbury, have been reviewed HERE.
Nars Laguna Cream Bronzer in Laguna 04
I’ve discussed this product a bit in my other cream bronzer reviews, but I’ll pretend like I haven’t. Essentially, this bronzer is quite emollient, blends nicely, has a strong but pleasant beachy scent, and has the benefit of not forming a weird top layer after repeated use. The downside for me is purely the color. I don’t mind a red toned bronzer as long as it isn’t too red. This has the misfortune of being a little more red on my face than I want, plus being a deeper shade that will probably work better in the summer, but is a bit dark for me now. For those who don’t mind the cons that I listed, I do think it’s a nice quality cream bronzer, but it’s admittedly not in my top favorites. I prefer the Charlotte Tilbury one (even though it’s more expensive) and the one from Anastasia Beverly Hills.
Nars Bronzer Powder in Punta Cana
The photo below was taken in the time frame when I was at my lightest for the year, so this bronzer looks a bit deep in the picture, but normally this is a subtle, but not too subtle bronzer match for me. The depth and undertone (mix of red leaning base color plus gold shimmer) combines to a shade I like. However, despite the shimmer particles being barely noticeable in the pan, they reflect powerfully under daylight lights to the point where all you see is shine and it doesn’t even look like I’m wearing bronzer. For the longest time, I thought this shade was too light for me because of where I normally sit when I apply it and view myself in the mirror. I kept trying it every few months and when I could suddenly see it, I assumed it was because I was in my winter shade. It wasn’t until I happened to look in a different position and angle during one of the wear tests that I figured out what was happening. Once I made this discovery and could properly see how it looked on my skin in various situations, I started to enjoy this bronzer a lot more. It’s ironic that now that I like it, it’s no longer available!
Nars discontinued their shimmery and matte Bronzing Powder lines in favor of the new, for 2023, Laguna Talc-Free Bronzing Powder. I purchased shades 5 and 6 of the new one recently and have yet to review them on this blog. I can say from a first impression standpoint that I slightly prefer the new ones. The original that I have looks quite pretty on the skin, but it wasn’t seamless blending. It stuck to the skin in places sometimes, but just the tiniest bit. I’m really nitpicking at this point because it’s still easy to blend, just not perfect. I still consider it a good bronzer. Oddly enough, I have more building up to do with the new bronzers because they’re slightly less pigmented. However, they haven’t stuck yet, are smoother gliding across the skin, and an airbrush effect can be achieved with them. It’s not as airbrushed as the Charlotte Tilbury powder one, but enough to at least make me think of it.
For those who already own the older bronzers, I don’t feel it’s worth getting the new ones if you’re satisfied with what you have, and especially if you already have the matte version. It’s not different enough from the previous formula, unless you’re the type of person trying to avoid talc in products. Since the new line contains no shimmers from what I can see, I’m going to continue using Punta Cana when I want a glowy bronzer. It was the darkest in the shimmer range and the base color is similar to Laguna 6, but the shimmer makes it appear a little lighter. That difference makes me feel like it still has a place in my collection. For those who don’t have a shade in the older range, this new one might have an option. Nars now offers minis in 5 of the 9 colors, so that helps in terms of being able to try one without breaking the bank.
Oh, and if you’re my shade twin, I recommend going with Laguna 06. I prefer mixing 05 and 06 together for the perfect color, but I can’t use Laguna 05 by itself because it’s practically my winter skin tone.
Sigma Beauty Bronzer in Deep and Highlighter in Golden Hour
I’ve tried the bronzer so many times and I really do not like it. It’s so hard to blend, and try to fix after it goes on patchy, and it ends up looking like a contour if I blend it in too much because it goes too deep. It looks gorgeously warm when unblended, but it seems like there’s some grey in the base color. It’s still workable, but other than forcing myself to keep using it on top of various foundations (it looks better on top of matte ones) and switching to different brushes, I just don’t want to use it again. In fact, I had to rescue it from the declutter pile when I forgot I was supposed to keep it until I had time to post this review.
As for the highlighter, I was much more pleased with that one. I like the depth and tone of the gold. I like the smooth look to it on the skin. It’s shimmery, but not overly so. It looks even better on top of dewy skin. It’s not in my top favorites considering I do have others that supersede the shine level/reflectivity, smoothness, and refinement of particle size. However, I still use it from time to time and think it’s a fairly nice product. I don’t recommend paying full price for it though. I think I got mine for 25% or 30% off and that’s about the maximum I would pay.
BPerfect Polar Vortex Highlighter in 32F
I haven’t reviewed this elsewhere, but I am unable to do so here either because Beauty Bay shipped this product in a box without bubble wrap or padding of any kind. The only shipping protection was literally one piece of paper, as seen in the photo below the demolished baked highlighter (two if the invoice paper counts). Every bit of it was covered in highlighter from the single open flap of the unicarton to the outside of the compact and all inside the box, above the plastic mirror protector, etc. I tried to re-press it into a spare empty highlighter pan from my DIY days, but because I used a liquid and didn’t dry-press it, it changed the texture completely. When I tried out the broken highlighter prior to pressing it back, it was insanely glittery (which is not my preference). The pressed version still has very visible particles on my face and is texture enhancing, even when I apply it on top of dewy skin to help melt it better onto the top of my cheekbones. So, I don’t feel it would be fair to consider this a review in this altered form, and it’s not something I want to keep anyway.
Suqqu Melting Powder Highlighter in 101 Kagerou (Limited Edition) and Melting Powder Blush in 06 Yuubae. My review for these two can be found HERE. I’ve purchased several more items from Suqqu and had I known I would enjoy them so much, the Suqqu blushes would have been on my exceptions list for last year’s low-buy. I did manage to stop myself from purchasing every blush shade I wanted, so that counts for something, haha.
Urban Decay Mini Naked Your Way Eyeshadow Palette in Foxy
Once more, my strange aversion to using long rectangular shaped eyeshadow pans is in full effect with this palette. I’ve been able to create a few beautiful looks, but I stopped reaching for it shortly after the excitement of it being new wore off. I was drawn in by the greens, but these are lighter than I typically go for and cooler toned. I prefer the mini gold from Natasha Denona, Dior Backstage Khaki Neutrals, and ABH Nouveau palettes because they have some deeper options as well. Funky Town provides some depth, but I can’t get too dramatic with it on my skin tone.
The quality of these shades is a bit different for Urban Decay since adopting a vegan formula. I didn’t have issues blending the mattes, but they feel a little stiffer and are not as creamy to the touch. I guess all that really matters is how they perform, which is satisfactory enough for me. Foxy tends to disappear off my eyes though. If I want it to show up, I have to build it up a ton. Get Down is closer to a satin, whereas Hot Stuff and Disco are the true shimmers. The shimmers are impactful enough for me to use without feeling the need to wet my brush, but I get a lot of fallout under my eyes with Disco, so I tend to just dampen all of them. I sometimes even use glitter glue because I also have trouble periodically with the shimmers lasting on my eyes in the inner corner (my trouble spot because I tend to rub my eyes there). The shimmers are dryer than I recall from Urban Decay’s formula, and this probably adds to the issue with the inner corner, but it’s more important to me that the shimmers don’t crease on my eyes. So, I’m satisfied with them.
Overall, this is a nice palette. It’s not the most enjoyable experience in terms of textures, but the performance is there. It’s a small travel-friendly size, which I like. For the way I like to do makeup, I get about three different looks from this palette, which I find is a decent amount for so few shades. I think this should really be in the $27 range, so I recommend waiting for a sale to try it out (I got mine discounted having purchased it from someone who got it in PR). Unlike all my other rectangular pan Urban Decay palettes that I declutter due to lack of use, I’m actually going to keep this one.
ViseartHaul:Viseart Grande Pro 1x, Petits Fours in Peridot, and Bijouxette ÉTENDU Palettes – These items and more from the brand have been reviewed already HERE.
Violet Voss Olive You and Wild Dahlia Palette
I purchased these two from a Boxycharm sale and did absolutely nothing with them for a full year. Since I own so many palettes in the Olive You Forever color story, I’m going to give it to my sister and not even swatch it so it can stay in new-ish condition. So, I don’t have a review for that one.
As for Wild Dahlia, so much time passed that I didn’t realize until I was doing swatches that it contained a beautiful duochrome! This palette offers quite an interesting shade selection. The mattes blend easily, are pigmented, and smooth. The shimmers are buttery, yet not the kind that causes an issue with creasing. I am so impressed! I do own one other mini Violet Voss palette that I depotted in the hopes that it would make me use the shadows more (and it had the opposite effect), so now I’m remembering how nice the quality was and I feel I’ve really been missing out on this experience!
The shimmers are decently impactful on their own, and applying them damp increases it slightly, but not enough to feel like it makes much difference. I also like that I had no issues with fallout either. I can easily recommend this one! The quality is fantastic. The shimmers are shinier in the Urban Decay Foxy palette, but I prefer the colors and tones of the shimmers in Wild Dahlia, plus the softness, blend, and color options of the mattes in this one too.
Melt Cosmetics Haul: Amor y Mariposas Pressed Pigment Palette, Monarca Blush Palette, and Gel Liners in Colibri and Estrella. My review for these items can be found HERE, and since I got such an amazing deal on it, I have no regrets! Even though I don’t use these a ton, I still very much love them.
Benefit Cosmetics Wanderful World Silky-Soft Powder Blush in Crystah, Terra, and Java Crystah and Terra are in the shimmer formula and Java is the matte formula. I did not purchase anything in the satin formula because I was waiting for the delayed shade, Starlaa, to be released. I planned to review these blushes right away, but I had no idea it would take four months for that one to come out! In any case, I’ve been wanting mid-tone and deeper blush options from Benefit for so long that I just went overboard without thinking it through. My Beauty Resolutions were completely forgotten, or perhaps ignored, for this release. The review of them and even more shades can be found HERE.
Benefit Cosmetics Pore MINImizer Squad Primer Set
Aside from the fantastic price this was listed at via Asos, part of my motivation for buying this set was that I finished up a mini sample of the Hydrate primer and loved it enough to want another, but not a full-size, in addition to being curious about the Lite primer after Angelica Nyqvist raved about it so often, and I had no other setting sprays left in my collection.
I recall trying the original POREfessional primer many years ago, and liking the way it felt on my skin, but it left a cast that lightened the look of my foundation. I was nervous the Lite version would do the same, but it did not. The texture is very strange. It feels dry and chalky when it comes out, though it’s in a form soft enough to be rubbed in completely and smoothly. It’s less gel-like than typical silicone primers. It blurs my skin when I put it on, but with foundation on top of it, I don’t see the blurring effects anymore. Also, if rubbed into the skin excessively, it can pill up. I don’t consider myself as having that great of an issue with the size of my pores, so I only really require that my primer help my foundation look smooth on top of it and perhaps increase the longevity. I think my makeup looks nice initially when I put it on, but I don’t think it helps past midday. Sephora lists this as being, “Best for Oily, Combo, Normal Skin,” so it’s not surprising that it’s not the best fit for me.
The Hydrate primer, as I mentioned already, is one that I loved. The color and consistency actually reminds me of the Glamglow Thirstymud Hydrating Mask. It feels soothing on my skin because of that added hydration. It’s easy to apply. I don’t know if it extends the wear of my makeup, but so far there haven’t been any foundations I’ve worn with it that I disliked. This one is actually best for, “Dry, Combo, Normal Skin,” and although I don’t notice any blurring at any point, I think it improves the finish of my foundation.
The Super Setter I’ve only used a few times. It has a nice sprayer. Most of it sprays lightly and evenly, but with every spritz I can feel some spots that are heavier, yet when I check the mirror there are never any visible droplets on my skin. This is great news because I’ve had that issue with a few setting sprays in the past. This spray doesn’t make my skin feel tight, nor cooling, or change the look of my makeup in any way. I honestly don’t notice any effect it’s having on my face, even with longevity. So, I won’t be repurchasing it.
Alamar Cosmetics
The two Disney collab products are sold out and discontinued. I strongly regret not posting this in time or in a separate review. I just could not make up my mind about them and kept forgetting the details of my wear tests when I kept trying them with several months gap between uses over the past year. The other highlighter is still available on the website.
Alamar Cosmetics x Disney Encanto CollectionBlush and Highlighter in Hermosa Rosa and Flex Alert
The Encanto Blush is in the brand’s Colorete Powder Blush formula. Hermosa Rosa is a stunning shade. On bare skin it has issues with longevity. There was one instance that I applied a sheer layer and it faded within 20 minutes. I then built up the color heavily and it continued to fade, but I was left with a reasonable amount of blush on my cheeks by the end of the day. Over foundation, this isn’t as much of a problem, but I still need to put at least a medium amount of blush for it to last. Trying to keep it looking sheer doesn’t work for me. Aside from that, it’s so smooth looking on the skin and even in color and opacity. It blends well. I like this blush so much that I’ve considered purchasing more from the brand numerous times, but they’re all in palettes and I’m not drawn to the shades available. However, I continue to check the brand website a few times a year to see if they have additional shades I might like as much as this one.
The Encanto Highlighter is in the Sun Soaked Highlighter formula. This is the trickiest one for me to pinpoint how I feel about it because it depends on the time of year. When I’m at my darkest, this highlighter looks terrible on me because the color looks more stark against my skin and each individual particle is that much more apparent on my skin tone which makes it look excessively shimmery. When I’m lighter, I put my blush a bit higher on my cheekbones so the highlighter, when going on top of it, looks more natural. The pink tones with the gold shift match well over the coral color. It’s still borderline glittery looking, but it somehow just works. At least, it works on top of the Hermosa Rosa blush. I haven’t liked how it looks on top of other blushes. Color aside, it looks fairly smooth and lasts all day. And even though there is a lot of shimmer, it’s at about medium intensity because it doesn’t have the strongest reflect. I would recommend this only to someone who doesn’t mind a shimmery highlight while also not expecting it to be blinding.
Alamar Cosmetics Sun Soaked Highlighter in La Playa
I love a gold highlighter, but this one looks extra yellow next to certain blushes, so I’m not sure if this is the best color for me, even though it’s the right depth. This is one of those wet look type of highlighters and it’s less shimmery than Flex Alert, which I like. It has a semi-wet feel to it with some slip, similar to the Charlotte Tilbury Glow Glide Face Architect Highlighter formula, except that sometimes that smooth buttery texture adheres too strongly to one spot in a patch/clump. I have to go over it repeatedly to try and smooth it out when it happens. Essentially, this applies better with a more resilient bristle brush. It needs to be strong enough to move the product around evenly as it goes on the skin since it’s harder to blend out once it’s stuck. But once that initial layer is down, the highlighter can be built up stronger and more intensely. I included two photos above to show how it can be applied lightly on a natural finish foundation and a pink toned blush, or built up intensely especially on top of dewy foundation and an orange blush.
Despite how long I’ve had this highlighter, my praise of it goes up or down depending on the circumstances. On paper, this should be my ideal highlighter because of the way it looks like it melted into my skin (when having a shimmer clump isn’t an issue), it being more glowy than glittery, and it being a medium gold. However, because the formula isn’t perfect, it’s not on the list of my favorite highlighters. However, it’s still nice and I do like it…70% of the time.
Oden’s Eye Solmåne II Collection: Sunlight Love Blushers in W102 Peach Gleam, W103 Sienne Lustre and B103 Orange Sunny as well as the Gel Liner Pencils in 002 Orange and 012 Golden Brown. The review for all of my Oden’s eye purchases can be found HERE. Liners were not allowed in my low-buy, but I was curious, did not own these colors, and wanted to hit the free shipping minimum which would have nearly cost the same amount. The blushes from Oden’s Eye are still in my top favorites, but I don’t use them as often as I anticipated because I have so many other favorite blushes that I need to spread the love among. Plus, I’m still using the original Oden’s Eye blushes, so when I want to reach for one, I split the choices between the new ones and old ones.
Colourpop x Winnie the Pooh Super Shock Cheeks in 100 Aker Wood and Mind Over Matter – They were reviewed HERE.
Sonia G Master Face Brush – This brush was reviewed in Fude 4. I saved $20 on it because of credit carried over from the Beautylish Gift Card sale. It would have been worth it despite my low-buy if I ended up loving the brush, but it was just okay.
CDJapan, Fude Japan, and Hakuhodo USA Haul: This month was the last time I could get Hakuhodo brushes before the price increase (up to 30% in most cases), so I placed Fude Japan and Hakuhodo USA orders for that. From CDJapan, I bought Eihodo outlet brushes, the Chikuhodo PS-2, and Mizuho brushes MB123 and MB125. The Mizuho brushes and Hakuhodo ones can be found in Fude 5. The rest are in Fude 4.
Coloured Raine Haul: Botanical Eyeshadow Palette, Cream Blushes in Copper Rose, Stiletto Rose, and Spicy and Eyeshadow Base in Wheat – These were reviewed HERE.
The Alamar products were the last ones that needed reviewing for the month of May from 2022! I hope this has been helpful and especially from a different perspective all this time later after hype for the products have died down. Thank you for reading!
When I was scrolling through the Douglas Retailer website for brands that offered deep skin options in Europe besides the mega parent brands and sub brands from L’Oréal and Estée Lauder, I came across this one and remembered even seeing a few of their items on the French Parfumdo website as well. My curiosity grew. I learned that Mesauda (or Mesauda Milano) is an Italian beauty brand founded in 2007 and mainly spearheaded by Victor Buaron, along with his two brothers who also work in the company. Although Mesauda doesn’t have the best gradient of a shade range, it’s certainly better than the other ten or so brands I hadn’t heard of on the Douglas website that didn’t make anything darker than for medium skin tones. And in some cases, the range from Mesauda is still better than the brands I did recognize. This effort to be inclusive is what got me to take the plunge and make a purchase.
The Ordering Process
Technically, I made multiple purchases via Douglas and the brand’s website directly. I was able to get free shipping via Douglas, but that came with zero packaging protection. There’s no bubble wrap, tissue paper, or padding of any kind. The box itself is sturdy, but the items inside are able to slide around and into each other. Thankfully, I haven’t received any broken items from Douglas.
From the brand’s website, shipping from Italy to Germany starts at a little over 8 euros, which isn’t too bad a price considering you get 20% off your first order if you subscribe to their emails. Unfortunately, shipping outside of the European Union is super expensive. In my first order, I had no issues other than paying via Paypal requiring me to submit the information twice in order for it to go through. I would log into my account, fill in everything, click submit payment (via paypal), get redirected to my paypal to accept everything, get redirected back to the Mesauda website checkout page with everything blank again, relog in, repeat all the same steps, and then it would let me check out! It wasn’t a time-out feature from lingering on the page too long either. This happened even when trying to check out one minute after logging in. This is tedious, but not that bad as long as the orders go through.
The problem arose when I was making a second order and my cart total qualified me for free shipping automatically if I was within Italy*. But because I was shipping to Germany, it kept giving me an error message about needing to select a different shipping option, even though there was no second option to select. So, I actually had to remove items from my cart for it to give me the paid shipping option. Not a great move from a business standpoint if the customer is forced to buy less products to make the purchase go through!
*According to the shipping page, free shipping within Italy starts at 30 Euros and free shipping to Germany is supposed to start at 60 Euros. My guess is either this information is outdated and Germans aren’t supposed to get free shipping at any minimum which led to the error, or it’s supposed to be free after 60 Euros but it switches automatically to Italy’s free standard shipping option instead of the free international one. And since they likely use different post services depending on the location, the lack of coding to switch to the courier they use for Germany (DPD) could cause the inability to check out.
Then, in that same second ordering attempt, I tried to use my reward points which gave 15 euros off my order via a one-time-use code. The problem was that because the Paypal option makes you have to check out twice, the order failing to process in round 1 made the website register as if that code had already been used. So, when I tried to check out the second time in round 2, it said the code had been used the maximum number of times! I essentially had to email customer service (they replied within 24 hours and thankfully in English) and they gave me a new code, so I checked out in round 1 without the new code, waited til it took me back to the cleared page to relog and resubmit everything and put the code in round 2 of checking out, and then it completed the order! So, in the future, if I want to make use of the reward program I will have to hope the paypal error continues so I know to only include the promo code after the first “complete order” entry fails. Otherwise, if it actually goes through, I will have checked out without my code being applied!
I let them know about all of this including screenshots and a screen recording, but it wasn’t addressed in the email response other than giving me that new one-time-use code and telling me to let them know if it worked, so I’m not sure if it was understood.
Another thing to note is that I do not getting shipping confirmation emails from them, even though it says that’s something that is supposed to happen. Instead, I get an email from the shipping carrier the day before the order is due to be delivered.
So, one one hand, Douglas is the less expensive way to go, but they don’t have all the newest products and one has to pray the parcel delivery person won’t toss the package around like they do in the US.
When I access Douglas via Google Chrome, there’s an option to translate some of the page from German to English, but it makes the page buggy and not load sometimes, which is another factor in the ordering process. Douglas also has a point system, but I don’t have enough to see what it does. I believe it accounts for essentially 10% off one’s order at different point intervals. On the other hand, the official Mesauda website is much more English-friendly and has an option to select English at the bottom of the page that’s built into the site, but sometimes it doesn’t translate everything when loaded and it still shows Italian here and there. The official site also has the benefit of the reward program, but the downside is the potential issues checking out. As I’ve only contacted customer service with Mesauda, I don’t know how Douglas customer service compares. Also, I get the shipping confirmation via Douglas, but no additional emails letting me know when it’s about to be delivered.
Onto the reviews!
Bronze Venus Bronzer in Caramel Macchiato and Rich Mahogany
In the photo above, Caramel Macchiato is on the top left and right with Rich Mahogany on the bottom left and right. The left half of the picture shows how they look in the pan, while the right half shows a more accurate representation of how the colors will look on the skin. I took these photos in the same spot but slightly different angles and the amount of light I got from the window was able to show these drastic differences in the way they look. I believe I accurately captured all swatches though.
Caramel Macchiato
Caramel Macchiato is a warm golden-leaning bronzer shade. This is closer to my skin tone than most of the bronzers in my collection, but thanks to the buildable formula, I can make it very apparent if I want. Between the two deepest bronzer options, I think this one fits me better. However, the other shade shows up more on my skin because it’s less of a match with my undertone.
Rich Mahogany
Rich Mahogany is a medium-dark neutral brown with just a touch of red. This was actually the first of the two shades I purchased, and even though I preferred the color of Caramel Macchiato in the product images, I really didn’t expect that one to work for me. I didn’t even know if Rich Mahogany was going to be deep enough based on how it looked on the arm swatch of the darker model because I’m used to brands manipulating photos when their range doesn’t go very deep. *cough* Hourglass *cough*
I’m happy to report that Rich Mahogany could work for someone a shade or two darker than me, though it will be on the subtler side. The greater difference between Caramel Macchiato and Rich Mahogany is the undertone more than depth.
Six shades of bronzer is a nice amount, although I’m not sure if they go light enough on the spectrum either. It appears that they have the medium-tan range adequately covered.
Photo from the Mesauda Website
I very much like this formula of bronzer. Beyond being buildable, it has the benefit of the soft and buttery feeling texture that reminds me of the way the Huda Glowish Bronzer feels, but in a lighter consistency that’s more powdery in the way it gets picked up by a brush, while still applying to the skin in a beautiful natural sheen that mimics the look of a baked gelee formula. The brand cites coconut oil and Polynesian Tiare flowers as the sources of the “moisturizing boost with smoothing and antioxidant properties,” that is given to the skin. I believe that combination is how Monoi oil is produced, which I thought I would mention for those who like that oil in products, though Monoi isn’t specifically listed in the ingredients and it’s just coconut oil and the Tiara flowers separately. The emollient nature of this product is supposed to also aid in the adhesion to the skin, which I can attest to this bronzer lasting on me all day without fading. The downside is that I sometimes get the issue that in spots that have more moisture than others, I get a little bit of sticking of a patch that’s darker than the rest. I can mostly blend it out to look even with the rest of my bronzer, but sometimes it’s so stubborn in a sticking spot that I have to wipe it off or cover it back up with foundation, then apply powder, then redo the bronzer application in that spot. If I always powdered prior to bronzer, this might not be an issue. However, because I often skip powdering my whole face, I was able to notice this. And although I prefer to build up quickly a subtler shade like Caramel Macchiato with a brush like the Sonia G Smooth Buffer, I had the sticking issue a little more often with that brush. When I use a brush that doesn’t load on as much product, like the Sonia G Jumbo Bronzer brush, I haven’t had that problem.
To those averse to fragrance, this does contain some. The brand calls it a “floral/fruity” scent, but I just smell slightly soapy flowers. It actually reminds me of the smell of Dior powders, but not as strong.
Please click the photos to enlarge them if needed, and use the arrows to go through the slide before clicking ‘x’ in the slide to return to the post. As I mentioned before, the depths are about the same and the tone is the main difference between the two shades. They’re also on the subtle side now and if I get darker this summer, they might not show up anymore.
This bronzer doesn’t have holy grail status, but I could see myself putting this among the top 20 on a ranking list. Despite having it for over a month, I still feel I need more time with it to see if my interest in using it continues to grow over time or if it’ll be overshadowed by the others I own. For anyone interested in bronzers I purchased prior to 2023 and where I’d rank those, I have a post on that topic here.
Lust For Shine Highlighter in Guilty Treasure
Mesauda has several different forms of highlighter: liquid, baked, gel-powder, and cream-powder. Since my favorites tend to be gel-powder, I naturally chose to order this Lust For Shine formula. The texture is thinner and drier than I expected. The shimmer looks fairly smooth on the skin with its small particle size, while still being reflective. I consider the highlight intensity level to be a buildable medium, though it stands out even more on my skin tone because Guilty Treasure is on the lighter side of workable for me. I only brought highlighters with the same depth as my skin tone on the trip because I thought I would only want my highlight to look subtle, but I ended up still missing having that extra “pop” in my makeup looks. So, I bought this lighter shade out of fear that Deep Attraction might be my skin tone or deeper, which would have defeated the purpose of trying to buy a shade that differed from what I had with me. What helps Guilty Treasure to work on my skin tone is how sheer the formula is in allowing my skin tone to show through, which minimizes the cast I could have gotten if it had a base color as light as the shimmer. I apply my other highlighters first, and then add this one in strategic places for a spotlight effect. It can be blended out to a super natural shine for those who like the most subtle of highlighters, or layered up to the medium I mentioned, if one doesn’t blend it out too much. This highlighter doesn’t adhere to my skin as strongly. It will stay on most of the day, as long as I don’t touch my face more than a few times. There were some days during testing that it didn’t last more than a few hours and I realized I must have rubbed it off while sitting with my cheek rested on my hand or when I took a nap. A lot of highlighters don’t last through me napping, so that’s not too surprising. It’s just that this highlighter is easier to accidentally wipe away than others, and I have accidentally overblended it a few times already and needed to apply more. This can happen no matter which highlighter brush I use (goat, squirrel, synthetic-natural mix, fan brush, flat top, candle-shape, etc.). Also, if it’s one of my more natural days when I skip foundation, this highlighter definitely only sticks to my face for a short time. To help it adhere more strongly, I’ve tried spraying my brush to slightly dampen it the way I do with a lot of my shimmery eyeshadows. This added moisture helps increase the shine level and better melt it into the skin, but the effects are only temporary. The best way to make this last longer is to have products underneath that remain at least a little wet or emollient like a dewy foundation or cream highlight.
This formula is fairly nice and it’s easier to pick up product with the Mesauda highlighter than the Nabla one, but I’d still recommend the Skin Glazing highlighters (and it’s one euro cheaper) because of the gorgeous glass skin effect it has on the skin. I love when highlighters have a somewhat wet look to them (which gel-highlighters tend to do), but I only get a slight wet effect using the Mesauda one if all other products with it are fully dry. I still like it more than most standard powder formula highlighters, but it doesn’t make the top of my favorites list. I’m still glad I tried it because the curiosity would have gnawed at me.
Also, unlike the bronzers, this is fragrance free.
Photo from the Mesauda Website
At First Blush in French Kiss, Obsessed, and Lovebite
I wanted Obsessed and French Kiss from the beginning, but I didn’t expect the blushes to actually look as vivid in person as they are depicted in the swatches, and especially for the lightest shades available. So, I bought Lovebite to be on the safe side and realized quickly that although the blushes do look lighter on the skin than in the pan, they are still quite pigmented despite their thin texture (which seems to be a theme with Mesauda powder products). Another consistent feature is the soft and silky feeling to the touch of them.
There is visible shimmer in the pan, but it’s very fine and just adds a satin soft sheen to the cheeks. The brand boasts ingredients like, “rose hip with its emollient and soothing action and Ginko biloba with its antioxidant properties,” but it appears corn oil is a more prominent feature based on the order of the ingredients on the list. The emollient factor was considered a good thing in the bronzers, though it had that sticking to wetness issue. With the blushes, I don’t have any issues like that. Granted, it does fade a little as the day goes on, but I still consider it a decently lasting blush formula.
Also, just like the highlighter, these are fragrance free.
French Kiss
I would describe this color as a peachy-pink-brown, and on the lighter side of medium in terms of depth. It definitely shows up on me (though it’s harder to see on camera), and does not look ashy, but if it was just a little bit darker it would be perfect for me. I wear it on its own, but it makes for a nice mixing shade if I want to tone down a brighter blush to turn it a little more neutral without making my cheeks darker.
Obsessed
This is a warm medium toned peachy-pink blush. I expected this to be my favorite of the three, but it flips back and forth between first and second place. I like that it shows up on me easier than French Kiss because it’s a little darker, but I think the brown in the other one compliments my skin tone slightly more. However, since it’s a warm leaning pink it’s still complimentary. I use it on its own, but I also like mixing it with French Kiss.
Lovebite
I have to be careful using this one because it’s such a vibrant reddish-pink shade, and pigmented to boot. I tap my brush once into the pan and work that amount of product from my brush onto one single cheek until it’s blended to be less intense. Then I repeat the process on the other cheek.
I find it interesting that my camera is able to pick up the shimmer particles quite a bit. I never noticed them as much in my lighting situations back in Germany, though the intensity of light (even natural light) is quite different from there compared to Florida.
Photo from the Mesauda Website
Blush & Glow in Koralline
I think Mesauda is dropping the “Milano” part of their name because it’s not listed that way on the brand website; only on Douglas. In addition, the only packaging I could see with “Mesauda Milano” on it was this Blush & Glow product in circle packaging. This product is discounted everywhere at a price around 4 euros with only a few of the shade options available at various places, so I am guessing it’s being discontinued or will return in new packaging to match the black squares of the others.
Koralline is quite similar to Lovebite, but with more pink in it than red. I was hoping this would either be light enough to use as a highlighter or deep enough to wear as a full-on blush. I like the base color, but the pearls unfortunately create a cast on my skin tone in certain lighting situations that makes it look ashy, even though it’s absolutely deep enough of a blush shade for me (or would be without the pearl pigments). This has happened to me before with some highlighters that have a base color deep enough for my skin, but the shimmer itself is too dark or too light and that makes it unflattering on my skin tone. I had issues with pearl pigments in my Hourglass vs Guerlain post as well, and even some of MAC’s Mineralize Blushes, which is why it’s the only blush formula from MAC that I’m very picky about. It’s a bit funny that the day I took the photo, it happened to show on my camera the prettiest it’s ever looked!
The blush otherwise looks quite pretty on the skin, is smooth, contains “Jojoba oil with emollient and moisturizing action,” has decent longevity, and does remind me quite a lot of the MAC Mineralize Blush formula. However, because of that pearl (or the combination of the pearls with the “holographic pigments”), and the way it reflects in light, I planned to declutter it. However, seeing how it looks on camera, I will reconsider it.
Gold N-Roses Eyeshadow Palette
Photo from the Mesauda website (above) versus how it looks in person (below).
The online photos on the website don’t do this palette justice. The colors are much prettier in person and I was thrilled to see it contains a duochrome called Oh Wow. These eyeshadows are thin, yet give good color payoff, while being in tones that are on the softer side. For instance, instead of an intense red, we have Felicia which is a deep pink-red. Rather than a vibrant purple, Victoria is more of a muted magenta. This makes the palette perfect for someone who likes neutrals, but also enjoys dabbling in “wearable” colors or having festive options for specific outings/occasions.
The mattes take noticeably longer to blend than I’m used to, but not so long that I would call them “bad.” They just require a bit of effort. I recommend using a brush with bristles thicker than squirrel (like goat or synthetic) with them. Most of these are opaque, but Perception is extremely patchy. From the first time I swiped it on my fingers, I could see spots where my skin was showing through, and this wasn’t the case for any other shadow in the palette.
I understand that some brands prefer to make their black shadows buildable, but it gives a smoky worn out look when I use it since it doesn’t build to be entirely opaque. I like smokier looks, but not necessarily on the grungy editorial side. This shade is still usable, but I’d prefer to reach for another palette’s black eyeshadow.
As for the shimmers, I prefer using them wet to aid in the shiny look and ability to layer them up for average intensity.
Because of the way the plastic packaging feels, the shape of the pans, and the layout, this palette reminds me of Tarte and Persona palettes. However, I prefer the formulas from those two over this one and would prefer to pay the $4-$8 increased price for that quality. Because this palette hasn’t been in my possession for all that long, it still feels exciting to have, but I honestly don’t foresee myself reaching for it more than a few times after this review. I like this, but I can’t recommend it over similarly priced palettes on the market.
BARE HARMONY 3.0 Palette in 205 Hidden Green
My experience with this particular palette has additional positives and negatives over the Gold N’Roses palette. For starters, I bought it because I forgot to bring a deep shimmer or satin brown shade on the trip with me. Plus, I’m a sucker for pretty green eyeshadows and I was so intrigued by the look of Moss. It’s a combination of various green and gold/bronze shimmer, but it doesn’t have that true duochromatic effect. There’s no shift, but it’s undeniably still pretty.
I like that the pigmentation level is cranked up for these mattes, while still being just as thin. However, they require even more work than my other palette for blending. I don’t know if it’s necessarily worth that trade-off since blending time is more tedious to me than being able to get strong color payoff the tiniest bit quicker. As for the shimmers, they are wetter, creamier, and shinier than in the Gold N’Roses palette. My only issue was with Precious, because I had trouble picking up that shade on my brush without it either dispersing everywhere on my eyes in a low pigment scattered effect (because the particles aren’t bound together as much as the other shimmers) or coming up in a giant chunk if I pressed too hard into the pan. Essentially, I had to resort to spraying my brush every time I used it in order to get it to stick on my eyes in the area I wanted with minimal mess.
So, even though this palette is trickier to use, the color story is more my speed and how much more dramatic I can make my looks is why I think I might actually reach for this palette a bit more than Gold N’Roses. I have so many gorgeous palettes now in the green, brown, yellow, and gold color scheme that once the “new” feeling fades, I wouldn’t be surprised if I stop using it after another month or two and go back to using my favorites. As for whether or not I recommend Hidden Green, even though the Natasha Denona Mini Gold Palette is a few dollars more expensive and contains much less product, I believe that’s way more worth the purchase than this one. I don’t regret buying this one though because it was needed while I was overseas and I enjoyed it while my eyeshadow options were limited.
“The Skin” Foundation. Photo from the Mesauda Website.
I was very curious about this product, but I don’t have a good shade in this line. I’d be somewhere in the 73 or 74 range, but I’d need a color that didn’t have that strong of an orange tone. I cannot speak to how these shades look in person, but it appears that the light to medium range is well covered and much closer in depth between shades. There are huge gaps though from C70 and onward, plus C75 and W80 don’t look like real skin tones. They look like corrector colors on the darker end. It’s not enough for brands to have dark shades in their line. They have to be colors that actually match people, or else it seems like they didn’t invest as much time and effort in the creation of those colors and they are just there for show to look more inclusive than they are.
ConcealerPhoto from the Mesauda Website
I didn’t try the concealer for the same reason of being unable to find a color that would work for me. W90 is too light and too pink, but C95 is too dark. The range is missing quite a few tan to rich options, but this line does a better job looking like real tones (except the peach one P01 still looks like a corrector).
Face PowderPhoto from the Mesauda Website
Talk about a shade jump! The difference between 107 and 108 is staggering! Once more, I did not have a good color match. If this was the translucent type of powder, more people could perhaps be able to pull off using the last two. However, the website states, “The formula is rich in micronised mineral pigments for improved coverage and even application all over the face.” This talk of coverage leads me to believe it’s the pigmented kind of powder that could be used to boost the coverage of foundation. In this case, the range is definitely limited for those who aren’t fair to medium.
As decent of a job as the brand has done with the products I reviewed today, there are certainly areas that could be improved if they wanted to fill out their current range as their brand grows. I wish them the best and hope that this happens. I’ll be keeping my eye out on what they’re up to when I return to Europe toward the end of this year because they make some nice products of interest to me.
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